
During the 2000s in Italy, the controversial Silvio Berlusconi held significant power, navigating a world of excess, scandal, and corruption. A resourceful young man named Sergio sees a chance to advance his own position by ingratiating himself with the former Prime Minister. He becomes entangled in Berlusconi’s complex and morally ambiguous inner circle, witnessing firsthand the excesses and intrigues that define his reign.
Does Loro have end credit scenes?
No!
Loro does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Loro, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Kasia Smutniak
Kira

Anna Bonaiuto
Cupa Caiafa

Dario Cantarelli
Paolo Spagnolo

Elena Sofia Ricci
Veronica Lario

Euridice Axen
Tamara

Fabrizio Bentivoglio
Santino Recchia

Giovanni Esposito
Mariano Apicella

Riccardo Scamarcio
Sergio Morra

Roberto De Francesco
Fabrizio Sala

Toni Servillo
Silvio Berlusconi, Ennio Doris
Discover where to watch Loro online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Rotten Tomatoes.
See how Loro is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Loro stands among top-rated movies in its genre.
In Loro, the most striking achievement lies in its lavish visual expression juxtaposed with uneven narrative momentum. Across the reviews, critics consistently highlight Paolo Sorrentino’s bold direction and vibrant production design, while noting that the film’s bifurcated structure and occasional lapses in psychological depth undermine its coherence. Though the performances, especially by Toni Servillo, are frequently praised, some observers find the thematic focus diffuse and sentimental moments distracting. Ultimately, Loro presents a compelling sensory feast that is tempered by episodic pacing and mixed emotional impact.
The Movie Echo Score Breakdown for Loro
Art & Craft
In terms of art direction, Loro excels through vivid cinematography and opulent production design. Reviewers note Luca Bigazzi’s rich color palette and Stefania Cella’s lavish set pieces that consistently convey the film’s satirical excess. The editing maintains a brisk rhythm, particularly in party sequences, reinforcing Sorrentino’s dynamic visual style. These elements combine to deliver a striking aesthetic centerpiece that anchors the film’s thematic ambitions.
Character & Emotion
When it comes to character and emotion, performances receive mixed assessments despite standout work from Toni Servillo. Many commend the nuanced portrayal of Silvio Berlusconi, capturing both vanity and vulnerability, while some critics find the broader ensemble lacking depth. The film’s tendency to prioritize spectacle occasionally overshadows emotional resonance, leading to sentimental interludes that feel underexplored. Overall, character engagement remains solid but constrained by narrative imbalance.
Story & Flow
In terms of story and flow, Loro’s bifurcated structure draws both interest and criticism. The division between Morra’s subplot and Berlusconi’s arc is marked by uneven pacing and unresolved subplots, which some find distracting. While the thematic exploration of power and corruption offers originality, several observers point to blurred narrative focus and a sentimental drift in the latter half. Consequently, the plot coherence and engagement fluctuate throughout the runtime.
Sensory Experience
When it comes to sensory experience, Loro delivers a powerful aural and visual tapestry. Reviewers praise the soundtrack’s integration with dynamic sound design, heightening the impact of riotous party sequences and intimate backroom scenes. The film’s visual style is described as resplendent and gaudy in equal measure, creating an immersive world. This cohesive sensory approach provides a visceral pleasure that underscores the film’s satirical intensity.
Rewatch Factor
In terms of rewatch value, Loro offers moments of arresting imagery and strong performances that may reward subsequent viewings. The film’s bold visual flourishes and nuanced central portrayal invite reappraisal, though narrative unevenness and episodic pacing could limit its lasting appeal. For audiences drawn to stylistic ambition and thematic critique, repeat watches may uncover further layers, but those seeking structural cohesion may find the experience less compelling over time.
56
Metascore
7.0
User Score
79%
TOMATOMETER
61%
User Score
6.7 /10
IMDb Rating
67
%
User Score
3.4
From 35 fan ratings
1.00/5
From 1 fan rating
Challenge your knowledge of Loro with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who is Sergio Morra's partner in crime?
Tamara
Kira
Veronica
Santino Recchia
Show hint
Read the complete plot summary of Loro, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In the sun-drenched city of Taranto, Sergio Morra (Riccardo Scamarcio) runs a secretive operation, wielding his influence to bribe local officials and secure valuable licenses for his ventures. His partner in this underworld escapade is Tamara (Euridice Axen), a fearless and unapologetic spirit who wholeheartedly supports Sergio’s illicit pursuits. With their eyes set on the illustrious city of Rome, Sergio’s ambitions skyrocket as he endeavors to gain favor with the notorious Silvio Berlusconi (Toni Servillo).
Upon their arrival in the bustling capital, Sergio encounters Kira (Kasia Smutniak), an enigmatic character directly linked to Berlusconi, often referred to as the “Queen Bee.” Meanwhile, Tamara finds herself drawn to former minister Santino Recchia (Fabrizio Bentivoglio), a seasoned politician with his own aspirations. Through her irresistible charm, she orchestrates a meeting between Sergio and Berlusconi to further their mutual interests.
As the tension heats up, Recchia confides in deputy Cupa Caiafa (Anna Bonaiuto) about his strategies to unseat Berlusconi as the head of the center-right coalition. Seizing a golden opportunity, Sergio decides to showcase his enterprise by renting an extravagant villa in Sardinia, conveniently located a stone’s throw from Berlusconi’s summer hideaway.
However, amid this backdrop, Berlusconi grapples with his own set of challenges. Alone with his wife Veronica Lario (Elena Sofia Ricci), he attempts to revive their once-passionate romance, only to be met with her frosty rejection. The once-dominant Forza Italia party has seen better days, leaving Berlusconi with no official responsibilities to occupy his time.
One day, as tensions mount, Recchia knocks on Berlusconi’s door, desperate for assistance as Tamara blackmails him, demanding a hefty sum for Sergio to keep her quiet about Recchia’s extramarital affairs. Although initially cooperative, Berlusconi’s mood darkens as he reveals his awareness of Recchia’s treacherous intention to overthrow him.
Caught in a web of intrigue and betrayal, Berlusconi departs for Rome under the guise of urgent “political commitments.” In truth, he is attending a major fashion event featuring the vibrant Noemi Letizia, a young woman known for her adventurous spirit. As the complexities of corruption and deception deepen, one thing remains clear – the stakes have never been higher.
When the stormy weather clears, Berlusconi finds himself back on his Sardinian yacht, where Veronica whimsically suggests a return to television alongside Mike Bongiorno. Yet, his attention is diverted by the sight of Morra’s boat, lavishly decorated with naked beauties. Instead of yielding to temptation, he opts for a leisurely excursion with Veronica, cherishing the tranquility as they navigate through choppy waters. Upon their return to the villa, she questions him about their wedding song. In a moment of pretense, he feigns forgetfulness but ultimately surprises her by inviting Fabio Concato to perform the nostalgic “Una domenica bestiale,” a sweet reminder of their cherished day.
Meanwhile, old friend and business mogul Ennio Doris spins tales of riches and success, yet Berlusconi is haunted by images of his recent electoral defeat. Ennio proposes a daring scheme to sway six senators to his side, potentially unseating the center-left government. Amid this political turmoil, Veronica prepares for a trip to Cambodia, leaving Berlusconi feeling momentarily abandoned.
Seizing the moment, Berlusconi throws an extravagant party at his Sardinian estate and invites Sergio Morra to bring an entourage of beautiful women. Although initially captivated by the attention, Morra’s companions soon grow disillusioned as reality falls short of their expectations. Kira, striving to catch Berlusconi’s eye, soon finds herself overshadowed by the charms of Sergio and Tamara.
In an unexpected twist, Berlusconi develops an interest in a youthful beauty named Stella, but his advances are met with rejection, leaving him frustrated. As Kira feels sidelined, both she and Sergio realize their alignment with Berlusconi leads to disillusionment. As the festivities wind down, the partygoers depart, leaving a trail of unfulfilled ambitions behind, prompting Berlusconi to reflect on the ephemeral pleasures of his lifestyle.
As Silvio Berlusconi returns to the position of prime minister, he faces the daunting task of addressing the devastating fallout from the L’Aquila earthquake. In a show of empathy, he personally visits displaced families, boldly promising to rebuild their lives. However, his antics in the international arena continue to bring shame upon Italy’s leadership, prompting his trusted advisor, Crepuscolo, to press for a more serious approach to governance. As he prepares for a crucial visit to New York City and the United Nations, Berlusconi’s focus shifts as he reroutes to Naples for a romantic rendezvous on Noemi Letizia’s 18th birthday.
With the media relentless in exposing his reckless lifestyle, political allies like Cupa Caiafa begin to distance themselves. Amidst this turmoil, Veronica returns from Cambodia and declares her intent to divorce, igniting a fierce confrontation between the couple. Feeling increasingly isolated, Berlusconi seeks refuge with Mike Bongiorno over a lavish dinner, yet even this encounter ends abruptly.
As the crisis in L’Aquila persists, the injured refugees begin to receive new homes, thanks to Berlusconi’s efforts. Firefighters work diligently to recover a cherished statue of Jesus Christ from the rubble of a devastated church, highlighting the continuing struggles faced by those affected by the earthquake. As the film draws to a close, the camera lingers on the exhausted faces of the firefighters after a long day of hard work, leaving viewers to ponder the weight of their sacrifices amidst a chaotic political landscape.
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