
The film shows that the gap between Eastern and Western Europe is more than geographic. It follows two couples—one from Albania, the other from Serbia—who, amid wedding celebrations, decide to leave for Western Europe to pursue their dreams. As they begin new lives, they are caught between their homelands’ pasts and an uncertain shared future.
Does Honeymoons have end credit scenes?
No!
Honeymoons does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Honeymoons, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Lazar Ristovski
Verin ujak

Mira Banjac
Stana

Ana Stefanović
Devojka sa kučetom

Aleksandar Radojičić
Mladi nasilnik

Mirela Naska
Maylinda

Ljuma Penov
Tanja

Vlastimir Velisavljević
Doktor

Aron Balazs
Mađarski policajac

Bora Nenić
Snimatelj na svadbi

Ratko Miletić

Milan Tomić

Nebojša Milovanović
Marko

Petar Božović
Verin otac

Danica Ristovski
Verina majka

Zinaida Dedakin
Verina strina

Bujar Lako
Nikov otac

Jelena Trkulja
Vera

Ivan Bekjarev
Komšija

Dragoljub Vojnov

Klodian Hoxha
Ilir

Jozef Shiroka
Nik

Ilka Mujo
Nikova majka

Đorđe Simić
Mladoženja
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Read the complete plot summary of Honeymoons, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Twenty-nine-year-old clothing importer Fran Goldman lives a comfortable life in London, having offered his fiancée everything—his heart, and a stylish two-bedroom penthouse in Kentish Town. Yet four weeks before their wedding, she calls it off. Instead of a solo honeymoon, Fran stays in the city, convinced that she’ll realize her mistake and come back. When he unexpectedly runs into her with her new boyfriend, any hope of reconciliation is crushed, and Fran is left to face the reality that the future he imagined might not include her at all.
He doesn’t have to navigate the aftermath alone, though. His sometimes neurotic friends, Ben and Jon, bring their own peculiarities to the situation. They seem to be living proof of the opposite of Fran’s predicament: their girlfriends are crazy about them, while the guys themselves feel lukewarm about their relationships. This imbalance spurs a collaborative, if not entirely selfless, effort to help Fran find someone new. What follows is a string of misfires and misadventures as the trio tests out a variety of schemes to meet women.
Their attempts range from bold and offbeat to awkwardly comic. There’s a memorable scene that has them knocking on the door of a rabbi’s house in a bid to scout for talent, and another miscommunication where two women they approach jump to the mistaken conclusion that the men are a same-sex couple. Each step along the way pushes Fran closer to rock bottom, forcing him to reevaluate what he truly wants from love, life, and the future he had imagined for himself.
As the days blur into late nights and late-night confidences, the question remains: will Fran ever find a real salvation, a second chance at happiness? The film suggests the answer might be closer to home than he ever expected, hinting that sometimes the path to healing runs through the acts of friendship and self-discovery that feel most familiar. What begins as a heartbreak-fueled voyage toward new encounters quietly becomes a journey toward understanding what really matters.

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