
In the aftermath of the 1929 Wall Street crash, a disillusioned young businessman, on the brink of suicide, discovers a thick envelope on his desk. As he reads the letter addressed to him, the narrative flashes back to World War I, recalling his fateful encounter with Mary Lane and the events that shaped his life.
Does Only Yesterday have end credit scenes?
No!
Only Yesterday does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Only Yesterday, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Berton Churchill
Goodheart (Uncredited)

Walter Catlett
Barnes (Uncredited)

Reginald Denny
Bob

James Flavin
Billy (Uncredited)

Edna May Oliver
Leona

Ferdinand Munier
Harper (Uncredited)

Robert McWade
Harvey Miles

Jane Darwell
Mrs. Lane

Leon Ames
Lee (Uncredited)

Richard Tucker
One of Jim's Friends (Uncredited)

Billie Burke
Julia Warren

Margaret Sullavan
Mary Lane

Franklin Pangborn
Tom (Uncredited)

Edmund Breese
Investor (Uncredited)

Arthur Hoyt
Burton (Uncredited)

Joyce Compton
Margot (Uncredited)

Onslow Stevens
Barnard

Eddie Kane
Investor (Uncredited)

Bramwell Fletcher
Scott Hughes

Louise Beavers
Abby (Uncredited)

Tommy Conlon
Bob Lane (Uncredited)

Ralph Brooks
Nightclub Patron (Uncredited)

John Boles
James Stanton "Jim" Emerson

Barry Norton
Jerry (Uncredited)

Dennis O'Keefe
New Year's Eve Reveler (Uncredited)

Jimmy Butler
Jim Jr.

Bill Elliott
New Year's Eve Reveler (Uncredited)

Leo White
New Year's Eve Reveler (Uncredited)

Edgar Norton
George (Uncredited)

Larry Steers
Parade Onlooker (Uncredited)

Bert Roach
Rex (Uncredited)

Marie Prevost
Amy (Uncredited)

Lafe McKee
Father at Train Station (Uncredited)

Huntley Gordon
Investor (Uncredited)

William H. O'Brien
Nightclub Waiter (Uncredited)

Alphonse Martell
Headwaiter (Uncredited)

Crauford Kent
Graves (Uncredited)

Bert Moorhouse
Party Guest (Uncredited)

Ruth Clifford
Eleanor (Uncredited)

Marion Byron
Grace (Uncredited)

Grady Sutton
Charlie Smith (Uncredited)

Geneva Mitchell
Patty

Betty Blythe
Mrs. Vincent (Uncredited)

Sidney Bracey
Second Butler (Uncredited)

Jason Robards Sr.
Investor (Uncredited)

June Clyde
Deborah

Vivien Oakland
Ethel (Uncredited)

Fred 'Snowflake' Toones
Wall Street Bootblack (Uncredited)

Dorothy Christy
Rena (Uncredited)

Florence Lake
One of Jim's Friends (Uncredited)

Noel Francis
Letitia

Natalie Moorhead
Lucy (Uncredited)

Sheila Bromley
May (Uncredited)

Dorothy Granger
Sally (Uncredited)

George Meeker
Dave Reynolds

Craig Reynolds
Hugh (Uncredited)

Sam McDaniel
Red Cap Porter (Uncredited)

Jerry Frank
Party Guest (Uncredited)

Gay Seabrook
Toodie (Uncredited)

Adrienne Marden
Helen (Uncredited)

Rafael Alcayde
Party Guest (uncredited)

Maidel Turner
Party Guest (Uncredited)

Jeanne Sorel
Lesbian (Uncredited)

Lucille Powers
Ruth (Uncredited)

Jeanne Hart
Betty (Uncredited)

Churchill Ross
Party Guest (Uncredited)

Benita Hume
Phyllis Emerson

Herbert Corthell
Preston (Uncredited)

Jay Whidden
Orchestra Leader

Warren Stokes
O.O. McIntyre (Uncredited)
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Challenge your knowledge of Only Yesterday with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Which actress portrays Mary Lane in the film?
Margaret Sullavan
Billie Burke
Greta Garbo
Bette Davis
Show hint
Read the complete plot summary of Only Yesterday, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
On October 29, 1929, several New York City society figures are reeling from the stock market crash. They converge at the home of James Stanton Emerson, John Boles, for a cocktail party, each reacting to the news in their own way. Emerson arrives late, now bankrupted, and slips away to his office, intending to end his life. As he writes a goodbye note, a letter waiting for him is opened—it is from Mary Lane, Margaret Sullavan, a woman from his past he has long forgotten.
Reverting to the last year of World War I, James, an officer stationed near Mary Lane, is introduced to her at a formal party. She has orchestrated a chance encounter and reveals she has long harbored affection for him. They spend the night together, and it is implied they become intimate.
Months later, James’s unit is sent to France. Mary learns she is pregnant, and her family arranges for her to go to New York to recover with her broadminded aunt Julia Warren, Billie Burke. When her child is born, the Armistice is declared, and James returns but does not remember Mary; he is swept into his social circle of wealth and privilege. Mary, heartbroken, decides to raise their son, Jimmy Jr., alone while keeping wary of his returns and knowing he has married someone else.
A decade passes. Mary has become a successful shop owner, living a life shaped by independence and the memory of her past. Jimmy Jr. is now about 10 and in military school. During a holiday visit, Mary’s suitor, a man named Dave Reynolds, appears—he has proposed several times, but she has refused. The family heads out to a club for the New Year’s Eve ball drop; Mary promises to call Jimmy after midnight to tell him whether Dave has proposed and whether she has accepted.
At the club, Mary runs into James again—this time, both notice the familiar spark but James does not remember their earlier history. They share a quiet, charged moment, and she agrees to go home with him. They spend the night together, and she keeps their past concealed, telling him it is best to remain strangers. Back home, Jimmy, who has spent the night worried, learns that Mary is not pursuing a proposal: his declaration is that he wanted her to have a father, not just a partner.
On October 28, 1929, Mary lies on her deathbed with heart trouble and writes a long letter to James that recounts the life she has led since their first night together and asks him to be a parent to their son after her departure. Jimmy is summoned from his school and learns of his mother’s death; Aunt Julia delivers the letter to James’s home.
Back in the present, James finishes reading the letter, puts away his gun, and discards his suicide note. His wife confronts him about their loveless marriage, and he reveals that he has found something to live for, blessing her pursuit of happiness with her other partner. He goes to Aunt Julia’s apartment, where Jimmy opens the door in tears. James embraces his son and, in a decisive moment, reveals that he is the father—an emotional turn that marks a bold shift from the original Zweig story.
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