
A young woman begins receiving cryptic advice from her future self, leading her and her friends to confront difficult choices and unexpected consequences. As they navigate evolving relationships and a troubled new student’s arrival, they discover the importance of empathy, understanding, and the power of second chances to build a stronger community.
Does Orange have end credit scenes?
No!
Orange does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Orange, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Yôko Moriguchi
Miyuki Naruse

Kento Yamazaki
Kakeru Naruse

Hirona Yamazaki
Takako Chino

Tao Tsuchiya
Naho Takamiya

Ryo Ryusei
Hiroto Suwa

Erina Mano
Rio Ueda

Dori Sakurada
Saku Hagita

Reiko Kusamura
Hatsuno Naruse

Shingo Tsurumi
Koji Nakano

Kurumi Shimizu
Azusa Murasaka

Show Kasamatsu
Participant in Relay Race

Macaulay J Lee
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Challenge your knowledge of Orange with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who is the 16‑year‑old protagonist who receives letters from her future self?
Naho Takamiya
Hiroto Suwa
Takako Chino
Azusa Murasaka
Show hint
Read the complete plot summary of Orange, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In 2015, Naho Takamiya, a sixteen-year-old about to start her second year of high school in Matsumoto, is stunned when a batch of letters arrives on her way to class. The letters are written by her future self, ten years ahead, and they urge her to avert a single, looming regret that could shape the rest of her life. At first she suspects a prank or a dream, but as the notes begin to touch on real moments yet to unfold, she finds herself forced to consider a path she never imagined: could she actually rewrite part of her own fate?
The letters center on the arrival of a transfer student from Tokyo, Kakeru Naruse, who quickly becomes part of Naho’s circle of friends. He teams up with her and a tight-knit group that includes Hiroto Suwa, Takako Chino, Saku Hagita, and Azusa Murasaka. Together they navigate the new dynamics of high school life, from casual conversations in the hallways to the shared rituals of adolescence, such as school festivals, games, and late-night talks about dreams and fears. The letters, though, warn of a deeper danger haunting Kakeru, a weight he carries that could lead toward a tragic end.
Moved by the forewarnings, Naho resolves to act against the predictions rather than accept them. She encourages Kakeru to chase his passions, urging him to join the soccer team and to lean into friendships that might steady him through rough times. She also nudges him away from pursuing a relationship with upperclassman Rio Ueda, believing that maintaining focus on school and self-worth could alter the trajectory of his life. Naho’s attempts to intervene are grounded in genuine care, tempered by the knowledge that she is already peering into a future she longs to protect.
As the letters unfold, Naho learns that the stakes extend beyond individual choices. In 2025, she—now a married woman with a child—returns to Kakeru’s former home with her friends for a memorial that reveals a grim truth: Kakeru did indeed die, and his death was not an accident but a suicide. This revelation casts a new light on the 2015 events and intensifies the sense that every small kindness in 2015 could influence a much larger outcome in 2025. The tension between fate and agency becomes a running thread through both timelines, inviting the audience to consider how much control one has over the course of a life.
Back in 2015, a pivotal moment occurs at a shrine during the Bon Festival. There, through the frank honesty that comes with their shared fear of losing Kakeru, [Kakeru Naruse] reveals the deep pain of his mother’s suicide. This moment helps illuminate the burdens he carries and why the future he dreads feels so real to Naho. The revelation also adds layers to the group’s resolve to support him, showing how closely the present is tied to past traumas and how healing might require confronting painful memories rather than avoiding them. The supporting cast digests this new truth with empathy, and the bonds among Naho, [Hiroto Suwa], [Takako Chino], [Saku Hagita], and [Azusa Murasaka] strengthen as they decide to stand by Kakeru in his moments of vulnerability.
As the days pass, Hiroto travels to Naho’s home to report that he, too, has received a letter from his 2025 self. The two realize that while they cannot undo what has already happened, they can attempt to carve out a parallel path where Kakeru has a chance at a fuller life. With this shared understanding, the five friends brainstorm ways to celebrate Kakeru’s seventeenth birthday and to keep his spirits buoyed against the tide of sorrow. They plan small, meaningful gestures—a series of gifts and show of solidarity that culminate in a relay race the group hopes he will anchor. The race becomes a symbolic turning point: it is not just about victory, but about the affirmation that Kakeru has a place in this future they all want to see him inhabit.
Before the relay, Kakeru opens up about his mother and the quiet, persistent weight of that loss. The group’s response is a quiet, subtextual vow to stand by him, to shoulder the burden together, and to remind him that he is not alone. With this shared resolve, Kakeru gives the flowers he had requested to Naho, and the team—Hiroto, Chino, Hagita, and Azusa—step forward as a unified unit. Their support helps him find a renewed spark, and the relay race ends with Kakeru as the anchor, finishing strong and earning the group a moment of triumph that feels like a promise for a better future. After the finish, a small, tender moment arrives: Kakeru kisses Naho on the cheek as a reward for their collective belief in him.
Yet even as the group seeks to sew hope into the fabric of their lives, a quieter tension persists. Weeks before the New Year, a disagreement over his grandmother’s health strains Kakeru and Naho’s friendship, testing how far their shared mission can stretch without tearing them apart. In the midst of this strain, the film returns to a dramatic revelation: Naho confesses her feelings for Kakeru, and he responds by revealing his own difficult plan to end his life. The moment pushes the characters toward the edge of despair, and the weight of their choices becomes almost intolerable.
In the climactic sequence on New Year’s Eve, Kakeru’s absence from the anticipated meeting triggers a desperate search through the streets of Minamoto. The friends nearly lose him to a speeding truck, but in a moment that underscores the fragility of their intertwined fates, they manage to pull him back from danger. He apologizes for the pain he has carried and admits that he does not want to die, provided he can still be with the people who care for him. The film closes with a haunting, hopeful juxtaposition: in 2025, Naho, Hiroto, Chino, Hagita, and Azusa watch a sunset from a hill, their silhouettes united by shared memory and longing; in parallel 2015, the same scene unfolds with Kakeru by their side, suggesting that friendship and love can alter even the bleakest conclusions, or at least redefine what “ending” means.
Throughout, the story threads together themes of time, choice, and compassion, asking how far one should go to protect a friend, how to honor a memory without succumbing to it, and whether a single act of kindness can ripple across years to reshape a life. The characters’ journeys—navigating adolescence, trauma, and healing—are rendered with a steady, humane attention to detail, making the emotional core feel both intimate and universal. The narrative never loses sight of its core premise: that the future can be influenced by present courage, and that the bonds we form in youth can endure, even when the timelines themselves are uncertain.
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