
The nation’s first female Supreme Court Justice joins a nine‑member bench where eight other justices oppose her. As she learns the inner workings of the highest court, she develops a cordial rivalry with a liberal colleague, testing both her convictions and personal dynamics.
Does First Monday in October have end credit scenes?
No!
First Monday in October does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of First Monday in October, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Barnard Hughes
Chief Justice Crawford

Jill Clayburgh
Ruth Loomis

Walter Matthau
Dan Snow

James Stephens
Mason Woods

Noble Willingham
Nebraska Attorney

Tony D. Head
Law Clerk #3 (uncredited)

Herb Vigran
Justice Ambrose Quincy

James Brodhead
Court Marshall

Ann Doran
Storekeeper

Hugh Gillin
Southern Senator

Sandy Chapin
Law Clerk #2

Richard McKenzie
Hostile Senator

Dudley Knight
Assistant Manager

Richard Balin
Photographer

Edmund Stoiber
Committee Chairman

Richard DeAngelis
News Producer

Lew Palter
Justice Benjamin Halperin

Dale E. House
Helicopter Pilot

Bob Sherman
Senator #2

William G. Clark
Cab Driver #1

Bebe Drake
Nurse

Nick Angotti
Plaintiff's Attorney

F.J. O'Neil
Justice Waldo Thompson

Dallas Alinder
Norman

Olive Dunbar
Ms. Radabaugh

Arthur Adams
Custodian #1

Wiley Harker
Justice Harold Webb

Joshua Bryant
Bill Russell

Mary Munday
Head Nurse

Jan Sterling
Christine Snow

Barbara Peckinpaugh
Lois Larue (uncredited)

Edwin M. Adams
Clergyman

Charles Lampkin
Justice Josiah Clewes

Joe Michael Terry
Law Clerk #1

Stanley Lawrence
Court Guard

Sig Frohlich
Custodian #2

Ray Colbert
Senator #1

Richard McMurray
Justice Richard Carey

Jeanne Joe
Waitress

Christopher Tenney
Robinson

Martin Agronsky
TV Commentator

Ken DuMain
Guard

Carol Coggin
Attorney

Dick Winslow
Court Barber

Ronnie Thomas
Firing Party Commander

Jeff Scheulen
Ambulance Attendant

Jonathan Charney
Doctor

Jim Vanko
Chief Ranger

Wendy E. Taylor
Cab Driver #2

Todd Stockman
Mourner (uncredited)
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Who becomes the first female Associate Justice of the U.S. Supreme Court in the film?
Ruth Loomis
Daniel Snow
Donald Richards
Stanley Moorehead
Show hint
Read the complete plot summary of First Monday in October, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
The death of Stanley Moorehead, an Associate Justice of the United States Supreme Court, opens a vacancy on the high court. The President’s appointee, Ruth Loomis, a staunch conservative from Orange County, California, is confirmed as the first female Associate Justice, marking a historic turn for the court. Her arrival instantly signals a clash of temperament and philosophy with the old guard, especially with the court’s liberal veteran, Daniel Snow. The two judges could not be more different in outlook: Loomis brings a disciplined, courtroom pragmatism and a conservative tilt, while Snow embodies a long‑standing, more expansive view of liberty and judicial power. Their early exchanges lay bare a fundamental tension on the bench—how to balance precedent, tradition, and personal beliefs when interpreting the Constitution.
A pair of high-profile cases tests their ability to navigate ideology and responsibility. One dispute centers on a pornographic film and the delicate boundaries of free speech, forcing them to weigh civil liberties against public decency in a culture war that has real consequences for creators, viewers, and the broader moral debate. A second matter arrives from below: a lawsuit brought by stockholders of a company concerned with suppressing a potentially revolutionary new power source, the momentum engine. The patent is controlled by the board of Omnitech International, and its chief executive, Donald Richards, has not appeared in public for a decade and remains unavailable by subpoena. The legal questions surrounding this case push Loomis and Snow into the heart of corporate power, technological promise, and the public’s right to know how inventions are safeguarded or stifled.
As time passes, the two jurists grow to like and respect one another despite their differences. They find themselves drawn into late-evening debates about the momentum engine and the Omnitech controversy, held after hours in the quiet, almost sacred space of the empty courthouse. During one such moment, Snow endures a heart episode and is hospitalized, prompting Loomis to visit and comfort him as he recovers. That moment softens their initial wariness and reveals a shared concern for the integrity of the law and the people it serves.
The plot intensifies when Loomis, spurred by something Snow had intimated during their debates, travels back to California overnight. In a records storage center, she uncovers evidence suggesting that her late husband and his law firm concealed the death of their client, Donald Richards. This discovery creates a serious conflict of interest for Loomis, given her prior associations with the same firm that defended her, and she contemplates resigning from the Supreme Court to avoid tainting the Omnitech case. Snow learns of Loomis’s dilemma, leaves the hospital, and, after further debate, persuades her not to quit her position. The pair then return to the Supreme Court by taxi to reveal her discovery and to advocate for timely action on the Omnitech case. They push for the next conference to place the matter on the docket, a move that could reshape the trajectory of the high court’s review and test the limits of judicial ethics, accountability, and pragmatism in a fraught moment of constitutional consequence.
Together, the narrative unfolds as a measured exploration of how two minds with divergent philosophies can find common ground in the service of justice, even as political and personal pressures threaten to pull them apart.
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