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Marvin Hamlisch: What He Did For Love 2013

A musical prodigy from a young age, Marvin Hamlisch quickly rose to prominence, attending Juilliard at just six years old. He achieved phenomenal success with iconic songs like "The Way We Were" and "Nobody Does It Better," and composed scores for films including *The Swimmer*, *The Sting*, and *Sophie’s Choice*, as well as the acclaimed Broadway show *A Chorus Line*. Hamlisch’s extraordinary career saw him earn numerous awards, including four Grammys, three Oscars, a Tony, a Pulitzer Prize, and an Emmy, cementing his place as a beloved and influential figure in music, theater, and film.

A musical prodigy from a young age, Marvin Hamlisch quickly rose to prominence, attending Juilliard at just six years old. He achieved phenomenal success with iconic songs like "The Way We Were" and "Nobody Does It Better," and composed scores for films including *The Swimmer*, *The Sting*, and *Sophie’s Choice*, as well as the acclaimed Broadway show *A Chorus Line*. Hamlisch’s extraordinary career saw him earn numerous awards, including four Grammys, three Oscars, a Tony, a Pulitzer Prize, and an Emmy, cementing his place as a beloved and influential figure in music, theater, and film.

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The documentary American Masters presents Marvin Hamlisch in a film titled One Singular Sensation, opening with the famous number that names the piece and inviting viewers to explore the life behind the music. The film argues that knowing the person who created the melodies enriches the listening experience, and it treats Marvin Hamlisch as more than a catalog of hit scores. The sense that the face of the man behind the music has always hovered in the background gradually grows into a thoughtful portrait, inviting a generation to connect with a composer whose influence feels enduring even beyond the notes.

From the start, the film roots Hamlisch in a rich personal history. A child prodigy who impressed Juilliard at a surprisingly young age, he grew up in a family shaped by the dramatic history of his parents’ escape from danger. The documentary sketches a household where a gift to play anything heard was matched by high expectations, and it presents a father’s quip that “God learned to play scales” as a shorthand for the discipline that would later color his approach to songwriting. This early pressure becomes a lens through which the film examines how he learned to translate classical training into the popular music that would define his career.

A substantial portion of the movie is built from interview clips with Hamlisch himself, offering a window into his creative process. The soundtrack-to-memory connection is central: the film gathers moments where memories—whether from a courtyard bell in The Way We Were or Streisand’s noted ability to sustain a long note—are tied directly to his musical ideas. The Way We Were emerges as a turning point, a score that helped propel him into the pantheon of celebrated composers. The film also traces how he translated motion and mood into melody, as seen in Ice Castles, where the sound of skates becomes a rhythmic motif that he then shapes into a melodic sweep.

The documentary highlights A Chorus Line as a defining achievement, suggesting that the show reframed the relationship between music and character on stage. Cast members recall how Hamlisch wrote distinct songs for each character, effectively letting the music carry individual stories within a larger narrative. The result, the film argues, was a musical that treated narrative as a musical companion rather than a backdrop, a notable shift in how songs could illuminate character and plot at once. The filmmakers describe Hamlisch as humble and approachable, a composer who believed that all music—classical or pop—could share equal ground.

As the film moves toward its closer, it includes a candid Q&A with the director and screenwriter, who discuss the choice to foreground Hamlisch’s extraordinary achievements while acknowledging that the portrait might lean toward a celebration of greatness rather than a complete, tempered portrait of the man. The editing, finished in a tight turnaround, invites viewers to consider whether the film covers every facet of a complex life, or if its greatest task is to preserve the sense of inspiration he left behind. The documentary acknowledges that questions remain, including the cause of his death, and it invites future revisions as new perspectives emerge.

Beyond the professional milestones, the story includes intimate anecdotes that humanize Hamlisch. One guardian memory concerns his mother, whose devotion—part protective instinct, part theatrical mother’s pride—took a nearly cinematic set of routes to ensure his safety and success. The tale sits beside a larger cultural context: Judy Garland’s role in introducing him to the public, and the broader recognition of Hamlisch as a composer whose reach touched both the concert hall and the Broadway stage. The film closes with a nod to the broader impact of his work, underscored by remarks about how his music has shaped generations and will continue to resonate long after the screen fades.

Ultimately, One Singular Sensation offers a thoughtful tribute that seeks to do more than catalog achievements. By weaving together biographical detail, creative philosophy, and memorable musical moments, the documentary invites viewers to listen not only for the notes but for the life behind them. The piece stands as a testament to American Masters’ ability to illuminate a life in music with warmth, rigor, and a sense of responsibility to future generations who may come to discover these works anew. The film leaves audiences with a clear sense that Marvin Hamlisch’s contributions go beyond a single era or a single style; they belong to a broader conversation about how music can tell a story, connect people, and endure.

  • Marvin Hamlisch emerges as the central figure whose career threads through the film, while Barbra Streisand is invoked explicitly as a key collaborator whose talent helped shape the musical moments celebrated here. The narration and interviews together build a portrait that is at once reverent, reflective, and hopeful about the lasting significance of his work.

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Marvin Hamlisch: What He Did for Love

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