
In the early 1800s a party of fur trappers and Indian traders races back to civilization before winter sets in. After a bear mauls their guide, Zachary Bass, the men deem him dead and abandon him. Bass survives, recuperates, and vows vengeance, relentlessly pursuing the group and their paranoid expedition leader through the wilderness.
Does Man in the Wilderness have end credit scenes?
No!
Man in the Wilderness does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Man in the Wilderness, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

John Huston
Captain Filmore Henry

Judith Furse
Nurse

Richard Harris
Zachary Bass

Robert Russell
Smith

Percy Herbert
Fogarty

Ben Carruthers
Longbow

Bryan Marshall
Potts

Bruce M. Fischer
Wiser

James Doohan
Benoit

Dennis Waterman
Lowrie

Norman Rossington
Ferris

Henry Wilcoxon
Indian Chief

Raúl Castro

Sheila Raynor
Grace's Mother

Prunella Ransome
Grace

William Layton
Schoolmaster

Dean Selmier
Russell

John Bindon
Coulter

Tony Cyrus
Indian

Joaquín Solís
Ambushed Trapper

Manolo Landau
Zachary as a child

Ines Acosta
Pregnant Indian

Tamara Sie
Indian

Martha Tuck
Woman with Trapper
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Challenge your knowledge of Man in the Wilderness with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who portrays Captain Filmore Henry in the film?
John Huston
Richard Harris
Percy Herbert
Norman Rossington
Show hint
Read the complete plot summary of Man in the Wilderness, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In 1820, an expedition led by Captain Filmore Henry, John Huston, has spent two harsh years trapping fur in the unexplored Northwest. Their aim is simple and daunting: reach the Missouri River before winter fully closes in, so they can sail south and trade the goods they’ve amassed. The journey tests them from the start: the land is unforgiving, the supplies scarce, and every decision carries weight as they push toward a distant line that marks the edge between survival and failure. Lowrie, a young trapper, hunts a deer and Zachary Bass, Richard Harris follows after it until he is mauled by a brown bear. Too afraid to intervene, Lowrie calls for Henry and his men to intervene, and the group eventually kills the bear, the violence of the wilderness revealed in a single brutal moment.
The expedition’s doctor, Ferris, Norman Rossington, tends to Zachary’s wounds and delivers sobering news: Zachary may not survive the crossing ahead. In a hard, ritual decision, Henry orders Lowrie and Fogarty, Percy Herbert, to bury Zachary if he is not dead by morning and to deliver a proper eulogy for a man who might already be gone. The two men remain by Zachary’s side as the caravan moves on, yet by dawn they have deserted him, assuming him dead, as Arikara scouts draw near. Zachary lurches between consciousness and memory, and the quiet moments become a frame for his inner life. He recalls his days as a student and his wife Grace, Prunella Ransome—a woman who urged him to believe that God is in him and in all living things. Those memories carry a weight both tender and terrible, for Grace had died in childbirth, leaving behind an infant son that he can never hold.
Weeks pass, and Zachary, though wounded, refuses to surrender. He scavenges for food, consuming berries and raw bison meat, fashions a leg crutch from wreckage, and salvages wire, a knife, and a spear to kindle fire. He traps a rabbit and uses its fur as an armpit cushion, a small, stubborn act of ingenuity that keeps him going. He also traps and skins a cougar for its coat, a quiet testament to his resilience in a landscape that offers little mercy. As winter tightens its grip, Zachary hides when a native couple approaches and watches as the woman gives birth—an image that echoes Grace’s own memory and the life that can emerge from a moment of danger. Grace’s presence in his thoughts is sharpened by the memory of pregnancy and loss, a reminder of what he fights to protect—even from afar.
During a tense night watch, Fogarty misreads a figure and fires, believing he sees Zachary; the shot instead destroys Lowrie, a grim twist that underscores how fragile life remains out here. The morning after, the expedition pauses at a frozen river and must shoulder the task of dragging the boat across the ice, a slow, exhausting segment that tests every member’s endurance and patience.
As spring edges closer, the party faces a renewed threat when natives press toward the wagon train. A gunfight erupts, and Zachary must push forward to help his companions. The native chief, recognizing him, steps in to halt the violence, blessing Zachary and returning his spear. The moment signals a fragile peace that shifts the balance of trust within the group. Back at the line of fire, Henry fears a repeat of bloodshed, but Zachary makes a decisive choice: he will not claim the rifle from Henry; instead, he goes toward his own son in the distant future. The decision is heavy with sacrifice, and the expedition, sensing the weight of his resolve, follows him as he steps away from the front line and toward a life that his body and memory can sustain.
Throughout the journey, the film traces a path of endurance, memory, and moral choice, showing how a man can redefine his purpose when faced with the stark facts of a world that does not bend to mercy. The landscape itself becomes a character—quiet at times, explosive at others—and the relationships among the crew reveal a spectrum of loyalty, fear, and hope. In the end, the story does not offer easy answers, but it does present a clear, unflinching portrait of a man who survives not merely by strength, but by memory, purpose, and the stubborn will to protect what matters most—the chance to see his child grow up beyond the wilderness he has endured.
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