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First Monday in October 1981

The nation’s first female Supreme Court Justice joins a nine‑member bench where eight other justices oppose her. As she learns the inner workings of the highest court, she develops a cordial rivalry with a liberal colleague, testing both her convictions and personal dynamics.

The nation’s first female Supreme Court Justice joins a nine‑member bench where eight other justices oppose her. As she learns the inner workings of the highest court, she develops a cordial rivalry with a liberal colleague, testing both her convictions and personal dynamics.

Does First Monday in October have end credit scenes?

No!

First Monday in October does not have end credit scenes. You can leave when the credits roll.

Meet the Full Cast and Actors of First Monday in October

Explore the complete cast of First Monday in October, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.


Take the Ultimate First Monday in October Movie Quiz

Challenge your knowledge of First Monday in October with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.


First Monday in October Quiz: Test your knowledge of the 1981 film *First Monday in October*, focusing on its characters, plot points, and legal themes.

Who becomes the first female Associate Justice of the U.S. Supreme Court in the film?

Full Plot Summary and Ending Explained for First Monday in October

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Read the complete plot summary of First Monday in October, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


The death of Stanley Moorehead, an Associate Justice of the United States Supreme Court, opens a vacancy on the high court. The President’s appointee, Ruth Loomis, a staunch conservative from Orange County, California, is confirmed as the first female Associate Justice, marking a historic turn for the court. Her arrival instantly signals a clash of temperament and philosophy with the old guard, especially with the court’s liberal veteran, Daniel Snow. The two judges could not be more different in outlook: Loomis brings a disciplined, courtroom pragmatism and a conservative tilt, while Snow embodies a long‑standing, more expansive view of liberty and judicial power. Their early exchanges lay bare a fundamental tension on the bench—how to balance precedent, tradition, and personal beliefs when interpreting the Constitution.

A pair of high-profile cases tests their ability to navigate ideology and responsibility. One dispute centers on a pornographic film and the delicate boundaries of free speech, forcing them to weigh civil liberties against public decency in a culture war that has real consequences for creators, viewers, and the broader moral debate. A second matter arrives from below: a lawsuit brought by stockholders of a company concerned with suppressing a potentially revolutionary new power source, the momentum engine. The patent is controlled by the board of Omnitech International, and its chief executive, Donald Richards, has not appeared in public for a decade and remains unavailable by subpoena. The legal questions surrounding this case push Loomis and Snow into the heart of corporate power, technological promise, and the public’s right to know how inventions are safeguarded or stifled.

As time passes, the two jurists grow to like and respect one another despite their differences. They find themselves drawn into late-evening debates about the momentum engine and the Omnitech controversy, held after hours in the quiet, almost sacred space of the empty courthouse. During one such moment, Snow endures a heart episode and is hospitalized, prompting Loomis to visit and comfort him as he recovers. That moment softens their initial wariness and reveals a shared concern for the integrity of the law and the people it serves.

The plot intensifies when Loomis, spurred by something Snow had intimated during their debates, travels back to California overnight. In a records storage center, she uncovers evidence suggesting that her late husband and his law firm concealed the death of their client, Donald Richards. This discovery creates a serious conflict of interest for Loomis, given her prior associations with the same firm that defended her, and she contemplates resigning from the Supreme Court to avoid tainting the Omnitech case. Snow learns of Loomis’s dilemma, leaves the hospital, and, after further debate, persuades her not to quit her position. The pair then return to the Supreme Court by taxi to reveal her discovery and to advocate for timely action on the Omnitech case. They push for the next conference to place the matter on the docket, a move that could reshape the trajectory of the high court’s review and test the limits of judicial ethics, accountability, and pragmatism in a fraught moment of constitutional consequence.

Together, the narrative unfolds as a measured exploration of how two minds with divergent philosophies can find common ground in the service of justice, even as political and personal pressures threaten to pull them apart.

Uncover the Details: Timeline, Characters, Themes, and Beyond!

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First Monday in October Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


reference to times square manhattan new york cityreference to 42nd street manhattan new york cityreference to new york cityscene during opening creditsfemale nudityfemale rear nudityshowercourtroom dramacourttriallawyerattorneywitnessmanhattan new york citynew york cityjusticeoctobermondaylegal comedycourtroom antics1980sordinal number in titlefour word titlenumber 1 in titlemonth in titleday in titlepornographic film as subjectu.s. supreme courtfemale justice of the u.s. supreme courtpornography as subjectbased on a stage playtimes square manhattan new york cityintocross examinationlegal appealappeal to the supreme courtcriminal justiceconstitutional lawu.s. constitutionrepublicanunanimous decisionkangaroo court martialmilitary funeraldead wifesupreme court conferencedirty politicssupreme court justicelegal conferencefree speechblack female judge

First Monday in October Other Names and Titles

Explore the various alternative titles, translations, and other names used for First Monday in October across different regions and languages. Understand how the film is marketed and recognized worldwide.


Am ersten Montag im Oktober Mi querida señor juez Ein Montag im Oktober Kinek a bírónő Una notte con vostro onore Первый понедельник октября Um Juiz Muito Louco 10월의 첫 월요일 El primer dilluns d’octubre Pierwszy Poniedziałek Października První říjnové pondělí 女神也疯狂

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