Contraband 1980

Luca Di Angelo, Fabio Testi, is a seasoned smuggler moving cigarettes and alcohol along the coast south of Naples, where loyalty and danger go hand in hand. His crew operates under pressure from rival outfits and a porous, watchful law enforcement, but Luca stays one step ahead with quick moves and a stubborn code. When a tense police encounter ends with a staged boat explosion designed to draw in the authorities, Luca and his brother Mickey grow suspicious that Luigi Perlante, the sleazy boss of a competing gang, has been tipping off the law. Perlante agrees to look into the matter, feeding them just enough to keep them at bay while he plots his own ascent in the criminal underworld.

A nightmarish turn follows: a mysterious fire at Mickey’s racing stables destroys a prized horse, and Luca and Mickey rush to the damage. On the way, they’re halted at a fake police roadblock, and the attackers—hired gunmen in police disguises—rain machine-gun fire on Mickey, killing him over and over again while Luca clings to the car floor, miraculously escaping. The brutality cements Luca’s resolve for revenge, and Perlante urges him to leave town, but Luca refuses to bow out after his brother’s funeral—held on the gang’s speedboats in the Bay of Naples, with the police watching.

Luca sets out to find the real killer, starting with Scherino, a prime suspect, only to be badly beaten by Scherino’s henchmen. Scherino spares him, insisting he had no part in Mickey’s murder. A local doctor named Charlie helps Luca recover, taking cash in exchange for medical care, and Luca also connects with a crucial informant who points to a powerful figure behind the hit: the French kingpin Francois Jacios, better known as the Marsigliese, who is pushing hard drugs and looking to consolidate power.

The Marsigliese is shown in his Naples hideout, meeting Ingrid, a German drug courier from Frankfurt, to arrange a heroin deal. When he suspects the heroin is “cut,” he burns Ingrid’s face with a blowtorch in a moment of cold, clinical cruelty that reveals his ruthless grip on the business. Over a single day, the Marsigliese orders a spate of targeted hits against rival mafia Dons in an effort to become Naples’ sole drug lord. Perlante narrowly escapes a setup when his right-hand man Alfredo triggers a bomb hidden under Perlante’s bed, killing Alfredo and Perlante’s mistress. Luca learns more about the Marsigliese’s ambitions and tries to persuade his fellow smugglers to resist, arguing that giving in would flood the streets with addicts and leave them with little profit.

A sweeping police dragnet tests the crew, and Luca escapes a raid with an assist from Scherino’s uneasy loyalty. Still, Luca senses the Marsigliese’s personal scent—literally, the Cologne marks the presence of the enemy—and realizes Perlante has aligned with the French gangster. The factional war intensifies as the Marsigliese abducts Adele, Luca’s wife, and threatens to hand over the entire operation to his drug empire. To help Luca decide, the aging Don Morrone, Don Morrone, steps out of semi-retirement and mobilizes his own faction of old-guard mobsters to counter the French threat.

The stage is set for a dramatic confrontation at a public square where the supposed handover takes place. Don Morrone and his men launch a coordinated strike against the Marsigliese’s henchmen, wiping them out in a flurry of hit-and-run tactics. Luca seizes the moment to pursue the Marsigliese through a maze of alleys; the Frenchman, cornered in a dead-end, is finally gunned down by Luca as he collapses amid garbage bags. In the aftermath, a police raid closes in on the Marsigliese hideout, uncovering Adele’s trauma and a heavy stash of cocaine and heroin as the remaining henchmen surrender.

The final beat shifts to a quiet, morally nuanced ending. Captain Tarantino, Captain Tarantino, thanks Morrone for guiding the tip that led to the seizure of the drug shipments, but when Tarantino asks Morrone about the murder of the Marsigliese and his men, Morrone feigns ignorance. The exchange ends with a somber, almost conspiratorial calm as Tarantino lets Morrone walk free, an understated nod to the complex web of loyalties that governs this Naples underworld. The city, its police, and its mafiosi all carry the echoes of that day: a relentless cycle of power, betrayal, and a fragile, fading sense of justice.