
Narba is a kind man who cherishes his wadi, a lush grove in Konkan filled with coconut trees, banana, betel nut, and areca nut plantations—a precious inheritance from his ancestors. His peaceful life is threatened when the avaricious landlord Rangarao sets his sights on the wadi and is determined to take it by any means necessary. The story follows Narba's struggle to protect his ancestral land and the traditions it represents against Rangarao’s relentless pursuit.
Does Narbachi Wadi have end credit scenes?
No!
Narbachi Wadi does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Narbachi Wadi, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Manoj Joshi
Rangarao Khot / Malhari Khot

Nikhil Ratnaparkhi
Berke

Dilip Prabhavalkar
Narba

Kamlakar Satpute
Dadu Nhavi

Bhalchandra Kadam
Dr. D'souza

Kishori Shahane
Renuka

Atul Parchure
Dattoba Lingappa Kaikini

Jyoti Halshe
Kaminibala / Manju

Vikas Kadam
Pandhari

Srujan Watve
Young Pandhari

Ambarish Deshpande
Raghav Khot

Suhas Shirsat
Chor (Thief)
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Challenge your knowledge of Narbachi Wadi with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who is the original owner of the coconut grove?
Naroba
Malhar
Rangarao Khot
Krishna
Show hint
Read the complete plot summary of Narbachi Wadi, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In a quiet Konkan village set in 1946, a middle‑aged cultivator named Naroba Dilip Prabhavalkar tends his coconut grove alongside his young grandson, Srujan Watve. The village’s powerful landlord, Rangarao Khot, is a flirtatious and ruthless figure who stops his palanquin to chase a passing woman—only to discover that the woman is a trans person. Shocked and oddly entranced, he wanders toward Naroba’s grove, mesmerized by its beauty and decides to prepare it for a grand tamasha that very night. Naroba, who had long tended the grove, refuses to surrender what his father had saved for him after it was given by the landlord’s own predecessor for saving a life during a hunting trip. The tension escalates as the landlord threatens to kill Naroba to seal the transfer of ownership.
That night, when the landlord’s crooks attempt to invade Naroba’s home, a band of armed dacoits intervenes. Their leader—whom Naroba once nursed back to health—recognizes him, and swears to shield him from the landlord’s machinations. The leader warns the landlord to back off or face public humiliation in the village. Crushed by humiliation and fear, the landlord staggers to his bedroom and dies the next morning from an alcohol overdose, leaving the grove in jeopardy but Naroba still in possession.
The story leaps forward by about twenty years. Malhar, the landlord’s son who is also played by Rangarao Khot, takes charge and schemes to lure Naroba into a contract that would pass the grove to him after Naroba’s death. To make the deal look favorable, he promises a monthly stipend of ₹150 for as long as Naroba lives. Naroba, who seems frail but remains robust, outlives the landlord’s expectations by months, living about six months after signing. As time goes on, the landlord’s finances strain and his health declines further. Naroba remarks that he would rather die, but that Yama won’t come for him. In a moment of desperation, the landlord offers a bottle of rat poison, which Naroba drinks in the hope of dying. When the landlord returns the next day to take him to a funeral, he is shocked to find Naroba alive and dies of the shock.
Ultimately, the contract stipulates that Naroba will retain ownership of the grove upon his death. In the epilogue, eight years later, Naroba shares a frame with his great‑grandson, Krishna, and uses that moment to deliver a hard‑won moral: greed is dangerous and can turn a person into an ogre. He reflects on the fates of the two men who died while trying to seize his land—one by force, one by strategy—and underscores that true dignity lies in resisting the temptations of grasping wealth.
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