
Following the sudden disappearance and week-long absence of a teenage student, his mother and teachers are left grappling with unsettling questions about existence and the nature of reality when he unexpectedly returns. The experience profoundly alters their perspectives on life and the world around them.
Does I Was at Home, But . . . have end credit scenes?
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I Was at Home, But . . . does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of I Was at Home, But . . ., including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Franz Rogowski
Lars

Devid Striesow
Teacher Gertjan

Maren Eggert
Astrid

Dane Komljen
Jorge, the Young Director

Esther Buss
Sibylle

Jakob Lassalle
Phillip

Jelena Kuljic
Pele's Mother

Lucas Confurius
Werner

Marcel Kohler
Willy

Martin Clausen
Peter

Thorbjörn Björnsson
Harald

Wolfgang Michael
Principal

Alan Williams
Mr. Meisner

Lilith Stangenberg
Claudia

Jirka Zett
Astrid's Boyfriend

Clara Möller
Flo

Ursula Renneke
Nurse
Discover where to watch I Was at Home, But . . . online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Rotten Tomatoes.
See how I Was at Home, But . . . is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where I Was at Home, But . . . stands among top-rated movies in its genre.
I Was at Home, But… presents an austere, contemplative work that divides opinion. Critics celebrate its formal ambition, expressive visual details, and emotionally resonant portrait of grief, while noting its elliptical narrative and occasional stilted execution. A single user review highlights a lack of plot and disengaging edit, underscoring the film's challenging accessibility. Overall, the piece rewards viewers attuned to its measured pace and thematic depth, but may alienate those seeking conventional storytelling.
The Movie Echo Score Breakdown for I Was at Home, But . . .
Art & Craft
The film’s direction and visual craft are marked by minimalistic composition and expressive details that many critics find formally impressive. Its deliberate pacing and measured editing contribute to a refined aesthetic, yet some reviewers describe it as a stilted installation with unengaging cuts. The overall visual execution therefore feels ambitious but uneven, reflecting both strong artistic intent and occasional technical shortcomings.
Character & Emotion
Performances anchor the work with a tender, nuanced portrayal of grief and family, earning praise for emotional resonance. The central actor’s work is highlighted as particularly compelling, while the film’s Bresson‑style delivery renders characters somewhat opaque. This combination of deep feeling and restrained expressiveness results in a generally strong character impression that may feel distant to some viewers.
Story & Flow
Narratively, the film embraces fragmentation, offering multiple possible interpretations and an elliptical, puzzle‑like structure. Critics commend its boldness and willingness to defy conventional plot, yet the absence of clear narrative progression is noted as disengaging by a user reviewer. Consequently, the story is perceived as deliberately ambiguous, providing intellectual intrigue at the expense of straightforward coherence.
Sensory Experience
Sensory elements, including understated color palettes and precise sound design, are described as expressive and immersive, contributing to a vivid cinematic experience. Some critics liken sections to a static photographic installation, suggesting moments of visual rigidity. Overall, the sensory composition is striking and contributes significantly to the film’s atmospheric impact, though occasional stasis is observed.
Rewatch Factor
The film’s lingering gestures and thought‑provoking ambiguity motivate repeated viewings for audiences seeking deeper meaning. Critics emphasize its capacity to occupy viewers’ minds after the screening, while a user found it insufficiently engaging to finish. This contrast yields a moderate to high rewatch potential, particularly for viewers who appreciate reflective, non‑linear cinema.
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