
Upon returning from vacation, the Diallo family discovers strangers living in their house, who insist they are the rightful owners. With no other options, Paul Diallo, a teacher, reluctantly seeks help from Mickey, a questionable local with a dangerous lifestyle. As Paul becomes increasingly involved with Mickey's world, he finds himself drawn into a spiral of extreme and illegal activities, pushing him towards a breaking point.
Does Get In have end credit scenes?
No!
Get In does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Get In, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Paul Hamy
Mickey

François Godart
Guest Man

Stéphane Caillard
Chloé Diallo

Jacques Herlin
The Judge

Carine Bouquillon
Sophie

Bruno Tuchszer
Police captain

Adama Niane
Paul Diallo

Hubert Delattre
Eric Bolso

Emmanuel Rausenberger
CIAO employee

Eddy Leduc
Franck

Coline Beal
The Redhead

Mickaël Sabah
Denis

Leila Amara
Guest Woman

Christopher Fataki
Kevin

Marie Bourin
Sabrina Bolso

Charlotte Geiger
Jenny

Matthieu Kacou
Louis Diallo

Carole Le Sone
Guest

Saverio Maligno
Guest

Florence Masure
Town Hall Employee

Alioune Badara Mbay
CIAO Security Officer

Emmanuel Plovier
Market man

Jean-Maximilien Sobocinski
CAIO official

Alice Taurand
Lawyer

Coralie Wesolowski
The Blonde

Emilie Wiest
MDSI employee

Naëlle Triplet
High school student

Yacine Benaouda
High school student

Victoria Wabelawa
High school student

Olivier Bayart
Cop
Discover where to watch Get In online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Rotten Tomatoes or Letterboxd.
See how Get In is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Get In stands among top-rated movies in its genre.
The film draws a mixed response, with its raw visual style and occasional strong performances offset by a fragmented narrative and uneven pacing. Critics note its ambitious social commentary and art-house aesthetic, yet many find the plot implausible and the ending unsatisfying. While some viewers appreciate the atmospheric tension and occasional thrills, the overall execution feels inconsistent, limiting its appeal beyond genre enthusiasts. Consequently, the movie offers a modest but polarized experience.
The Movie Echo Score Breakdown for Get In
Art & Craft
In terms of direction and visual craft, the film showcases a raw, gritty aesthetic that some reviewers liken to art-house horror, with an effective use of lighting and composition. However, the editing feels uneven, and the narrative shifts disrupt the tonal consistency, leading to a disjointed viewing experience. Overall, the artistic ambition is evident but its execution remains inconsistent.
Character & Emotion
When it comes to character and emotion, the lead actors deliver solid performances, with the protagonist’s struggle receiving particular praise. Nonetheless, the script provides limited depth, resulting in thinly drawn relationships and uneven chemistry among the cast. The occasional strong moments are therefore undermined by a general lack of nuanced development, yielding an overall modest character impact.
Story & Flow
The story premise, rooted in a true‑case house‑invasion scenario, introduces compelling social themes but suffers from erratic pacing and implausible plot twists. Reviewers cite a promising start that collapses into a convoluted third act, leaving the climax feeling over‑reliant on gore rather than narrative resolution. Consequently, the plot feels uneven and unsatisfying.
Sensory Experience
Sensory experience is highlighted by a stark visual palette and immersive sound design that reinforce the film’s unsettling atmosphere. The cinematography captures raw textures, and the score accentuates tension during key sequences. Yet the excessive gore and occasional disjointed audio cues can distract, making the sensory impact a mix of effective and overwhelming elements.
Rewatch Factor
Rewatch factor remains limited; while the film may appeal to viewers who enjoy French horror and socially charged thrillers, the uneven narrative and unsatisfying conclusion reduce its lasting allure. Some audiences find the unsettling ambience compelling enough for a second viewing, but the dominant pacing issues and implausible twists diminish the desire to return. Overall, repeat value is modest.
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