Ladies of the Chorus 1948

A vivid look at the burlesque scene follows veteran performer May and her daughter Peggy, who chorus‑dance together. After a dispute with headliner Bubbles, Bubbles quits and Peggy steps into the spotlight. Peggy then falls for wealthy Randy, prompting May to worry that their class gap could bring hardship.

A vivid look at the burlesque scene follows veteran performer May and her daughter Peggy, who chorus‑dance together. After a dispute with headliner Bubbles, Bubbles quits and Peggy steps into the spotlight. Peggy then falls for wealthy Randy, prompting May to worry that their class gap could bring hardship.

Does Ladies of the Chorus have end credit scenes?

No!

Ladies of the Chorus does not have end credit scenes. You can leave when the credits roll.

Where to Watch Ladies of the Chorus

See current US streaming, rental, and purchase options for Ladies of the Chorus (1948) via JustWatch.


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Take the Ultimate Ladies of the Chorus Movie Quiz

Challenge your knowledge of Ladies of the Chorus with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.


Ladies of the Chorus (1948) Quiz: Test your knowledge of the 1948 musical drama Ladies of the Chorus, featuring Marilyn Monroe and a backstage world of burlesque.

Which actress portrays Peggy Martin?

Full Plot Summary and Ending Explained for Ladies of the Chorus

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Read the complete plot summary of Ladies of the Chorus, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


Peggy Marilyn Monroe Martin and her mother Mae Martin Adele Jergens toil as burlesque chorus girls, moving between smoky backstage rooms and the bright, risky world of a touring revue. When the star of the show, Bubbles LaRue Marjorie Hoshelle, unexpectedly quits, the stage manager Joe Frank J. Scannell pleads with Mae to go on for one more number. Mae, with a sly steadiness, arranges for Peggy to step in instead, and Peggy’s performance lands with such power that she is offered the starring role, shifting the trajectory of both their lives.

One evening, Randy Carroll Rand Brooks, a member of Cleveland’s wealthy social circle, is brought to the show by friends and is instantly drawn to Peggy. He learns that Peggy generally shies away from dates because her mother disapproves, so he tries a patient, no-pressure approach: nightly he sends Peggy an orchid, unsigned. Curious about the sender, Peggy asks the florist to reveal the identity, and the moment the mystery man arrives, the two finally meet. Randy invites Peggy to dinner, and she agrees, but she first wants him to meet her mother. Randy is surprised to discover Mae Martin, also a dancer, but he still asks her to join them for the dinner. Mae declines at first, yet the idea of the meeting lingers as Peggy returns home glowing with plans.

The next day, Randy asks Mae for her blessing, yet Mae warns him that there is a clear class difference between him and Peggy. Randy resists the seriousness of that reality, arguing that people are more open-minded now than they were in Mae’s day, and Mae reluctantly agrees to the match—on one condition: Randy must tell his mother about Peggy’s profession before the engagement becomes public.

Randy falters at that request, and the truth remains unsaid. When Adele Carroll Nana Bryant, Randy’s mother, invites Mae and Peggy to visit, she begins laying the groundwork for a lavish engagement party that will draw every couple in their circle. Adele also brings in Billy Mackay [Eddie Garr], a retired burlesque comic who has cherished Mae for years, hoping to revive old connections and secure a smooth union for her son.

At the party, the trio of musicians hired by Adele recognize Peggy and coax her to sing, publicly titling her as the star of the evening and, more broadly, labeling her as the queen of burlesque in front of their guests. The revelation shocks the guests, and Peggy and Mae attempt to leave, but Adele stops them, warning that fleeing would only deepen the scandal.

Adele then invites Billy to help perform with Peggy, and she openly confesses that she too had once been a chorus girl. Billy quietly tells Mae that Adele had crafted the entire setup to nudge Randy and Peggy toward each other. As the night unfolds and Randy and Peggy embrace, Adele nudges Billy and Mae toward a plan for a double wedding, hoping to seal the union with both couples stepping into a shared future.

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Ladies of the Chorus Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


high kickstage showsong and dancegirl talkdressing roomblind datefemale singertoy dollorchidsecret admirerflower shopcarnationeyes wide opencamera shot of a woman's legsballroom dancingtap dancingburlesque queenpregnancychorus girlcleveland ohioroling r's while speakingmale singerplaying a bassplaying accordianplaying acoustic guitargrand pianoblonde womanman wears a tuxedowoman wears a slit dresswoman wears a wigfemale female fightgirlloveyoungburlesque show starfamily relationshipsdaughtermotherwigburlesque theatersingingperformerbaby dollnew york cityfloristprejudicebackstagestage managerblonde wigtouch of gray in hair

Ladies of the Chorus Other Names and Titles

Explore the various alternative titles, translations, and other names used for Ladies of the Chorus across different regions and languages. Understand how the film is marketed and recognized worldwide.


Orchidea bionda Las chicas del coro Ich tanze in dein Herz Леди из кордебалета Doamnele corului A kóristalányok Хористките Les Reines du music-hall Леді з хору 热女郎 Dziewczęta z chóru 숙녀들의 합창 Les coristes

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