
In Borstal, survival rules! Powerful, uncompromising drama about two boys’ struggle for survival in the nightmare world of Britain’s notorious Borstal Reformatory.
Does Scum have end credit scenes?
No!
Scum does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Scum (1979) via JustWatch.
Explore the complete cast of Scum, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Ray Winstone
Carlin

Philip Jackson
Mr Greaves

Phil Daniels
Richards

Andrew Paul
Betts

Julian Firth
Davis

Sean Chapman
James

Perry Benson
Formby

P.H. Moriarty
Mr. Hunt

George Winter
Rhodes

Herbert Norville
Toyne

John Blundell
Banks

John Fowler
Woods

Mick Ford
Archer

Patrick Murray
Dougan

John Judd
Mr. Sands

Danny John-Jules
Baldy's lookout (uncredited)

John Grillo
Mr Goodyear

Peter Howell
Governor

Alan Igbon
Meakin

Bill Dean
Mr Duke

Nigel Humphreys
Taylor

Ray Jewers
PE Teacher

Jo Kendall
Matron

Peter Francis
Baldy
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Challenge your knowledge of Scum with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Which actor portrays the character Carlin?
Read the complete plot summary of Scum, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Three young men arrive at a borstal by prison van: Carlin, Angel, and Davis. Each is allocated a room; Angel and Davis get single rooms, while Carlin is sent to a dormitory. Carlin, who has taken the blame for his brother’s scrap-metal theft, settles into a tense, watchful quiet as he begins to navigate the strict hierarchy of the institution.
Carlin quickly befriends Archer, an eccentric and intelligent inmate serving two years for workplace fraud who prefers peaceful disruption over open confrontation. Archer explains that Banks, the current “Daddy” of the wing, maintains power through bullying and fear, aided by Richards and Eckersley, with staff largely turning a blind eye. This establishes the social map of the borstal: a fragile balance where leadership is earned through intimidation and where the authority of the staff is compromised by indifference.
Davis and Angel quickly become targets as Banks’s violence spills over into the new arrivals’ lives. Davis is hazed and attacked, while Angel is brutalized in his room. To temper his anxiety and keep a low profile, Carlin watches as the trio is soon put on report after a brutal encounter, and the fear inside the dormitory intensifies. In this climate, helplessness and aggression fuel each other, and the line between protector and aggressor begins to blur.
Determined to claim control and protect the others, Carlin uses a sobering moment of calculated violence. He corners Richards with an improvised cosh—two snooker balls tucked into a sock—and, after forcing Eckersley to back off from reporting him, seeks out Banks. In a brutal washroom ambush, he delivers a severe beating and proclaims a new order: the wing will answer to a leader who will not tolerate interference. The move earns him the uneasy respect of many inmates and signals a chilling shift in the Borstal’s dynamics, showing that Carlin’s strategy hinges on fear, leverage, and the willingness of others to play along.
As days pass, Carlin’s grip tightens. He defeats an opposing wing’s Daddy, establishing himself as the central authority across the house. With Archer and Meakin by his side, he curbs the victimization of weaker prisoners and curbs racially charged violence, presenting a more orderly, if still brutal, system. His ascent catches the warders’ attention, and the staff begin to acknowledge his control—he even negotiates a single cell in exchange for acting as a “natural leader” to the housemaster, Mr. Goodyear.
Meanwhile, Toyne—Meakin’s friend—receives devastating news from in-laws that his wife has died. Depression takes hold of him, and warders scold him for moping as he slips into a profound despair. Slashing his arms, Toyne is moved to an adult prison, where he dies after a second suicide attempt. Carlin advises caution to avoid Eckersley and his cronies, but tragedy keeps creeping into the borstal’s walls, coloring every decision with fear and grief.
The crisis deepens when Davis is subjected to a brutal gang-rape by three youths who had asked for a smoking break. A warder, Sands, sees what happens but grins and does nothing to intervene, and later that night Davis kills himself with a razor blade after being ignored when he presses the help button. Warder Greaves does not intervene, and the defiance of the system bursts into the open tragedy that has been quietly simmering beneath the surface.
The aftermath shocks the establishment into action. In the dining hall, the inmates sit in silence, jolted into action by Davis’s death and Toyne’s earlier loss. Carlin initiates a full-scale riot, pulling Archer and Meakin into a reckoning with the staff. The wardens beat them, dragging them into solitary confinement, while the Governor announces that the damage to the dining hall will be paid through lost earnings. In a final, somber moment, the Governor leads a minute of silent prayer for Davis and Toyne, underscoring the human cost of a system that legitimacy comes at the price of dignity.

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