
Every day is a living nightmare for the women forced into captivity. Young women from Nazi‑occupied territories are crammed onto a train and delivered to a brutal prison camp, where the cruel commandant treats them as prizes for his lesbian guards and depraved soldiers, subjecting them to relentless abuse.
Does Deported Women of the SS Special Section have end credit scenes?
No!
Deported Women of the SS Special Section does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Deported Women of the SS Special Section, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Felicita Fanny
Mara

Stefania D'Amario
Angela Modena

John Steiner
Herr Erner

Rino Di Silvestro

Erna Schürer
Kapo Helga

Giorgio Cerioni
Ivan

Rik Battaglia
Dr. Schubert

Guido Leontini
Dobermann

Lina Polito
Tania Nobel

Solvi Stübing
Fräulein Greta

Paola D'Egidio
Kapo Trude

Maria Renata Franco
Milena

Cesare Barro
Frederick

Agnes Kalpagos
Prisoner

Sara Sperati
Monique Dupré
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Read the complete plot summary of Deported Women of the SS Special Section, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In Nazi Germany, a train carries a group of female prisoners toward an SS concentration camp where they will face brutal control from the camp commandant, John Steiner, and his guards, including a lesbian warden. Among the guards is the Kapo Helga, Erna Schurer, who helps enforce the harsh rules that govern life behind the barbed wire and barbed expectations.
The women’s arrival is only the beginning of a harrowing cycle of cruelty, threat, and small acts of defiance. Within the ranks of the inmates we follow Mara, [Felicita Fanny], and Tania Nobel, [Lina Polito], two women whose paths become entangled with the commandant’s unsettling fixation. He had fallen for Tania before the war, a love she rejected in favor of another man who is later murdered on his orders, a fact that shades every subsequent interaction between them with a dangerous mix of desire and danger.
Tania’s struggle begins with a desperate attempt to survive, including a period where she starves herself, but she soon shifts gears, pretending to respond to the commandant’s affections. The man’s fixation intensifies, and a charged evening unfolds in the commandant’s private space, where he hints at a plan to escape to South America. The moment of betrayal arrives when Tania, in a calculated act of revenge, wields a hidden razor blade during their intimate encounter, a move that shatters whatever fragile balance remained between them.
As the camp’s power dynamics tilt toward chaos, the climax unfolds with a dangerous push for freedom. Tania seizes an opportunity to help the other inmates escape, and in a blaze of perilous courage she turns on a group of SS guards, firing with lethal resolve. The confrontation ends with her being mortally wounded by a guard, sealing a grim cycle of resistance and sacrifice that marks the closing chapters of the escape and the brutal regime that sought to break them.
The narrative is driven by the chilling interplay of domination, fear, and rebellion. Alongside the central figures, the film introduces a cast of guards and inmates—Fräulein Greta, [Solvi Stübing], Dr. Schubert, [Rik Battaglia], the stern Dobermann, [Guido Leontini], and other prisoners such as Milena, [Maria Renata Franco], Frederick, [Cesare Barro], a Prisoner, [Agnes Kalpagos], and Monique Dupré, [Sara Sperati]—who populate a world where every moment teeters between coercion and hope. The result is a dense, unflinching portrayal of survival under the most brutal of regimes, where acts of resistance, even when costly, illuminate the human drive to reclaim agency amid overwhelming darkness.

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