Reprisal! 1956

Runtime

74 mins

Language

English

English

New ranch owner Frank Madden—half‑Indian but posing as white—arrives as an all‑white jury acquits the three Shipley brothers who lynched three innocent Indians. Conflict erupts when the Shipleys graze cattle on Frank’s land. After an Indian victim’s brother kills a Shipley, Frank is blamed and jailed. The Shipleys then rally a lynch mob and head for the jail.

New ranch owner Frank Madden—half‑Indian but posing as white—arrives as an all‑white jury acquits the three Shipley brothers who lynched three innocent Indians. Conflict erupts when the Shipleys graze cattle on Frank’s land. After an Indian victim’s brother kills a Shipley, Frank is blamed and jailed. The Shipleys then rally a lynch mob and head for the jail.

Does Reprisal! have end credit scenes?

No!

Reprisal! does not have end credit scenes. You can leave when the credits roll.

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Reprisal! (1956) Quiz: Test your knowledge of the 1956 Western film Reprisal! with these ten mixed-difficulty questions.

Who is the man that purchases the ranch near the small town?

Full Plot Summary and Ending Explained for Reprisal!

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Read the complete plot summary of Reprisal!, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


Frank Madden buys a ranch near a small town and hires American Indians to help run it, a decision that stirs distrust among the townsfolk and sparks envy from the neighboring ranchers—the three brothers Bert Shipley, Neil Shipley, and Tom Shipley.

An elderly Indian named Matara arrives, revealing he is Madden’s grandfather. Madden, who is half Indian, has chosen to pass as white. Matara urges him to embrace his heritage, but Madden agrees to pretend that Matara is his Indian houseman instead, keeping up the deception for the time being.

Before Madden bought the ranch, the Shipley brothers killed the wife of an Indian man named Takola near a dead tree on the ranch. Takola returns, sees Madden, and shoots at him, missing. He tells Madden what happened at the tree. Madden dismisses the tale and tells Takola to forget the incident and stay away from the ranch.

Romance blooms between Madden and Catherine Cantrell, the daughter of the local land agent who sold him the ranch. Meanwhile, one of the Shipley brothers cheats on his wife with a young Indian woman named Taini, Madden’s ally, which stirs jealousy and suspicion among Madden’s adversaries.

One night in town, a Shipley brother spots Madden and taunts him in a public confrontation; Madden refuses to turn around, inviting him to shoot him in the back with the whole town watching. The moment never comes, and Madden walks away.

Takola tracks the same Shipley brother returning to the ranch and shoots him in the back. The next day, the remaining Shipley brothers return with their brother’s body and accuse Madden of murder. A mob gathers in the street, seeking to lynch him, but the Sheriff intervenes and arrests Madden, while the Shipleys rally the townsfolk to seize him anyway.

As tensions flare, Taini steps forward and claims Madden was with her all night. The lie convinces the mob to release him, and Catherine, torn between trust and doubt, initially chooses to distance herself. Madden heads to recover his belongings from the jail while the town fumbles through its judgments.

Then Madden’s grandfather, Matara, arrives in a wagon, carrying a pistol he intended to use to defend Madden after hearing he was jailed. The Shipley brothers open fire on Madden, Matara, and Taini; Taini is wounded, and Matara is shot in the chest. Madden seizes the pistol and shoots both attacking Shipleys, while Matara dies in Madden’s arms.

In the aftermath, Madden reveals to the town that Matara was his grandfather and that his American Indian name is Neola. He decides to sell the ranch and move on, and the Sheriff notes that Takola had helped locate the truth and will see that Takola gets a fair trial. The Sheriff also expresses hope that Madden might return someday. As Madden readies to ride away, Catherine arrives in traveling clothes, and the two ride off together toward an uncertain but hopeful future.

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HD Film Trailer - Reprisal!, 1956

Reprisal! Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


reprisalretributionredemptioncattlemandefense attorneypassing for whitenew in towncattle ranchjealous manracistracial hatredmurder trialhalf breednative american stereotypesheriffranch ownerland deedinjusticeracial discriminationdomestic terroristsexual assaultdrunkennessgrandfather grandson relationshipmurdered grandfatherfalse accusationlynch mobinterrupted hangingbarbed wirepack horseman woman romanceaccepting one's heritageleaving towntrying to change the future1880sshot in the shoulderclassical westernamerican indiannative americannoir westernjailsaloonoklahomajudgerevengebased on novel

Reprisal! Other Names and Titles

Explore the various alternative titles, translations, and other names used for Reprisal! across different regions and languages. Understand how the film is marketed and recognized worldwide.


Le sang de l'indien Représailles Rappresaglia Präriebanditen La Vengeance de l'Indien Расправа! Represalia

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