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The Autobiography of Miss Jane Pittman 1974

Runtime

110 min

Language

English

English

Through the eyes of 110-year-old Jane Pittman, this powerful story traces a life spanning over a century, from the era of slavery to the Civil Rights Movement. Witnessing firsthand the injustices of the 1960s and the hope for a brighter future, Jane's experiences reveal a profound journey of survival, courage, and unwavering hope in the face of unimaginable hardship and systemic oppression. Her recollections offer a poignant reflection on American history and the enduring strength of the human spirit.

Through the eyes of 110-year-old Jane Pittman, this powerful story traces a life spanning over a century, from the era of slavery to the Civil Rights Movement. Witnessing firsthand the injustices of the 1960s and the hope for a brighter future, Jane's experiences reveal a profound journey of survival, courage, and unwavering hope in the face of unimaginable hardship and systemic oppression. Her recollections offer a poignant reflection on American history and the enduring strength of the human spirit.

Does The Autobiography of Miss Jane Pittman have end credit scenes?

No!

The Autobiography of Miss Jane Pittman does not have end credit scenes. You can leave when the credits roll.

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Metacritic

77

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tbd

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In what year does Miss Jane Pittman celebrate her 110th birthday?

Awards & Nominations for The Autobiography of Miss Jane Pittman

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28th British Academy Film Awards 1975

Cicely Tyson
Nomination

Best Actress in a Leading Role

Cicely Tyson
Nomination

United Nations Award

John Korty

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In February 1962, within the rustic confines of a cabin situated on the sharecroppers’ quarters of the Samson property in Louisiana, a small group of close friends gathers to serenade Miss Jane Pittman (Cicely Tyson) with the soulful notes of Happy Birthday. Today marks a significant milestone, as she joyously blows out her candles, celebrating an astonishing 110 years of life. Amidst the festivities, she turns to her dear friend, Lena (Beatrice Winde), asking, “You gonna be with me here this time next year, Lena?” to which Lena replies with heartfelt optimism, “God willing.”

As the day unfolds, two young men arrive at the door, with Jimmy (Arnold Wilkerson), identified as Lena’s son, among them. They request a moment of privacy to discuss a pressing matter with Miss Jane. Moving to the porch, they reveal their intention to have a young girl sip from the White folks’ fountain in front of the courthouse, a symbolic act of defiance against the oppressive rules of segregation—an act that could lead to undesirable consequences. They wish for Miss Jane to join them, believing her presence would inspire the protesters. However, unwavering, she confesses that she will wait for a divine sign from God.

In the midst of these discussions, a White journalist, Quentin Lerner (Michael Murphy), approaches Miss Jane with the aim of chronicling her extraordinary life for a magazine, intrigued by her origins as a former slave. Miss Jane thoughtfully replies that she will make her decision on the matter tomorrow.

The following day, as Jimmy and a small cadre of protesters make their way to the courthouse, they witness a stark reality; sheriff’s deputies obstruct the girl’s attempts to drink from the fountain, escalating tensions into arrests but fortunately sparing any severe injuries. Driven by his journalistic instincts, Lerner returns to Miss Jane’s abode, where the radio announces the events transpiring at the courthouse and refers disparagingly to those involved as “Negro agitators.” As Lerner expresses an eagerness to hear Miss Jane’s life story, she cheekily inquires, “How far back do you want to go?”

The narrative then delves into a poignant flashback to the Civil War era, where a young Ticey (Valerie Odell), a slave girl, is forced to fetch water for Confederate soldiers. Amidst the chaos, she encounters Union soldiers, particularly Corporal Lewis Brown (Dudley Knight), who bestows upon her the name Jane—a name he insists offers her dignity beyond the shackles of slavery.

As the war concludes, their freedom comes shrouded in uncertainty, with Jane contemplating her future and the path towards Ohio, a journey filled with peril. In the darkness of one tragic night, Jane witnesses the brutality inflicted upon her community, as a patroller’s blitz leads to the slaughter of her loved ones. After this horrific event, Jane cradles the very stones used to ignite their last warmth, symbolizing resilience and remembrance.

The narrative sweeps across time, illustrating Jane’s relentless pursuit of a better life, her devotion to teaching and organizing, and the continuous struggle against the injustices of racism. It paints a vivid picture of her life on the Dye plantation, marked by rebirths of hope dashed by the horrors of the Ku Klux Klan’s violence, shaping her character into a beacon of strength for those around her.

Years pass, and Jane grows to understand the meaning of love through her relationship with Joe Pittman (Rod Perry). Tragedy strikes again when Joe’s life is cut short in a tragic accident involving an untamed horse, leaving an indelible mark on Jane’s heart that she carries with her through the decades.

Now a symbol of legacy, Jane’s past melds into the present day, where she finds herself reflecting on her life, burdened by both triumph and despair. As her 110th birthday arrives, Miss Jane remains a cherished elder among the sharecroppers, embodying the struggles and aspirations of her community. With her friend Lena and the new generation represented by young Jimmy, faced with the complexities of the Civil Rights Movement, Jane’s spirit educates them about resilience.

In an emotionally charged climax, despite all warnings, Miss Jane sets out to honor Jimmy’s memory by confronting racial injustices head-on. As she approaches the White Only drinking fountain, the tension thickens; an officer orders her to stop, but she resolutely continues her march, her determination unmistakable. In this courageous act, she sips from the fountain—a bold declaration against oppression. There, she symbolizes her undying spirit and the battles fought for dignity, walking away symbolically with her cane, gliding into the dusk.

The poignant close of her story comes with Lerner’s narration of Jane’s passing, underscoring the impact of her life and the legacy of resistance she leaves behind, painting her not just as a monument of her times, but as a living testament to the relentless quest for justice and equality that continues to resonate. The sun sets behind her, illuminating the journey of a remarkable woman—a journey marked by hardship, triumph, and an indomitable spirit.

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Miss Jane Pittman

The Autobiography of Miss Jane Pittman Themes and Keywords

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water fountainslaverydeep southblack americanafrican americansocial injusticeracistrace relationsoral historyalbino horsefreedom riderspanish american warku klux klancivil rights movementold woman110 year old womanamerican civil warconfederate armyhorseback ridingyear 1862year 1863yankee soldieryounger version of characterkiss on the foreheadbeatingohioboatmississippi rivertypewriterwritersugar canelynchinghouse on firewoman criesfemale protagonistsurrogate mother surrogate son relationshipyear 1875year 1876son leaves homereading a letter aloudsharecropperbearded mann wordshotgunselling a horseselling possessions to raise moneyhusband wife relationshipnative americanhusband carries his wife over the thresholdamerican indian

The Autobiography of Miss Jane Pittman Other Names and Titles

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A Autobiografia de Miss Jane Pittman Miss Janes selvbiografi 珍瑰曼小姐自传

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A Autobiografia de Miss Jane Pittman Miss Janes selvbiografi 珍瑰曼小姐自传

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