Everyone’s Going to Die 2013

Melanie, Nora Tschirner, a young German woman who has moved to a quiet English seaside town to be with her fiancé wakes up the morning after a party, dressed as Charlie Chaplin. He has left her there, and she soon meets Ali, Kellie Shirley, who offers to help her find work as a waitress. With no job, money, or real friends, Melanie’s aimless life is briefly redirected by the task of supervising her fiancé’s niece—a duty she doesn’t relish and barely understands how to handle.

Her path crosses with Ray, Rob Knighton, a man in his fifties who pays for the coffee Melanie can’t afford. At first, he looks and sounds like a cliché East End hitman, yet the truth about him isn’t so straightforward. He has returned to the town he grew up in to pay his respects to the family of his recently deceased brother, a purpose that slowly reveals its own complexities.

As their conversations unfold, their relationship grows in a patient, tentative way. They exchange confidences, navigate awkward and darkly funny moments, and encounter Ray’s extended, quirky clan—moments that knit them closer even as they confront their own private fears and past misgivings. The bond between them starts to feel like a shelter from the world, a place where they can be honest and a little vulnerable.

When Ray and Melanie meet Laura, Madeline Duggan, Laura becomes a catalyst for Ray’s reckoning with his family history. For Laura, the chance to connect with her uncle offers a glimmer of trust and companionship at a difficult time, and her presence nudges Melanie to see a future that might extend beyond her immediate worries.

A turning point arrives when Ali calls with news of a job at Beavers—the restaurant where Melanie might begin again—prompting a reluctant decision to say yes and step into a life that promises both challenge and possibility. She accepts the role as a roller-skating waitress, a choice that marks a rock-bottom moment but also a doorway to a new chapter.

That same night, Melanie leaves Ray to start work, while she heads toward their harbour spot in a mood somewhere between resolve and doubt. Yet the harbour feels like a crossroads, and fate seems to push them to confront the past they’ve been dragging with them. Ray, for his part, tends to his unfinished business in his own way. As Melanie takes the train out of town, she gazes at the ever-changing landscape rushing by, and a familiar figure moves through the carriage, suggesting that their story is far from over and that the road ahead may still surprise them.