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Family comedy

Live in Front of a Studio Audience: “All in the Family” and “Good Times” (2019): Cast & Ratings

Live in Front of a Studio Audience: “All in the Family” and “Good Times” (2019) movie poster

Live in Front of a Studio Audience: “All in the Family” and “Good Times” is a 2019 family comedy directed by Andy Fisher and Pamela Fryman, starring Norman Lear, Woody Harrelson and Kevin Bacon. It runs 1 hour 30 minutes. Its Echo Score is 73/100.

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Live in Front of a Studio Audience: “All in the Family” and “Good Times” (2019) movie poster
Released
Runtime
1h 30m (90 min)
Directors
Andy Fisher and Pamela Fryman
Genres
Comedy , Family
Original language
English
After the credits
No No extra scene
The story

What Is Live in Front of a Studio Audience: “All in the Family” and “Good Times” About?

The premise of Live in Front of a Studio Audience: “All in the Family” and “Good Times” without spoilers.

Live performances of classic holiday-themed episodes from Norman Lear’s hit shows “All in the Family” and “Good Times.”

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Cast & crew

Live in Front of a Studio Audience: “All in the Family” and “Good Times” Cast & Characters

Norman Lear leads the cast, with Woody Harrelson as Archie Bunker and Kevin Bacon as Pinky Peterson. Directed by Andy Fisher and Pamela Fryman; 24 actors are credited in all.

Also Starring in Live in Front of a Studio Audience: “All in the Family” and “Good Times”

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Show all 24 cast members
From the directors

More from Andy Fisher and Pamela Fryman

More films directed by Andy Fisher and Pamela Fryman: Live in Front of a Studio Audience: The Facts of Life and Diff’rent Strokes and Live in Front of a Studio Audience: Norman Lear’s “All in the Family” and “The Jeffersons”.

Ratings

Live in Front of a Studio Audience: “All in the Family” and “Good Times” Reviews & Ratings

Our Echo Score gives it 73/100, strongest in art & craft (78) and weakest in character & emotion (60).

73 /100

Live in Front of a Studio Audience: “All in the Family” and “Good Times” Echo Score Breakdown

Live in Front of a Studio Audience delivers a lively homage that mostly succeeds in recapturing the spirit of the original sitcoms. Critics note that the cast chemistry and the novelty of a live format add excitement, while some observers point to uneven performances and occasional pacing issues. Viewer reactions range from enthusiastic nostalgia to criticism of miscasting, creating a mixed but generally favorable impression. The special offers enough entertainment to warrant a repeat watch, though it does not fully match the magic of the originals.

Our own 0–100 rating, built from five aspects: art, character, story, the sensory experience and how well a film rewatches.

  • Art & Craft 78

    In terms of art and craft, the production benefits from solid set design and a smooth live broadcast flow. Reviewers praise the faithful recreation of period details and the effective pacing of scenes. Minor criticisms arise around occasional technical hiccups inherent to live television. Overall, the visual and technical execution supports the homage without major flaws.

  • Character & Emotion 60

    Character work receives a mixed response, with several performers praised for capturing iconic roles while others are faulted for overacting or miscasting. Positive notes highlight Viola Davis and Marisa Tomei's nuanced portrayals, whereas critiques focus on Jay Pharoah's exaggerated delivery and inconsistent chemistry among the ensemble. The variance in acting quality leads to a balanced assessment of character effectiveness.

  • Story & Flow 70

    The story adaptation maintains the core plots of the classic episodes, delivering recognizable dialogue and situational humor. Critics find the narrative enjoyable but sometimes constrained by the live format's rhythm. Viewers who grew up with the originals appreciate the faithful retelling, though a few consider it a novelty that lacks fresh depth. Overall, the narrative execution is competent and engaging.

  • Sensory Experience 70

    Sensory elements, including the live audience reaction and period-appropriate soundtrack, reinforce the nostalgic atmosphere. Observers note that the pacing feels brisk and the audio mix supports comedic timing. While the visual style mirrors the original series, there are no significant innovations. The sensory experience contributes positively to the overall viewing but does not stand out as exceptional.

  • Rewatch Factor 78

    Rewatch value is high among fans who enjoy revisiting beloved sitcom moments in a fresh live setting. Many viewers report laughter and nostalgia on repeated viewings, citing the novelty of live performance as a draw. Some criticism about casting detracts for a minority, yet the majority find the special entertaining enough to recommend future viewings.

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FAQ

Live in Front of a Studio Audience: “All in the Family” and “Good Times” FAQ: Cast & Runtime

Runtime, release date, director, cast and post-credit scenes of Live in Front of a Studio Audience: “All in the Family” and “Good Times”, each answered in a sentence.

How long is Live in Front of a Studio Audience: “All in the Family” and “Good Times”?

Live in Front of a Studio Audience: “All in the Family” and “Good Times” runs 1 hour 30 minutes (90 minutes).

When was Live in Front of a Studio Audience: “All in the Family” and “Good Times” released?

Live in Front of a Studio Audience: “All in the Family” and “Good Times” was released on December 18, 2019.

Who directed Live in Front of a Studio Audience: “All in the Family” and “Good Times”?

Live in Front of a Studio Audience: “All in the Family” and “Good Times” was directed by Andy Fisher and Pamela Fryman.

More films by Andy Fisher

Who is in the cast of Live in Front of a Studio Audience: “All in the Family” and “Good Times”?

Live in Front of a Studio Audience: “All in the Family” and “Good Times” stars Norman Lear, Woody Harrelson as Archie Bunker and Kevin Bacon as Pinky Peterson, among 24 credited actors.

Does Live in Front of a Studio Audience: “All in the Family” and “Good Times” have a post-credit scene?

No. Live in Front of a Studio Audience: “All in the Family” and “Good Times” has no extra scene during or after the credits.

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