
Set during World War II, a series of murders erupts at a convalescent home where Dr. Watson is volunteering. Watson calls on Holmes, and the famed detective methodically examines a lengthy roster of suspects—including the home’s proprietors, staff members, and recovering patients—to uncover the killer and bring the case to resolution.
Does Sherlock Holmes Faces Death have end credit scenes?
No!
Sherlock Holmes Faces Death does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Sherlock Holmes Faces Death, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Nigel Bruce
Doctor Watson

Basil Rathbone
Sherlock Holmes

Hillary Brooke
Sally Musgrave

Norma Varden
Gracie the Barmaid

Peter Lawford
Young Sailor at Bar

Frederick Worlock
Geoffrey Musgrave

Mary Gordon
Mrs. Hudson

Gavin Muir
Phillip Musgrave

Milburn Stone
Capt. Pat Vickery

Olaf Hytten
Captain MacIntosh

Halliwell Hobbes
Alfred Brunton, the butler

Dennis Hoey
Inspector Lestrade

Arthur Margetson
Dr. Bob Sexton

Eric Snowden
Sailor Playing Piano

Heather Wilde

Minna Phillips
Mrs. Howells
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Challenge your knowledge of Sherlock Holmes Faces Death with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who serves as the resident physician at Musgrave Manor when the story begins?
Dr. Watson
Dr. Sexton
Dr. Grant
Dr. Moran
Show hint
Read the complete plot summary of Sherlock Holmes Faces Death, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Dr. Watson (Nigel Bruce) serves as the resident physician at Musgrave Manor in Northumberland, a stately house that also functions as a hospital for servicemen suffering from shell shock. The estate’s atmosphere is quiet but charged as Sally Musgrave (Hillary Brooke) reveals a soft, personal interest in Captain Pat Vickery, an American fighter pilot recovering there. Her brothers Geoffrey (Frederick Worlock) and Phillip (Gavin Muir) react with immediate dismay, sensing trouble in the family’s arrangements and in the hospital’s delicate balance.
When Dr. Sexton, one of the physicians at the estate, is attacked during a walk, Watson calls in his famous ally, Sherlock Holmes (Basil Rathbone), to bring clarity to the unsettling events. Holmes’s arrival coincides with tragedy: Geoffrey Musgrave is found dead, and Inspector Lestrade (Dennis Hoey) arrives to take charge, quickly arresting Captain Vickery on suspicion of murder. Holmes questions the arrest and begins a careful, methodical inquiry, convinced that the captain may be innocent and that the truth lies deeper within the Musgrave household.
As the investigation unfolds, Phillip is appointed the new head of the estate, aided by his sister, but the turnover is short-lived. Within a single day, Phillip himself is murdered, his body discovered in the trunk of a car. The motive and the method point inward, and Lestrade suspects the recently fired butler, Alfred Brunton (Halliwell Hobbes), though the true danger lies far more insidiously within the family circle. When Lestrade attempts to arrest Brunton, he becomes entangled in the estate’s secret passages, underscoring the labyrinthine nature of the case.
Holmes and Watson turn their attention to the enigmatic Musgrave Ritual, the family’s age-old method for appointing a new head. The clues lead them to Sally’s room, where the ritual’s words appear in a hidden form, revealing that the process is tied to a grand game: a giant chess match laid out across the main hall floor. The living staff and servicemen must act as the game’s pieces, and each move reveals a new layer of meaning about loyalty, lineage, and the family’s fate.
The ritual game directs them to a buried crypt beneath the house. There, Brunton’s body lies with a case containing an old document. Holmes meticulously reads the surroundings and stages a calculated trap for the killer. After others retire for the night, he slips back into the crypt, waiting for the murderer to reappear. Sexton emerges, and Holmes confronts him with the evolving evidence. Yet Sexton overpowers Holmes, seizing his revolver and confessing his role in the killings. The confrontation ends with Sexton narrowly escaping a fatal shot, only to be confronted by Lestrade and Watson who are ready to seize him.
Holmes explains that Sexton had uncovered an old land grant that would have enriched the Musgraves to a fortune of millions. By murdering Geoffrey and Phillip, Sexton aimed to make Sally the heiress and to secure a marriage proposal to her by framing her sweetheart, Vickery. Sally, however, rejects the prospect of profiting from such bloodshed and destroys the document, cutting off the danger at its source and denying Sexton the fortune he sought.
As the case closes, Holmes and Watson drive away, contemplating the moral shift around them. In a reflective moment, Holmes comments on a broader change in society, captured in a memorable line:
There’s a new spirit abroad in the land. The old days of grab and greed are on their way out. We’re beginning to think of what we owe the other fellow, not just what we’re compelled to give him. The time’s coming, Watson, when we shan’t be able to fill our bellies in comfort while other folk go hungry, or sleep in warm beds while others shiver in the cold; when we shan’t be able to kneel and thank God for blessings before our shining altars while men anywhere are kneeling in either physical or spiritual subjection… And God willing, we’ll live to see that day, Watson.
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