Cross Shot 1976

Commissioner Jacovella John Saxon is a sharp, decisive, and fundamentally honest police officer who leads the City Mobile Squad, pushing hard to keep order in a city already teetering on the edge. He is relentless, sometimes tapping into unorthodox methods to get results, which earns him little love from the press. The journalists in the city view him with suspicion, and he, in turn, mirrors that hostility back at them, creating a tense, stormy dynamic between law enforcement and media that colors every move he makes. The tension between the city’s authorities and its reporters becomes one of the running undercurrents of life in this troubled place, where truth, power, and public perception collide.

Dante Ragusa [Lee J. Cobb], the local boss of the Sacra Corona Unita, casts a long shadow over the city. His brother stands trial, and his henchmen threaten the wife of the commissioner so she won’t testify. The courtroom drama concludes with an acquittal for the accused, leaving Jacovella to vent his fury in public toward the journalists covering the case, a moment that deepens the city’s unrest and foreshadows how far the lines between justice and intimidation can blur in a climate ruled by fear and influence.

In the midst of this, Antonio Blasi [Lino Capolicchio]—a young, unemployed man desperate to earn enough money to live with his girlfriend Nadia [Rosanna Fratello]—sets his sights on a robbery of a security van. He is pulled into a crime he has never committed before, coerced by more experienced criminals who push him to participate. As the heist unfolds, the driver of the gang is killed, and the remaining robbers fire on the guard outside the Bank. Blasi, who has never killed a man, is forced by his partners to shoot the police officer who tries to stop them, leaving him shaken and in shock as he flees into the night.

The chaos spirals further when Blasi, still on the run, ends up in a country car that turns out to belong to Pasquale Ragusa, the brother of the feared boss and a blind man known in the area. The documents he’s carrying—burning papers from Rome, including a letter from a corrupt Minister exchanged for easy building permits—are now in the hands of a fugitive, and Ragusa’s men waste no time in pursuing him. Blasi’s escape is under constant threat as Ragusa’s killers close in, eventually cornering him near Castel del Monte, where a brutal confrontation leaves Blasi with the upper hand only briefly before the odds tilt again in Ragusa’s favor.

Meanwhile, La Gazzetta del Mezzogiorno, under the watchful eye of Giacomo Maselli [Renzo Palmer], becomes a crucial eye on events as one of the city’s watchdog journalists who refuses to stay silent about police methods. Maselli’s investigation digs into Blasi’s real identity, and he uncovers Blasi’s confession and the moral dilemma that comes with an innocent man pulled into a crime he didn’t fully choose. His efforts, driven by a desire for accountability, prompt him to reach out to Blasi and advocate for a safer, more transparent path out of danger, marking him as a steadfast figure in a perilous city where truth is often buried under power plays.

As the story threads weave together, Jacovella learns of Maselli’s revelations about Blasi. He moves to protect the journalist from a Ragusa-led attack, and in a swift and brutal moment, one of Ragusa’s agents shoots and kills Pasquale Ragusa, a blow that deepens the feud and escalates the stakes for everyone involved. The act underlines the reach of Ragusa’s influence and the lethal cost of challenging him.

With Maselli and Nadia’s unwavering support, Blasi receives a renewed sense of duty to do the right thing and agrees to surrender to the newspaper’s offices that very evening. Yet fate intervenes at the gates: a Ragusa sniper strikes, mortally wounding Blasi as he lies in Nadia’s arms, with Maselli and Jacovella nearby and the letter—the key to Ragusa’s exposure—now in their possession. The document exposes the minister’s collusion with Ragusa, revealing the corrupt network that has allowed the boss to operate with impunity. In the wake of Blasi’s death, the authorities gain the crucial leverage they need to move against Ragusa and bring the criminal enterprise to heel, even as the city mourns the young life lost to violence and the fragile thread of justice that binds them all.