
Flaming arrows introduce this classic family drama. Orphan Susannah Sheldon (Shirley Temple), the lone survivor of an Indian raid in the Canadian West, is taken in by Mountie Angus Montague (Randolph Scott) and Vicky (Margaret Lockwood). When the attackers return, Susannah’s quick wit and charm help broker a peaceful settlement.
Does Susannah of the Mounties have end credit scenes?
No!
Susannah of the Mounties does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Susannah of the Mounties (1939) via JustWatch.
Explore the complete cast of Susannah of the Mounties, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Victor Jory
Wolf Pelt

Maurice Moscovitch
Chief Big Eagle

Moroni Olsen
Supt. Andrew Standing

Randolph Scott
Inspector Angus 'Monty' Montague

Shirley Temple
Susannah 'Sue' Sheldon

Margaret Lockwood
Vicky Standing

J. Farrell MacDonald
Pat O'Hannegan

Lester Matthews
Harlan Chambers

Billy Wilkerson
Indian

Chief Thunderbird
Indian

John Sutton
Corporal Piggott

Charles Irwin
Sergeant MacGregor

Herbert Evans
Doctor

Herbert Heywood
Hostler

Jack Luden
Williams

Leyland Hodgson
Randall

Russ Clark
Workman

Chief John Big Tree
Chief (uncredited)

Larry Dods
Inspector Churchill

Martin Good Rider
Little Chief

Eddie Big Beaver
Indian

John Little Blaze
Indian

Charles Iron Breast
Indian

Chief Victor Coward
Indian

Tom Spotted Eagle
Indian

Yellow Kidney
Indian

Juniper Old Person
Indian

Albert Mad Plume
Indian

Dan Bull Plume
Indian

Night Shoots
Indian
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Which actress plays the role of Susannah 'Sue' Sheldon?
Read the complete plot summary of Susannah of the Mounties, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Set against the Canadian Pacific Railway’s western frontier in the early 1880s, the film follows the tense collision between expanding rail lines and Indigenous lands. After a brutal ambush on a wagon train, only one survivor remains: Susannah ‘Sue’ Sheldon [Shirley Temple], who is found by a mounted patrol led by Inspector Angus ‘Monty’ Montague [Randolph Scott]. He and his loyal ally Pat O’Hannegan [J. Farrell MacDonald] bring her to the frontier post, where they strive to help her recover from the trauma and reclaim a sense of safety amidst danger and distrust. The quiet routine of the camp is soon disrupted by personal feeling and political pressure, weaving personal loyalties with larger tensions.
Some time later, Vicky Standing arrives from Toronto to visit her father, the Superintendent [Moroni Olsen], and Monty is instantly captivated by the visitor’s presence. The new romance sparks a delicate rivalry within the camp: Susannah and Harlan Chambers [Lester Matthews], the camp’s formidable head, jockey for standing and influence, while the fragile peace between the settlers and the Indigenous communities remains unsettled. The danger rises again when renegades steal horses from the railroad camp, prompting wary conversations with the local Indigenous leaders and stirring old fears.
A pivotal, conciliatory gesture comes from Chief Big Eagle [Maurice Moscovitch], a friendly leader who promises to track down the renegades and deliver them to the camp. As a sign of goodwill, the Chief leaves his son, Little Chief [Martin Good Rider], at the post to learn from both sides of the boundary—an arrangement that deepens Susannah’s admiration for the Indian world and gives Little Chief a bridge to the white community. Little Chief befriends Susannah, teaching her some of the Indian ways, and the two ride out together to monitor the area.
Their ride leads them to Wolf Pelt [Victor Jory], a renegade trying to hawk stolen horses to Chambers. The encounter erupts into a heated confrontation, and Chambers’s threats against the Indigenous people become a catalyst for renewed conflict. Wolf Pelt возвращает back to his tribe, amplifying the tension by leveraging Chambers’s threats to push the tribe toward war against the Europeans. That night, Wolf Pelt raids the post to retrieve Little Chief and abducts Monty, a dangerous move that tests every bond of trust in the settlement.
Big Eagle sends a stark demand: abandon the area or Monty will be killed. Desperate to locate him, Susannah courageously searches the Indigenous camps; she is captured during the ordeal but remains focused on saving Monty. As the tribe prepares to burn Monty at the stake, Susannah escapes the teepee and appeals to Big Chief, presenting Wolf Pelt’s deceit as the true spark behind the violence. Wolf Pelt denies the charges, but the truth is tested by the Chief’s “stick of truth,” a ritual that points toward the liar. When the stick settles on Wolf Pelt, Big Chief frees Monty and offers him and Susannah a chance to seek peace together, symbolized by an offer of the peace pipe. The story closes with a fragile, cautious reconciliation that acknowledges the complexities of land, loyalty, and survival on the frontier.

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