Pittsburgh 1942

John Wayne stars as Charles ‘Pittsburgh’ Markham, a coal miner driven by big dreams and a swagger that borders on recklessness. He weaves everyday grit with a restless ambition, turning small opportunities into stepping stones for a much larger ascent. He plants seeds of leverage in every corner of his world—promoting a loan here, coaxing a tailor into a new suit there, and even nudging his best friend into a boxing ring to raise money. The mix of charm and calculation defines his early ascent, and the people around him become both fuel and obstacle on the climb.

When Josie Winters enters his orbit, portrayed with presence by Marlene Dietrich as Josie Winters, Pittsburgh’s smooth surface meets a heart shaped by the same rugged, humble beginnings he claims to outrun. He begins calling her “Countess” after the impression she makes, yet she remains wary of his oversized schemes. She challenges him to walk away from the mine, and he takes the dare—quitting his job and, with it, stepping away from Cash Evans’ side of the operation. The moment signals a pivot from personal bravado to a broader, riskier game.

A new opportunity follows as Markham courts a steel mill owner with a promise of cut-price coke. He fakes the owner’s signature on a contract to persuade the mine owner to supply it, a bold act that marks his first real plunge into the mechanics of big business. Flush with this early success, he speaks of lifting the lot of the men he once worked with, but the intoxicating rush of power soon overwhelms his better judgment. The marriage to the steel mill owner’s daughter—Shannon Prentiss Markham, Louise Allbritton—deepens his social standing, yet it leaves Josie uncomfortable and increasingly distant as he cabals through formal weddings and public appearances.

As his ambitions widen, Pittsburgh pushes his in-laws out of the family business and turns away from the miners he had promised to help. He also halts research into a promising coal-tar medicine meant to alleviate world suffering because it doesn’t offer immediate profit. The personal and professional fractures widen when Cash draws a line and asks to exit the partnership, a decision that foreshadows the erosion of Pittsburgh’s carefully built world.

The mine becomes a pressure cooker: the men revolt, and Pittsburgh heads down to face them alone, still trusting in his unstoppable self-assurance. Cash intervenes, turning the clash into a direct, personal confrontation that exposes the limits of Pittsburgh’s methods and the fragility of his empire. The fallout is brutal—Cash abandons him, his wife walks out, and Josie is badly hurt in a mine accident. Alone and confronted with the ruins of his former life, Pittsburgh confronts the consequences of his choices.

He seeks redemption the hard way, trying to repair the damage he caused and reclaim some measure of former idealism. Cash and Josie eventually marry, and Pittsburgh’s business folds under the strain of his earlier miscalculations. Yet a sliver of opportunity remains: as World War II drags America into a new kind of collective effort, he takes a subordinate role in Cash’s new company, entering under an assumed name and starting at the bottom. His new proposals for improving output catch Cash’s eye, while a careful, rising tension follows him as he re-enters the circle of trust.

As the war intensifies, a meeting with the boss nears, and only Josie can avert a bitter quarrel between old rivals. The film pivots on a clear wartime message—an insistence that devotion to country must come first. The moment is delivered with quiet force, and Pittsburgh earns a chance to redeem himself through service rather than self-importance.

In the end, the trio’s bond is reconstituted, and Pittsburgh is given another chance to prove himself—not by sheer dominance, but by steady, cooperative leadership. He rises from his lowly position to production manager, and eventually to partner, a quiet testament to the idea that even the most ardent ambitions can be tempered by duty, loyalty, and the shared goal of a common good.

• Supporting threads from the world around Markham include Thomas Gomez as Joe Malneck, the Miners Union President, who embodies the tension between labor and management; Nestor Paiva as Barney, the cafe proprietor who witnesses the town’s changes; Frank Craven as J.M. ‘Doc’ Powers, and Ludwig Stössel as Dr. Grazlich, Powers’ partner, who anchor the medical and moral questions that weave through the plot; Charles Coleman as Mike, Markham’s loyal butler; Paul Fix as Burnside, the mine operator caught up in the economic web; Shemp Howard as Shorty the Tailor, and Samuel S. Hinds as Morgan Prentiss, the Prentiss steel patriarch, all of whom populate a story that moves from grit to grandeur and back again.

devotion to our country

The movie remains a portrait of ambition and its consequences, a saga of ambition tempered by the moral choices that sustain a community, and a reminder that leadership is most meaningful when it serves those it seeks to lead.