Fly Me to the Moon 2024

As the 1960s Space Race reaches a critical turning point, with the Soviet Union’s achievement of sending a human astronaut into orbit, the United States finds itself racing towards lunar exploration. The harrowing Apollo 1 mission—resulting in the heartbreaking loss of three courageous astronauts—highlights the immense challenges and dangers of this technologically charged rivalry.

In the midst of this high-stakes environment, we meet Cole Davis, portrayed by Channing Tatum, a veteran at NASA responsible for the monumental Apollo 11 mission. Enter Kelly Jones, a cunning marketing expert played by Scarlett Johansson, known for her unconventional strategies aimed at achieving success. Kelly, with a unique pregnancy disguise, boldly enters a pivotal meeting with a major auto manufacturer, armed with an enticing vision to broaden their customer base beyond the traditional male market.

Accompanying her is Ruby Martin, portrayed by Anna Garcia, always by her side as they traverse the murky waters of corporate negotiations. With their dynamic working alongside the rigorous commercial director Lance Vespertine, Kelly’s reputation begins to unfold. However, her crafted persona faces unexpected challenges when she encounters Moe Berkus (played by Woody Harrelson), a charismatic character who claims to represent President Nixon.

Moe’s proposition to Kelly is a game-changer: he envisions utilizing her talents to enhance NASA’s public image just before the Apollo 11 launch, transforming her from a marketing guru into a pivotal player in the agency’s public relations strategy. With Ruby at her side, Kelly relocates to Washington D.C., where she and Cole engage in a series of awkward yet tense interactions that leave them both unsure about their new working relationship.

As Kelly begins to adjust to her role at NASA, she and Ruby tour their new workspace—reflecting a stark contrast to the polished offices they’re accustomed to. Cole is caught off guard as he unravels Kelly’s true identity, prompting a reevaluation of his preconceived notions about her. The atmosphere thickens as Kelly and Ruby aim to mark their territory within NASA, with Ruby consistently reminding them of their untraditional tactics.

A flurry of conflict arises when Cole and Deputy Launch Director Henry Smalls (Ray Romano) become puzzled by Kelly’s unconventional methods, including hiring an actor for a staged news event. Upon confronting her about this misstep, Kelly cleverly brings up his earlier warning that his team isn’t open to interviews, artfully demonstrating the ongoing power struggle within NASA’s hierarchical framework.

Ultimately, Moe’s insight resonates with Cole and Smalls: > “She’s getting results,” nudging them to adapt and cooperate with this unpredictable yet effective force disrupting their norm. As Kelly Jones and Cole Davis navigate the intricacies of NASA’s bureaucratic landscape, their determination to achieve their goals becomes unmistakably evident.

While Kelly ingeniously crafts advertisements linking the impending moon landing to stellar brands like Tang and Fruit of the Loom, Cole along with his team dedicate themselves to the monumental task of preparing for the launch. Despite their fervent efforts, the media’s attention is captured by the unfolding Vietnam War. Amidst this turmoil, an unlikely bond forms between Kelly and Cole as they enjoy strolls along the bustling boardwalk, sharing laughter and personal anecdotes. Tension simmers, however, when Kelly suggests capturing a picture of Earth from the moon core, a proposal Cole staunchly rejects.

Later, during a heartfelt conversation with Smalls, Kelly discovers Cole’s past—a former pilot who had to abandon his dreams due to medical discoveries. Smalls reveals how Cole finds solace in nurturing a garden, planting seeds of remembrance for the Apollo 1 victims, further enhancing Kelly’s understanding of him.

Meanwhile, the arrival of Senator Hopp (Gene Jones) adds a layer of intrigue as he unexpectedly warms up to Kelly, impressed by her feigned nostalgia for his past leadership. With this crucial endorsement, Cole and Kelly set their sights on securing votes from influential officials, successfully winning over Senator Cook (Colin Jost) next, targeting Senator Hedges (Victor Garber) thereafter.

In return for Hedges’ support, Cole agrees to an interview with some individuals who owe favors to the senator. Buoyant with success, the team revels in their gain while Cole draws Kelly into the nostalgia of his flight days—sharing tales of his pilot journey.

As Kelly divulges her childhood experiences that fostered her talent for charm and guile, a deepened bond solidifies between her and Cole. After an encounter at her motel with Moe, he unveils “Project Artemis,” a contingency plan to stage a moon landing should the Apollo mission fail. The ramifications of exposure are severe—encompassing potential imprisonment or treason for Kelly and the team. Torn yet compliant, Kelly agrees to Moe’s plan, igniting events that will challenge her resourcefulness.

Navigating the complexities of ally recruitment, Kelly seeks assistance from Ruby and Lance, though Lance’s dramatic inclinations force Kelly to keep their true objectives shrouded from NASA’s probing eyes. Embarking on an interview journey with Chuck Meadows (Peter Jacobson), a tense moment arises when Chuck discusses the Apollo 1 disaster, casting doubts on Cole’s accountability. After the discussion, Kelly chastises Cole for his outburst while he stands firm, unwavering in his principles regarding the fallen astronauts.

With emotions running high, Cole invites Kelly to Louisiana for dinner with Senator Vanning (Joe Chrest) and his wife Jolene (Stephanie Kurtzuba). Despite Vanning’s initial reluctance toward the space program, Cole’s appeal to shared Christian values prevails. With this triumph, a romantic moment is sparked when Kelly and Cole seal their victory with a kiss.

Yet amidst their joy, Kelly and Ruby share the burden of their secret—Kelly’s anxieties intensifying during an unexpected meeting with Moe. He reminds her of the gravity of their situation, threatening to expose her true identity should she diverge from Project Artemis. This leaves Kelly engulfed in self-doubt, until she stumbles upon a poignant sketchbook from Ruby that contains heartfelt portraits of their colleagues, sparking a rush of nostalgic memories.

As the countdown to the fabricated moon landing looms, a defining moment arrives when Kelly unveils her true identity to Cole—shocking him with the revelation that “Kelly Jones” is a mere pseudonym. Amidst feelings of betrayal, Cole resolves to assist Kelly in averting the impending disaster of a fake moon landing. With the stakes elevated, Kelly and her team mount an audacious scheme to acquire essential equipment while the Apollo 11 mission launches successfully into space.

While on the fake landing set, chaos erupts as a stray black cat unexpectedly appears—causing shockwaves among the crew and drawing Moe’s startled gaze. In the wake of their daring escapade, Cole experiences a moment of elation, reveling in the irony of the situation as the truth emerges.

With triumph at their fingertips, Kelly, her allies, and Moe find themselves on the brink of a new beginning. Following Apollo 11’s safe return to Earth, marking a pivotal achievement for NASA, Kelly and Cole embrace, intertwining their fates in a world that seems to spin back into equilibrium once again.