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Embraceable You 1948

After Eddie, a small‑time hoodlum, accidentally runs over Marie with his car during a robbery, he is forced to look after her while dealing with his own debts. Desperate, he asks his angry mob boss for money, and despite the danger, a tentative romance blossoms between the two.

After Eddie, a small‑time hoodlum, accidentally runs over Marie with his car during a robbery, he is forced to look after her while dealing with his own debts. Desperate, he asks his angry mob boss for money, and despite the danger, a tentative romance blossoms between the two.

Does Embraceable You have end credit scenes?

No!

Embraceable You does not have end credit scenes. You can leave when the credits roll.

Meet the Full Cast and Actors of Embraceable You

Explore the complete cast of Embraceable You, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.


Take the Ultimate Embraceable You Movie Quiz

Challenge your knowledge of Embraceable You with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.


Embraceable You (1948) Quiz: Test your knowledge of the 1948 film *Embraceable You* with these 10 mixed‑difficulty questions.

Which police officer suspects Eddie Novoc of the hit‑and‑run?

Full Plot Summary and Ending Explained for Embraceable You

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Read the complete plot summary of Embraceable You, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


In New York City, the film opens with a sweeping montage of towering buildings and a city alive with motion, just as an announcer from Warner Brothers announces, “Warner Brothers presents.” The rapid setup is driven by a violent sequence: after [Sig Kelch] shoots a crooked poker player, the getaway car driven by [Eddie Novoc] careens into a bystander, striking [Marie Willens]. Although Eddie is rattled by the accident, Kelch orders him to keep moving, setting off a chain of loyalties and lies that will pull them all into a fragile web of danger and desire.

[Eddie Novoc] soon proves restless under the weight of the hit-and-run, visiting [Marie Willens] at the hospital and posing as a concerned friend of her brother. Marie, however, has no brother, and the encounter catches the attention of the city’s sharp-eyed detective, [Police Lt. Ferris], who senses that something is off about the visitor. Meanwhile, Dr. Wirth discovers a grim truth: Marie has an inoperable, fatal aneurism caused by the accident. He makes a hard, humane choice not to tell her the diagnosis, preferring to shield her from the knowledge that she is dying. The tension between medicine’s mercy and truth’s harshness anchors the emotional gravity of the story.

When Marie is slated for release, she confides in Ferris that she has lost her job and is locked out of her apartment, compounding her precarious life. Eddie returns to visit, and Wirth reveals the full scope of her condition. Ferris, now convinced of Eddie’s culpability in the hit-and-run even if he cannot prove it, orders Eddie to take responsibility for Marie “until she dies.” Cash-strapped and desperate, Eddie tries to secure funds from Kelch but fails; he instead sells his car to rent Marie a modest, hopeful home. Marie’s spirits lift as she settles into her new surroundings, and she reaches out to a friend for help finding work.

That friend is Libby, and [Libby Dennis] becomes a pivotal connection in Marie’s attempt to reclaim a life. Libby’s agent, [Matt Hethron], agrees to meet Marie, but the moment Maria steps forward in a dance to showcase her talents, the strain of her illness collapses the bravado into a sobering setback. Eddie’s woes intensify as he pawns his watch and resorts to blackmailing Kelch for enough money to support Marie, only to discover that Kelch’s men are closing in on him.

With Ferris’s backing, Eddie hatches a plan to flee town with Marie, seeking safety and a chance to live in a quieter, country life. They manage to evade Kelch’s pursuit and begin a tranquil, if precarious, existence away from the city. The dream is almost idyllic, a peaceful interlude that allows Marie to savor a happiness she has scarcely known, but the bloom of quiet life is short-lived; Marie’s attacks grow more severe, and the couple realizes that she is slipping away, no longer able to walk.

Desperate for truth, Eddie summons Wirth, who finally lays bare the cruel irony of Marie’s fate. Now fully aware that she is dying, Marie asks Eddie to marry her. He hesitates, torn by his love for her and by the truth about the accident, but Marie’s understanding heart compels her to forgive him for his role in what happened. Their decision to marry becomes a fragile beacon of hope, a declaration that love can endure even as time runs out.

Back in the city, Kelch’s men keep a vigil over Eddie’s circle, including Sammy, who runs a shop that becomes a focal point of pursuit when a wedding cake bears Eddie and Marie’s names. The cake’s inscription draws the killers toward the couple, but Ferris’s men are watching Sammy too, and when Kelch attempts to shoot Eddie, Ferris shoots first, ending the gambler’s threat. With Kelch out of the picture, Ferris moves to place Eddie under arrest for the earlier hit-and-run, threatening to unravel the delicate balance of love and legality that has come to define their lives.

Eddie pleads to be allowed to marry Marie and to give her happiness for whatever time remains, and Ferris, moved by the depth of Eddie’s devotion, finally agrees to let them wed. The ceremony becomes a quiet triumph over fear, a private vow amid looming consequences. After the wedding, Marie asks Eddie to pretend that their marriage can last forever, a request that presses him to affirm his oath with a kiss and a definitive, tender promise:

It is forever.

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