
Guna, a labourer from a remote Maharashtrian village, dreams of the vibrant tamasha theatre. Determined, he forms his own troupe, only to be cast not as the regal king he imagined but as a ‘nachya’—an effeminate, homosexual role. Accepting the part reshapes his life and strains his family's standing, pulling him between artistic fulfillment and societal respect.
Does Natrang have end credit scenes?
No!
Natrang does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Natrang, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Amruta Khanvilkar

Rajesh Bhosle

Atul Kulkarni
Gunvantrao Kagalkar

Vibhavari Deshpande

Priya Arun Berde

Kishore Kadam

Sonalee Kulkarni
Naina

Kishor Choughule

Milind Shinde

Guru Thakur

Uday Sabnis

Sunil Dev

Siddheshwar Zadbuke

Sandesh Jadhav

Prashant Tapasvi

Mangesh Satpute

Ganesh Revdekar

Santosh Shinde

Mahadev Salokhe

Rajesh Balkrishna Jadhav

Gaurav Kamble

Nikhil Zhope

Akaram Patil

B. Majnalkar

Yakub Saeed

Vitthal Umap
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What is the name of the main protagonist who dreams of staging Tamasha?
Read the complete plot summary of Natrang, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Gunvantrao Kagalkar, known as Guna, is a poor village labourer who nurtures a deep, enduring love for Tamasha, the vibrant folk theatre that’s a heartbeat of Maharashtra.
When his job disappears, he teams up with his friend and mentor Pandoba to start a small theatre company. To give the project a chance to thrive, Guna believes the troupe must have a female dancer. Pandoba finds Naina, the daughter of his former lover Yamunabai, who is willing to join on one condition: the show must include a “Nachya”—a man who performs in an intentionally effeminate way.
With no easy support from his family, Guna takes on the challenging role himself, driven by an unyielding passion for the art. His dedication helps the performances take off, and the troupe’s work quickly attracts audiences and attention.
But success soon pulls the production into a political power struggle between two local politicians who want to ride its popularity for their own ends. Meanwhile, tragedy strikes at home: Guna’s father dies in the village, and his wife and son endure harassment from angry neighbors. Violence escalates as rival gangs attack the theatre and torch the venue. Guna is unfairly branded as a eunuch and subjected to brutal assault, yet he remains determined to continue.
Despite the rejection of his family and the discouragement of some friends, Guna presses on, kept company by Naina as the show endures and grows. It is implied that Guna and Naina marry, and that their performances gain national and international acclaim, spreading the reach and reputation of their troupe far beyond their village.
The story closes with an older Gunvantrao Kagalkar, celebrated as a living legend of the stage, stepping onto a major awards ceremony stage to accept a lifetime achievement award.

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