
After a taste of knowledge, the girls at Ogilvy Academy believe they’re Pretty Smart. In this teen‑drama, a young woman is sent to an elite Mediterranean finishing school, where she rebels against a cruel, perverse headmaster. Discovering his secret scheme of covertly photographing the students naked and selling the images, she unites the other girls and seeks revenge.
Does Pretty Smart have end credit scenes?
No!
Pretty Smart does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Pretty Smart, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Patricia Arquette
Zero

Michele Valley
Ms. La Croch

Joely Fisher
Averil

Ken Solomon
Count Hawke

Julie K. Smith
Samantha Falconwright

Konstantinos Tzoumas
Mr. Twill

Giorgos Kotanidis
Professor Raji

Philece Sampler
Beth

Mihalis Giannatos
The Turk

Kim Waltrip
Sara Gentry

Tricia Leigh Fisher
Daphne Ziegler

Vassili Karis
The Italian

Dennis Cole
Richard Crawley

Brad Zutaut
Alexis

Tammy Hyler
Tour Guide

Elizabeth Davis
Diane

Richard Svare
Mr. Abercrombie

Paris Vaughan
Torch

Kimberly B. Delfin
Yuko

Lisa Lörient
Jennifer Ziegler

Joseph Medawar
The Lebanese

Paul Mathus
The Colombian
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Challenge your knowledge of Pretty Smart with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What are the names of the fraternal twin sisters who arrive at Ogilvy Academy?
Daphne 'Zig' and Jennifer
Megan and Laura
Sophie and Claire
Anna and Beth
Show hint
Read the complete plot summary of Pretty Smart, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
On a sunlit Greek hillside sits Ogilvy Academy, an elite boarding school that promises polish but hides a sharper social divide. Daphne ‘Zig’ [Tricia Leigh Fisher] and her well-behaved fraternal twin sister Jennifer [Lisa Lörient] arrive after a recent arrest, with Zig intent on getting expelled at the earliest opportunity and Jen aiming to survive the term with minimal trouble. The sisters quickly become focal points on a campus where outward elegance masks louder tensions about rules, conformity, and gender roles. The atmosphere is slyly competitive, with students navigating a rigid hierarchy as they try to reconcile personal impulses with the expectations of a school that prizes appearance as much as ascent.
Unbeknownst to students and staff, the headmaster Richard Crawley [Dennis Cole] runs a drug trafficking operation and records surveillance videos of students engaged in sexual acts. The revelation of his double life casts a shadow over every interaction on campus, transforming everyday routines into potential leverage in a dangerous game. The revelation also explains the pervasive sense that something is off behind the school’s polished facade, a sense that begins to creep into even the most innocent moments.
The school’s curriculum itself is far from traditional, skewed by a sexist undercurrent that values etiquette, ballroom dancing, and diction over genuine learning. A non-native English speaker in the role of instructor teaches the etiquette components, underscoring how the system prioritizes performance over critical thinking. Against this backdrop, the only teacher who truly engages with literature and ideas is Sara Gentry, a beacon of relatively normal instruction in a setting that seems designed to limit and shape female voices.
The student body divides into two main factions: the Preens, who conform to the school’s rigid, image-conscious rules, and the Subs, who resist the infrastructure and seek something more authentic. Daphne is welcomed into the Subs, a group that questions the curriculum and the campus’s moral compass, while Jen aligns with the Preens, playing by the rules even as she observes the contradictions around her. The rivalry between these groups intensifies as the girls negotiate friendships, rivalries, and the pressure to fit into a world that prizes surface appearances over substance.
After a public relations event involving a nearby boys’ prep school, the Preens are rewarded with a glamorous day trip to Paris, a trip that is revealed to be a calculated ruse designed for Crawley to smuggle drugs. In a parallel thread of courage and curiosity, Ms. Gentry secretly organizes a field trip around the island for the Subs, offering them a chance to experience learning beyond the classroom walls. Crawley discovers her actions and responds by firing her, a move that shakes the school’s delicate balance and pushes students to reassess where power really lies.
Sometime later, the residents throw a birthday party for Daphne and gift her a boombox, a symbol of personal freedom and self-expression that Crawley quickly confiscates. When Daphne and her fellow Subs stealthily enter his office to retrieve it, they stumble upon the surveillance videos and the disturbing truth about his drug-trafficking operation. The Subs quickly relay the shocking information to the Preens, and the two groups join forces to expose Crawley’s corruption, turning the campus’s internal divisions into a united front against abuse of power.
With Crawley having fled the campus and Sara Gentry returning to a position of administrative leadership, a new sense of possibility settles over Ogilvy Academy. The school seems poised to move toward a more humane and balanced approach to education, one that values genuine learning and mutual respect over spectacle. In this revised climate, Daphne chooses to remain at the school, embracing the chance to redefine her path and to prove that rebellion can coexist with responsibility, while Jen finds her own footing within a system that now appears capable of change.
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