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As the US invasion of Iraq looms in 2003, a team of dogged reporters probes the Bush administration's claims of WMDs, exposing the blurred lines between politics and propaganda in a gripping drama that probes the nature of truth and accountability.

As the US invasion of Iraq looms in 2003, a team of dogged reporters probes the Bush administration's claims of WMDs, exposing the blurred lines between politics and propaganda in a gripping drama that probes the nature of truth and accountability.

Does Shock and Awe have end credit scenes?

No!

Shock and Awe does not have end credit scenes. You can leave when the credits roll.

Meet the Full Cast and Actors of Shock and Awe

Explore the complete cast of Shock and Awe, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.


Ratings and Reviews for Shock and Awe

See how Shock and Awe is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Shock and Awe stands among top-rated movies in its genre.


Metacritic

47

Metascore

5.7

User Score

Rotten Tomatoes
review

28%

TOMATOMETER

review

42%

User Score

IMDb

6.4 /10

IMDb Rating

TMDB

64

%

User Score

Letterboxd

2.8

Movie Insider

4.80/5

From 5 fan ratings

Take the Ultimate Shock and Awe Movie Quiz

Challenge your knowledge of Shock and Awe with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.


Shock and Awe Movie Quiz: Test your knowledge on the events and themes of the 2018 film 'Shock and Awe'.

What year did the events of the movie primarily take place?

Full Plot Summary and Ending Explained for Shock and Awe

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Read the complete plot summary of Shock and Awe, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


In 2006, the Senate Committee on Veteran Affairs convenes to deliberate the future funding of the Veteran Affairs, and at this pivotal moment, we meet retired Army veteran Adam Green, a young man who lost his legs while serving his country. Adam, who enlisted in the military at the tender age of 19 and was deployed to Iraq, bravely shares his harrowing experience of how just hours after arriving in Iraq, his transport vehicle was struck by an IED, causing a life-altering injury that left him wanting answers about the true reasons behind the war in Iraq.

As Adam’s testimony unfolds, another narrative takes shape: a group of dedicated journalists, including Warren Strobel and Jonathan Landay, are on a mission to probe the claims made by the Bush Administration regarding Saddam Hussein’s purported possession of weapons of mass destruction, which served as a justification for the 2003 invasion of Iraq, ominously dubbed “Shock and Awe.” President George Bush asserted that this war was essential to safeguard the world from a looming threat, aiming to dethrone Saddam and spread democracy throughout the Middle East.

In this backdrop, we flash back to September 2001, when the tragic events of 9/11 send shockwaves through the nation. Amidst this turmoil, John Walcott, the bureau head for the Knight Ridder news service—a collective of 31 newspapers—dispatches reporters Warren Strobel and Jonathan Landay to scrutinize the unfolding story. Despite the State Department’s insistence on Iraq’s involvement in the attacks, a burgeoning narrative suggests that Al-Qaeda, led by Osama bin Laden, is the true perpetrator.

Walcott is adamant that the State Department’s approach to instilling democracy in the Middle East is misguided, rooted in nationalism rather than genuine patriotism. This sentiment is echoed by Vlatka Landay, Jonathan’s wife, who expresses her skepticism towards the administration’s justifications. Meanwhile, Lisa Mayr, who resides in the same building as Strobel, begins a romantic relationship with him, providing a personal dimension to the unfolding investigation.

As the investigation deepens, it is revealed that the Defense Department has sent an ex-service member to Europe with the objectives of tracing links between Iraq and the 1993 World Trade Center bombing. Walcott’s sources in Afghanistan reveal a worrying trend: U.S. military assets are being diverted to Iraq, hindering efforts to locate Osama bin Laden, who evades capture by slipping into Pakistan.

During this tumultuous time, Walcott encounters Joe Galloway, a seasoned war correspondent from the Vietnam War era who is now entangled with the administration’s narratives. He proposes a collaboration that could potentially amplify their pursuit of the truth regarding the war. Walcott speculates an invasion’s repercussions, arguing that the push to install Ahmed Chalabi as Iraq’s leader could fracture Iraq into warring factions, leading U.S. troops into a quagmire of civil unrest.

As tensions mount, an analyst from the Pentagon discloses that Donald Rumsfeld is orchestrating a parallel intelligence operation, in collaboration with Chalabi and Israeli sources, to fabricate justifications for the invasion. A crucial concern arises over Washington’s journalistic integrity, highlighting a troubling addiction to political access that compromises the factual basis of reporting.

Walcott firmly believes in the reliability of his sources, standing in contrast to the narratives pushed by others, such as Judith Miller. He recalls first encountering Ahmed Chalabi many years prior, characterizing him as a figure devoid of genuine war experience. Despite the overwhelming support of mainstream networks for the administration’s claims, Walcott’s team perseveres, ensuring they rigorously question and investigate the available facts.

As evidence mounts that the administration neglects expert advice on the Middle East and nuclear capabilities, their commitment to factual journalism seems to deliver results. In stark opposition to the administration’s claims of WMDs, their investigation ultimately lays bare a fabric of deception. Despite their own moments of doubt, Walcott, Strobel, and Landay emerge as champions of integrity, leading to a sobering conclusion that 17 years of war have resulted in staggering consequences: $2 trillion in expenditures, 36,000 American lives lost, 1 million Iraqi casualties, and no weapons of mass destruction found.

The tireless work of Knight Ridder’s journalists culminates in recognition when they receive the Raymond Clapper Memorial award from the Senate Press Gallery on February 5, 2004, underscoring their dedication to illuminating the truth behind the complex and often murky justifications for the Iraq war.

Uncover the Details: Timeline, Characters, Themes, and Beyond!

Watch Trailers, Clips & Behind-the-Scenes for Shock and Awe

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SHOCK AND AWE - Official Trailer

Cars Featured in Shock and Awe

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Explore all cars featured in Shock and Awe, including their makes, models, scenes they appear in, and their significance to the plot. A must-read for car enthusiasts and movie buffs alike.


AM

General HMMWV

AM

General HMMWV M998

Chevrolet

2000

Cavalier Convertible

Chevrolet

2000

Suburban

Ford

Crown Victoria

Ford

1995

Explorer

Ford

1995

Ranger

Ford

2000

Taurus

Honda

1998

Accord

Jeep

Grand Cherokee

Movie Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


reference to weapons of mass destructioniraq invasionjournalistjournalismiraqseptember 11 2001reference to iraqmiddle eastinvestigative journalismmother son relationshipfamily relationshipsguitar playinggeorge w. bush presidencynewspapernews servicewire servicecomplicitydirected by starfather son relationshipatlasmapterrorismenlistmentsoldierbarscene during opening creditsnews reportnews footagecell phoneringing telephonetext messageeditorpentagonflowersboyfriend girlfriend relationshipmediamedia coveragereference to george w. bushterror attackpentagon buildingreporter as protagonistnews reporternewspaper reporterpatriotismwheelchairwar on terrorismreference to donald rumsfeldreference to saddam husseinheld at gunpointempty gun

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