Such Good Friends 1971

Julie Messinger, Dyan Cannon, a complacent Manhattan housewife and mother of two, lives under the quiet pressure of a marriage to Richard, a chauvinistic and self-centered art director and author of a bestselling children’s book. When he undergoes a minor neck surgery to remove a mole and falls into a coma, the medical team uncovers a cascade of errors: another surgeon nicked his artery, triggering a blood transfusion that provokes a rare allergic reaction. The following day, while doctors report that the immediate transfusion reaction has passed, Richard’s liver sustains serious damage and other organs begin to fail, throwing Julie into a nightmarish trial of fear, duty, and the fragility of what she thought was safe. The sterile hospital lights and rapid-fire medical updates stand in stark contrast to the domestic routines she once relied on, and the emotional weight begins to press in from every side.

A family friend, Cal Whiting [Ken Howard], reveals that his girlfriend Miranda Jennifer O’Neill has confessed to an affair with Richard over the past year. Julie’s impulse is to retreat into silence, but she seeks guidance from her egocentric mother, Nina Foch, whose practical bluntness offers little comfort or clarity. Miranda’s confession shatters Julie’s sense of trust, and the revelation that Richard and Miranda had discussed marriage despite the risks of exposure leaves Julie feeling both betrayed and strangely exposed herself. The emotional tremors ripple through her world as she tries to hold together the image of a stable family for two young sons while grappling with the painful truth of her husband’s infidelity.

Julie’s psyche begins to crumble under the weight of deceit and fear. She confronts Miranda, who speaks honestly about love and danger, and Julie’s circle of certainty grows murky. In a moment of raw vulnerability, Julie turns to Cal, whose own fragility becomes apparent when his attempt to rekindle closeness with her falters due to impotence. The hospital becomes a stage for confession and crossing lines, as Timmy [James Coco], a doctor who has kept quiet out of loyalty to his friend Richard, invites Julie to his apartment for drinks and reveals that he knew about Richard’s affairs—both with Miranda and with other women. Despite her initial resistance, Julie is drawn to Timmy, and the emotional heat of their encounter pushes them both past boundaries.

Back at home, Julie discovers a black book hidden in Richard’s desk, a ledger of coded data that details his numerous affairs with many of her friends and acquaintances. The discovery shatters any remaining illusion of a private, faithful life. She entrusts the book to Cal, who shows it to Miranda to prove that she was merely another conquest in Richard’s long pattern of infidelity. The next day, Richard suffers a cardiac arrest, and Julie is forced to face a harrowing truth: she still wants him alive, even as she contends with the profound damage his actions have caused to their family. The emotional calculus shifts from vengeance to a nuanced, painful desire to preserve some sense of family continuity, if only for their two sons.

When Timmy confirms Richard’s death, Julie and her sons take a quiet walk through Central Park, a space that holds the memory of better days and the uncertainty of what comes next. The park’s calm becomes a counterpoint to the upheaval of Julie’s life as she contemplates a future shaped by betrayal, resilience, and the complicated pull of family loyalty. In the end, the film traps Julie between the ache of loss and the stubborn, stubborn impulse to endure.