Roxie Hart 1942

Stuart Chapman starts a new job as a newspaper reporter in Chicago and is pulled into a murder investigation alongside his veteran colleague Homer Howard. After a long day, the pair share a drink in a bar, and Homer recalls a case from 1927—a murder involving the young dancer Roxie Hart.

In 1927, a theatre booking agent named Fred Casely is murdered, and his body is found in Roxie Hart’s apartment. Roxie Hart, Ginger Rogers, becomes entangled when the crime links back to her. Roxie’s husband, Amos Hart, George Chandler, is questioned by the police as the investigation unfolds. Reporter Jake Callahan, Lynne Overman, and Casely’s partner E. Clay Benham, Nigel Bruce, press Roxie to cooperate and even let herself be arrested, arguing that a woman is unlikely to be convicted in Chicago and that the fame could revive Roxie’s fading career.

In jail, Roxie speaks to reporters, including Homer, whose career is just starting to take shape. Her defense is handled by Billy Flynn, the showman of a lawyer, Adolphe Menjou, who crafts a courtroom strategy that leans on Roxie’s appearance as a vulnerable, wronged woman. Flynn arranges a string of interviews with the press and orchestrates Roxie’s performance of her trademark dance, the “Black Hula,” to captivate public attention.

Homer becomes one of the reporters charmed by Roxie, and he also uncovers a crucial lead from Michael Finnegan, Frank Darien, the janitor in Roxie’s building, who reveals that Amos is the actual killer. Motivated to help Roxie, Homer digs deeper while Flynn stretches the timeline to keep Roxie’s trial out of the spotlight. Roxie schemes to win public sympathy by feigning pregnancy, a trick that buys her more time and delays the proceedings.

Flynn’s strategy pays off as Roxie’s early courtroom triumph grows, and Amos is arrested instead, diverting attention away from her. Faced with a choice between the earnest but poor Homer and a wealthier court-connected suitor, a stockbroker named O’Malley, Roxie navigates a precarious path between love, money, and fame. The legal theater, media sensationalism, and shifting loyalties form the core of the drama, as the case becomes as much about public perception as about the facts.

Back in 1942, Homer finishes his recounting and leaves the bar with the sense that the story has defined two lives. The bartender—who turns out to be O’Malley, a man who lost everything in the 1929 stock market crash—listens as Homer’s tale winds down. Moments later, Roxie herself arrives with their six children, announcing that she is pregnant with another, closing the loop on a life shaped by ambition, scandal, and the ever-watchful gaze of the public.