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Horror film

Haunting of the Mary Celeste (2020): Cast & Ratings

Haunting of the Mary Celeste (2020) movie poster

Haunting of the Mary Celeste is a 2020 horror film directed by Shana Betz, starring Emily Swallow as Rachel, Richard Roundtree and Ava Acres. It runs 1 hour 14 minutes. Its Echo Score is 38/100.

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Haunting of the Mary Celeste (2020) movie poster
Released
Runtime
1h 14m (74 min)
Director
Shana Betz
Genre
Horror
Original language
English
After the credits
No No extra scene
The story

What Is Haunting of the Mary Celeste About?

The premise of Haunting of the Mary Celeste without spoilers.

Rachel, a researcher, leads a team to investigate the mysterious disappearance of the family and crew from the merchant ship Mary Celeste. Believing their vanishing was caused by supernatural forces, she hypothesizes they entered a dimensional rift. As their boat experiences mechanical failure, Rachel’s theory appears to be confirmed when members of her crew begin to disappear one by one, confronting them with terrifying and inexplicable phenomena.

Haunting of the Mary Celeste Themes & Keywords

· 12 tags
  • reference to mary celeste
  • ghost ship
  • time rift
  • merchant ship
  • haunted ship
  • haunted boat
  • unexplained disappearance
  • inter dimensional
  • vanished
  • mysterious disappearance
  • high seas
  • title directed by female
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Cast & crew

Haunting of the Mary Celeste Cast & Characters

Emily Swallow leads the cast as Rachel, with Richard Roundtree as Tulls and Ava Acres as Jennifer / Sophia. Directed by Shana Betz; 6 actors are credited in all.

Also Starring in Haunting of the Mary Celeste

· 2 more
From the director

More from Shana Betz

One more film directed by Shana Betz: Free Ride.

Full filmography
Ratings

Haunting of the Mary Celeste Reviews & Ratings

Our Echo Score gives it 38/100, strongest in character & emotion (55) and weakest in rewatch factor (30).

38 /100

Haunting of the Mary Celeste Echo Score Breakdown

The film struggles to deliver a cohesive horror experience, resulting in a largely unsatisfying impression. Critics and viewers repeatedly note disjointed storytelling, bland scares, and a pacing that drags, while occasional atmospheric moments fail to compensate for the lack of tension. Positive remarks focus mainly on the modest performance of Richard Roundtree and brief atmospheric ambience. Consequently, the movie leaves most audiences disengaged and unlikely to seek a repeat viewing.

Our own 0–100 rating, built from five aspects: art, character, story, the sensory experience and how well a film rewatches.

  • Art & Craft 35

    The art and craft of the movie reveal a modest production constrained by limited resources. Reviewers praise the moody, fog‑filled setting and occasional effective composition, yet criticize the dim lighting that obscures action and uneven editing that hampers narrative flow. The overall visual execution feels more atmospheric than polished, leaving the craftsmanship below expectations.

  • Character & Emotion 55

    Character work in the film is uneven, with several performances described as stiff while a few stand out. Audiences note that Richard Roundtree delivers a convincing, memorable role that lifts the material, whereas other cast members receive mixed comments about passable or annoying portrayals. Overall, the acting provides occasional depth but fails to sustain emotional engagement throughout.

  • Story & Flow 40

    The story suffers from a fragmented structure that leaves viewers confused and underwhelmed. Critics and users repeatedly describe the plot as disjointed, lacking clear explanation for key mysteries and offering minimal horror payoff. While a few appreciate the slow‑burn mystery and atmospheric premise, the overall narrative fails to maintain momentum or deliver satisfying resolution.

  • Sensory Experience 50

    Sensory elements provide brief moments of atmosphere but are largely insufficient to elevate the film. Reviewers mention moody fog, claustrophobic interiors, and a soundtrack that attempts to build tension, yet many cite poor visibility and muted sound design that dilute impact. Consequently, the sensory experience feels underdeveloped and fails to reinforce the intended horror mood.

  • Rewatch Factor 30

    The rewatch factor is low, as most viewers express little desire to return to the film. Comments describe the movie as a yawn‑fest that could serve as sleep aid, with few noting any redeeming qualities that warrant a second viewing. Only isolated opinions find occasional enjoyment, but the consensus disfavors repeat engagement.

Videos

Haunting of the Mary Celeste Trailers & Videos

The trailer of Haunting of the Mary Celeste.

Haunting of the Mary Celeste (2020) Exclusive Official Trailer HD
Details

Haunting of the Mary Celeste Also Known As

6 alternative titles, including “Призраки «Марии Целесты»” and “幽靈船瑪莉瑟萊斯特號”.

Also known as
  • Призраки «Марии Целесты»
  • 幽靈船瑪莉瑟萊斯特號
  • 헌팅 오브 더 메리 셀레스트
  • 玛丽·塞莱斯特的出没
  • Ghosts of the Abyss
  • La maldición del Mary Celeste

Seen Haunting of the Mary Celeste?

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Movies Like Haunting of the Mary Celeste

Films with a similar story, tone or audience, including Haunting of the Queen Mary, The Mystery of the Mary Celeste and The Ghost Ship.

FAQ

Haunting of the Mary Celeste FAQ: Cast & Runtime

Runtime, release date, director, cast and post-credit scenes of Haunting of the Mary Celeste, each answered in a sentence.

How long is Haunting of the Mary Celeste?

Haunting of the Mary Celeste runs 1 hour 14 minutes (74 minutes).

When was Haunting of the Mary Celeste released?

Haunting of the Mary Celeste was released on October 23, 2020.

Who directed Haunting of the Mary Celeste?

Haunting of the Mary Celeste was directed by Shana Betz.

More films by Shana Betz

Who is in the cast of Haunting of the Mary Celeste?

Haunting of the Mary Celeste stars Emily Swallow as Rachel, Richard Roundtree as Tulls and Ava Acres as Jennifer / Sophia, among 6 credited actors.

Does Haunting of the Mary Celeste have a post-credit scene?

No. Haunting of the Mary Celeste has no extra scene during or after the credits.

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