
The woman of flame and the man of steel unite. A British spy operating in Russia finds his mission extended when the revolution erupts. After surviving a Siberian prison, he assumes the identity of a Russian commissar, gaining the trust of the rebels and using his new authority to free a Russian countess, who is in peril, from the Bolsheviks.
Does Knight Without Armour have end credit scenes?
No!
Knight Without Armour does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Knight Without Armour (1937) via JustWatch.
Explore the complete cast of Knight Without Armour, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Robert Donat
Ainsley J. Fothergill / Peter Ouronov

Raymond Huntley
White Officer

David Tree
Alexis Maronin

Marlene Dietrich
Countess Alexandra Vladinoff

Miles Malleson
Drunken Red Commissar

Jacques Feyder

Laurence Hanray
Forrester

Hay Petrie
Station Master

Austin Trevor
Col. Adraxine

John Clements
Poushkoff

Allan Jeayes
White General

Frederick Culley
Stanfield

Basil Gill
Axelstein

Herbert Lomas
General Gregor Vladinoff

Irene Vanbrugh
Duchess of Zorin

Laurence Baskcomb
Commissar

Lyn Harding
Bargee

Franklin Kelsey
Tomsky

Dorice Fordred
The Maid
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What alias does the undercover English spy use while infiltrating the revolutionary circle?
Read the complete plot summary of Knight Without Armour, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
An undercover Englishman, A. J. Fothergill, is recruited by Colonel Forrester to spy on Russia because he speaks the language fluently. Under the alias Peter Ouronov, he infiltrates a revolutionary circle led by Axelstein. The radicals plot to blow up General Gregor Vladinoff, the father of Alexandra Vladinoff, but the attempt fails. The would-be assassin is shot and manages to reach Peter’s apartment before dying, and for his inadvertent involvement Peter is sent to Siberia.
World War I makes Countess Alexandra Vladinoff a widow and brings the Bolsheviks to power, freeing Peter and Axelstein. When the Russian Civil War erupts, Alexandra is arrested for being an aristocrat, and Peter is tasked by now-Commissar Axelstein to escort her to Petrograd for trial. Instead, Peter leads her to the safety of the White Army. The Red Army defeats the Whites the next day, and Alexandra is captured again. Peter seizes a prison-commissar commission from a drunken official and uses the document to free her. The two, now deeply in love, flee into the forest on Alexandra’s estate for a brief idyll, and later they board a train.
At a railway station they pretend to be brother and sister, but a communist official possesses a photograph of the Countess. A young and sensitive Poushkoff—the Commissar—arranges to escort them and brings in an old gardener who swears she is not the Countess. They must travel to Samara for identity confirmation, and Poushkoff accompanies them. On the train, his suspicions are confirmed when he sees [Peter] tenderly kiss Alexandra’s hand. He advises them to craft a better story. Across the journey the trio grows closer. They confess that they “understand” his feelings for Alexandra, and Alexandra remarks that meeting him has been the greatest luck they have had. Deeply moved, he breaks down, weeping and kissing her hand, and they comfort him. At a stop, he hints at an escape and steps away. Peter wonders aloud, “What about the boy?” who might suffer if they do run. A shot rings out: Poushkoff has committed suicide to provide a diversion.
The lovers board a barge down the Volga, but Alexandra becomes gravely ill. When Peter goes for a doctor, he is arrested by the Whites for lacking papers. A doctor from an international Red Cross team finds Alexandra and takes her for treatment. About to be executed, Peter makes a break for it. At the station, a Red Cross doctor, a Scotsman who believes his story, dresses his wounded arm while a nurse reads aloud the passenger list for a train bound for Bucharest. When he hears Alexandra’s name, Peter crashes through the door and clings to the outside of the cars. She hears him, and reaches out to him, crying
Here!
as the train speeds them to safety.

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