
Renowned actor Jay Kelly (George Clooney) and his loyal manager Ron (Adam Sandler) set off on a fast‑paced, surprisingly introspective tour of Europe. As they travel, each must confront the consequences of past decisions, examine the bonds with family and friends, and consider the lasting impact they will leave behind.
Does Jay Kelly have end credit scenes?
No!
Jay Kelly does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Jay Kelly, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Greta Gerwig

Billy Crudup

Adam Sandler
Ron

Patrick Wilson
Frank Hewitt

Jim Broadbent
Jimbo

Laura Dern
Liz

Stacy Keach

Patsy Ferran

Ruby Stokes

Josh Hamilton

George Clooney
Jay Kelly

Riley Keough

Louis Partridge

Isla Fisher

Jamie Demetriou

Emily Mortimer

Eve Hewson

Kyle Soller

John MacMillan
Alan

Thaddea Graham
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See how Jay Kelly is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Jay Kelly stands among top-rated movies in its genre.
Jay Kelly presents a polished aesthetic and strong central performances, yet its narrative often drifts into self‑indulgent territory. Critics commend the film’s visual elegance and Clooney’s nuanced turn, while many viewers find the story sluggish and the tone overly introspective. The divide between artistic ambition and audience connection results in a mixed reception that settles in the mid‑range.
The Movie Echo Score Breakdown for Jay Kelly
Art & Craft
In terms of art and craft, the film showcases refined cinematography and meticulous production design, earning praise for its polished look. Critics note the elegant visual palette and balanced editing, though a few mention moments that feel overly glossy. Viewers echo the appreciation for technical competence but some perceive it as superficial. Overall, the craftsmanship is solid but not universally compelling.
Character & Emotion
When it comes to character and emotion, Clooney delivers a layered portrayal that many find compelling, and Sandler’s restrained drama adds depth. However, several reviewers criticize the protagonists as self‑absorbed and hard to relate to. Audience comments frequently label the characters as unlikable, yet a minority highlight nuanced performances. The net impression is moderately positive but hampered by limited audience empathy.
Story & Flow
The story and flow blend moments of originality with conventional storytelling, resulting in an uneven narrative. Critics acknowledge an engaging premise about fame and regret, yet point to pacing issues and occasional blandness. User feedback mirrors this split, with some praising the emotional arc while others call the plot meandering and self‑indulgent. Consequently, the storytelling lands squarely in the mixed range.
Sensory Experience
Sensory experience receives commendation for its soundtrack integration and visual cohesion, with reviewers noting an effective use of montage and period transitions. The sound design supports the film’s reflective tone, though a few users find the audio cluttered by product placement. Overall, the sensory elements contribute positively to the viewing experience, outweighing minor criticisms.
Rewatch Factor
Rewatch factor is tempered by the film’s polarizing themes and pacing; some viewers anticipate revisiting its nuanced performances, while many deem the length and self‑referential tone a barrier to repeat viewings. Critics express modest enthusiasm for a second look, but audience sentiment leans toward viewing it as a one‑time experience. The replay value therefore sits below average.
67
Metascore
5.9
User Score
75%
TOMATOMETER
87%
User Score
61
%
User Score
Discover all the awards and nominations received by Jay Kelly, from Oscars to film festival honors. Learn how Jay Kelly and its cast and crew have been recognized by critics and the industry alike.
31st Critics' Choice Awards 2026
Best Picture
Best Original Screenplay
83rd Golden Globe Awards 2026
Read the complete plot summary of Jay Kelly, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Jay Kelly finishes filming his latest project and, as a renowned actor, longs for a few quiet days with his youngest daughter Daisy before she heads to Europe for college. She’s not much interested in a father-daughter retreat, preferring to run off with friends, and the distance between them has quietly widened over the years, leaving both unsure how to bridge it.
News arrives from Ron, Jay’s manager, that Peter Schneider—the director who once took a chance on Jay—has died. Months earlier, a fading Schneider had asked Jay to attach his name to a new film to help secure financing, a request Jay refused. After the funeral, Jay runs into his old acting-school roommate, Tim, now a child psychologist. In a bar, they swap stories from the old days, but the mood shifts as Tim brings up the girlfriend Jay dated after him and the role that made Jay famous. Their argument escalates into a confrontation that leaves Jay with a black eye.
The next morning, Jay drops out of his upcoming film and books a flight to Europe. [Ron] warns that walking away could wreck what’s left of his career, but Jay frames the trip as a Dior appearance followed by an award ceremony in Tuscany. Meg, Jay’s assistant, tracks Daisy by monitoring one of her friend’s card transactions. By the time Jay and his team reach Paris, Daisy is already on a train, and they chase after her. Onboard, Jay experiences a rare moment of genuine ease, as fans recognize him yet treat him like a real person—he jokes, takes photos, and even invites a few to his tribute event. Amid the trip, word online spreads that Tim is suing him for assault.
He finally locates Daisy in the dining car. The reunion is short-lived once she realizes he’s been following her. Ron and Liz, Jay’s publicist, sit a few cars away and reflect on the years they’ve spent managing him and how their own lives have revolved around his problems. Ron still resents the night Liz left him at the Eiffel Tower, while Liz admits she misses time with her own daughter.
When a biker steals a woman’s handbag, Jay chases him and recovers it. Ron suggests inviting Jay’s father to join them, and Jay agrees, hoping to repair that frayed bond. By the time they reach Tuscany, the clip has gone viral, and Jay is hailed as a hero. Ron then leaves to meet another client, Ben Alcock, who fires him on the spot. He calls home, but the conversation is stiff and brief. Back at the party, Jay barely notices Ron’s absence. Later, Ron reveals that Tim dropped the lawsuit after lawyers uncovered an old charge in Tim’s record.
Jay’s father arrives, looking worn, and asks to go back to Maine. Jay pleads for him to stay, but the taxi pulls away. He chases it, only to watch it disappear around the corner, then wanders into the nearby woods. He calls his older daughter Jessica and asks her to visit, but she refuses, reminding him of the day she brought him to therapy, when the counselor began reading a letter she had written about missing him—only to walk out before finishing.
Seeing Ron’s taxi, Jay runs after it and begs him to come to the tribute. Ron agrees but makes it clear their professional collaboration is over. Jay finally understands that he’s spent years confusing paid loyalty with love. At the tribute, as Jay faces the cameras, he hesitates and gently whispers a line that feels like a final pause: > “Another shot.”
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