Knight Without Armour 1937

The woman of flame and the man of steel unite. A British spy operating in Russia finds his mission extended when the revolution erupts. After surviving a Siberian prison, he assumes the identity of a Russian commissar, gaining the trust of the rebels and using his new authority to free a Russian countess, who is in peril, from the Bolsheviks.

The woman of flame and the man of steel unite. A British spy operating in Russia finds his mission extended when the revolution erupts. After surviving a Siberian prison, he assumes the identity of a Russian commissar, gaining the trust of the rebels and using his new authority to free a Russian countess, who is in peril, from the Bolsheviks.

Does Knight Without Armour have end credit scenes?

No!

Knight Without Armour does not have end credit scenes. You can leave when the credits roll.

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Knight Without Armour (1937) Quiz: Test your knowledge of the 1937 film "Knight Without Armour" with these ten multiple‑choice questions covering characters, plot points, and historical context.

What alias does the undercover English spy use while infiltrating the revolutionary circle?

Full Plot Summary and Ending Explained for Knight Without Armour

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Read the complete plot summary of Knight Without Armour, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


An undercover Englishman, A. J. Fothergill, is recruited by Colonel Forrester to spy on Russia because he speaks the language fluently. Under the alias Peter Ouronov, he infiltrates a revolutionary circle led by Axelstein. The radicals plot to blow up General Gregor Vladinoff, the father of Alexandra Vladinoff, but the attempt fails. The would-be assassin is shot and manages to reach Peter’s apartment before dying, and for his inadvertent involvement Peter is sent to Siberia.

World War I makes Countess Alexandra Vladinoff a widow and brings the Bolsheviks to power, freeing Peter and Axelstein. When the Russian Civil War erupts, Alexandra is arrested for being an aristocrat, and Peter is tasked by now-Commissar Axelstein to escort her to Petrograd for trial. Instead, Peter leads her to the safety of the White Army. The Red Army defeats the Whites the next day, and Alexandra is captured again. Peter seizes a prison-commissar commission from a drunken official and uses the document to free her. The two, now deeply in love, flee into the forest on Alexandra’s estate for a brief idyll, and later they board a train.

At a railway station they pretend to be brother and sister, but a communist official possesses a photograph of the Countess. A young and sensitive Poushkoff—the Commissar—arranges to escort them and brings in an old gardener who swears she is not the Countess. They must travel to Samara for identity confirmation, and Poushkoff accompanies them. On the train, his suspicions are confirmed when he sees [Peter] tenderly kiss Alexandra’s hand. He advises them to craft a better story. Across the journey the trio grows closer. They confess that they “understand” his feelings for Alexandra, and Alexandra remarks that meeting him has been the greatest luck they have had. Deeply moved, he breaks down, weeping and kissing her hand, and they comfort him. At a stop, he hints at an escape and steps away. Peter wonders aloud, “What about the boy?” who might suffer if they do run. A shot rings out: Poushkoff has committed suicide to provide a diversion.

The lovers board a barge down the Volga, but Alexandra becomes gravely ill. When Peter goes for a doctor, he is arrested by the Whites for lacking papers. A doctor from an international Red Cross team finds Alexandra and takes her for treatment. About to be executed, Peter makes a break for it. At the station, a Red Cross doctor, a Scotsman who believes his story, dresses his wounded arm while a nurse reads aloud the passenger list for a train bound for Bucharest. When he hears Alexandra’s name, Peter crashes through the door and clings to the outside of the cars. She hears him, and reaches out to him, crying

Here!

as the train speeds them to safety.

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KNIGHT WITHOUT ARMOR 1937 Trailer

Knight Without Armour Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


politicsreference to percy bysshe shelleytitle co written by femalehistory adventure filmdrama espionagehistorical dramaperiod dramaclass conflictrussian countesslove across social classesbritish journalistrecruitment officerexecution by firing squadbritish secret agentarmy generalrevolutionaryrussian nobilityspyvolga rivercaught in crossfireintelligence servicepeasantryrobert browning quotationprison camprussian historyamerican red crosscommunistcountry estatenovelistsabotageascotstationmasterlondon englandexile to siberiasearch partyovercrowdingbargetrain journeyrussian cossacktartarswoman in a bubble bathgatling gundisguised as soldierescape from prisonromantic reunionrussian borderborder crossingagentrussiacommissar
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