
Caden Cotard, a theater director grappling with personal and professional struggles, begins an ambitious project to construct a meticulously detailed replica of New York City within a warehouse. He populates this miniature world with actors portraying people from his own life, blurring the lines between reality and performance. As Caden delves deeper into his creation, he confronts his own mortality and the complexities of human relationships, exploring themes of existence, loss, and the search for meaning in a chaotic world.
Does Synecdoche, New York have end credit scenes?
No!
Synecdoche, New York does not have end credit scenes. You can leave when the credits roll.
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67
Metascore
8.1
User Score
69%
TOMATOMETER
71%
User Score
7.5 /10
IMDb Rating
76
%
User Score
Challenge your knowledge of Synecdoche, New York with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What award does Caden Cotard receive that grants him financial freedom?
Pulitzer Prize
MacArthur Fellowship
Tony Award
Academy Award
Show hint
Discover all the awards and nominations received by Synecdoche, New York, from Oscars to film festival honors. Learn how Synecdoche, New York and its cast and crew have been recognized by critics and the industry alike.
24th Film Independent Spirit Awards 2009
Best Screenplay
Best First Feature
Read the complete plot summary of Synecdoche, New York, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Theater director Caden Cotard finds his world disintegrating around him. Struggling with various physical ailments, he becomes increasingly isolated from his artist wife, Adele. Things take a turn for the worse when Adele decides to leave him for a new beginning in Berlin, taking their four-year-old daughter, Olive, along with her.
Following the success of his production of Death of a Salesman, Caden is unexpectedly awarded a MacArthur Fellowship, providing him the financial freedom to delve into his artistic endeavors. He resolves to create a profoundly honest and brutal artistic piece, channeling his entire essence into it. He assembles an ensemble cast in a vast warehouse situated in Manhattan’s Theater District, where he orchestrates a tribute to the ordinary. He assigns the cast to live out their constructed lives as the mock-up within the warehouse increasingly reflects the bustling city outside. Amidst this chaos, Caden grapples with his personal struggles. The weight of realization hits him as he learns that Adele has become a renowned painter in Berlin, while Olive is growing up under the dubious care of Adele’s friend, Maria.
After an unsuccessful romantic encounter with Hazel, the box office attendant, Caden marries Claire, an actress from his cast, with whom he has a daughter. However, their relationship soon crumbles, leading Caden to maintain an awkward bond with Hazel, who is now married with children and serving as his assistant. Meanwhile, an unidentified ailment begins to nag at him, gradually shutting down his autonomic nervous system.
As time slips away, the warehouse becomes a sanctuary, detached from the decay ravaging the outside world. Caden immerses himself further into his magnum opus, blending the lines between reality and the performance by incorporating doppelgängers into the production. Notably, Sammy Barnathan, an actor with an unsettling obsession with Caden, is cast to play him in the play, while a lookalike fills Sammy’s original role. Sammy’s interest in Hazel rekindles her relationship with Caden, prompting Sammy to take a tragic turn and ultimately end his own life. Just as Caden and Hazel find solace in each other, tragedy strikes again when Hazel succumbs to smoke inhalation in her perpetually burning house.
As he pushes the boundaries of both his personal and artistic relationships, Caden allows an actress to take over his directing role while he adopts her former position as Ellen, Adele’s caretaker. He spends his days in a replica of Adele’s apartment under the new director’s guidance, as unexplained disasters unfold in the warehouse, leaving devastation and casualties in their wake. Eventually, he readies himself for death, resting his head on the shoulder of an actress who once played Ellen’s mother, the seemingly last living soul in the warehouse. As this poignant scene fades to gray, Caden begins to share his newfound vision for the play, only to be interrupted by the director’s final cue in his ear:
“Die.”
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