
John Mills plays Dingle, a laid‑back high‑school teacher who cares deeply for his pupils. When the new, authoritarian headmaster Frome (Cecil Parker) imposes harsh, repressive rules, Dingle defends the students and is swiftly dismissed. Undeterred, the children band together, plotting to reinstate their beloved teacher and to secure the instruments needed for the upcoming music festival despite Frome’s refusal to fund them.
Does It’s Great to be Young! have end credit scenes?
No!
It’s Great to be Young! does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of It’s Great to be Young!, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Cecil Parker
Frome, Headmaster

John Mills
Dingle

Russell Waters
School Inspector

Mona Washbourne
Miss Merrow, a School Mistress

Eddie Byrne
Mr. Morris

Carole Shelley
Peggy, The Angel Hill Kids

John Salew
Routledge, a Senior Master

Joan Benham
Mr. Routledge's Companion (uncredited)

Dorothy Bromiley
Paulette, The Angel Hill Kids

Richard O'Sullivan
Lawson, The Angel Hill Kids

Eleanor Summerfield
Barmaid

Norman Pierce
Publican

Mary Merrall
Miss Wyvern, a School Mistress

Jeremy Spenser
Nicky, The Angel Hill Kids

Marjorie Rhodes
Landlady

Derek Blomfield
Paterson, Sports Master

Elizabeth Kentish
Mrs Castle, a School Mistress

Robert Dickens
Morris, The Angel Hill Kids

Wilfred Downing
Browning, The Angel Hill Kids

Dawson France
Crowther, The Angel Hill Kids
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Read the complete plot summary of It’s Great to be Young!, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Mr Dingle, John Mills, is a music-loving teacher who believes that letting pupils experience music can enrich their lives. In contrast, the new strict headmaster, Mr Frome, Cecil Parker thinks the old, traditional approach to education should be kept intact and that Dingle’s methods are undermining the children’s schooling.
Dingle’s pupils come up with a plan to raise money by performing for crowds in the street and they try to persuade him to support the idea. When the initial attempt fails, they decide to enlist some younger students to join in, hoping the crowd energy will be enough to persuade the headmaster. The scheme proves surprisingly successful, and with help from one of the pupils’ parents they’re able to buy new musical instruments. The total cost, £200, is to be paid in weekly installments of £2 10s, a debt Dingle personally signs for, symbolizing his commitment to giving the children a chance to explore music.
However, trouble arises when Dingle ends up on the front page of the local newspaper, prompting the headmaster to lock the instruments away. The pupils refuse to be deterred: they manage to recover the instruments from the locked cupboards, rehearse, and return them without drawing attention or causing further trouble.
Dingle also takes on a second job, playing the piano in a nearby pub for £4 a week plus free beer. His double life is soon noticed by a teacher who reports him to Mr Frome, and the headmaster decides to sack him. In response, the students stage a protest, organizing a strike and a sit-in, with support from pupils at other schools who join the demonstration outside.
The conflict reaches a turning point when order is eventually restored: Mr Frome relents, allowing Mr Dingle to return to the classroom. The tale closes on a triumphant note as the group—led by the persevering teacher and his hopeful pupils—celebrates their resolve and teamwork, finishing to the uproarious, hopeful beat of Top of the Form.

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