
In the besieged city of Leningrad, 1945, two young women named Iya and Masha attempt to find purpose and hope amidst the devastation of World War II. The city lies in ruins, its people struggling with physical and emotional trauma as they try to rebuild their lives and find solace in a world irrevocably changed by conflict.
Does Beanpole have end credit scenes?
No!
Beanpole does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Beanpole (2019) via JustWatch.
Explore the complete cast of Beanpole, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Olga Dragunova
Seamstress

Veniamin Kac
Sasha's Friend

Kseniya Kutepova
Lyubov Petrovna

Konstantin Balakirev
Stepan

Galina Mochalova
Old Woman

Lyudmila Motornaya
Olga

Vasilisa Perelygina
Masha

Viktoriya Miroshnichenko
Iya Sergueeva

Andrey Bykov
Nikolay Ivanovich

Igor Shirokov
Sasha

Timofey Glazkov
Pashka

Alyona Kuchkova
Stepan's Wife

Denis Kozinets
Sasha's Father

Alisa Oleynik
Katya

Dmitri Belkin
Shepelev

Anastasiya Khmelinina
Nurse Leonova

Viktor Chuprov
Ryazanov

Vladimir Verzhbitskiy
Petrenko

Vladimir Morozov
Sadykov

Ekaterina Kukuy
Girl in Uniform

Mikhail Shelomentsev
Train Driver

Yuliya Men
Gynecology Doctor

Tatyana Mishina
Caretaker
Discover where to watch Beanpole online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or Rotten Tomatoes.
See how Beanpole is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Beanpole stands among top-rated movies in its genre.
Beanpole presents a meticulously crafted portrait of post‑war Leningrad, distinguished by its visual precision and emotionally resonant performances. Critics highlight the film's technical sophistication and controlled direction, while many viewers commend the acting, though some note the deliberate pacing can feel ponderous. The sensory palette—muted color and intimate framing—deepens the sense of lingering trauma, creating a work that rewards attentive viewing despite its bleak tone. Overall, its artistic ambition outweighs its narrative sluggishness, offering a compelling, if challenging, cinematic experience.
The Movie Echo Score Breakdown for Beanpole
Art & Craft
In terms of art and craft, the film exhibits a high level of technical control, with precise cinematography and a restrained production design that evoke the cold austerity of post‑war Leningrad. Critics praise the visual sophistication and deliberate composition, and users note the inspired use of color and intimate camera work. While the pacing can feel measured, the overall aesthetic execution remains strong and contributes significantly to the film’s impact.
Character & Emotion
When it comes to character and emotion, the performances are largely praised for their naturalism and depth. Lead actors deliver nuanced portrayals of trauma, and reviewers highlight the intensity of the central relationship without overt sensationalism. Some viewers find a particular character’s behavior ambiguous, but the consensus points to a solid emotional core that anchors the story and enhances its empathetic resonance.
Story & Flow
Regarding story and flow, the narrative is recognized for its originality and shrewd plotting, offering a fresh perspective on post‑war survival. However, the measured pacing and extended bleak sequences generate mixed reactions, with several reviewers describing the film as ponderous. While the plot’s thematic richness is acknowledged, its slow unfolding detracts from overall engagement for some audiences.
Sensory Experience
In the sensory realm, the film’s soundscape and visual style receive strong commendation. Critics note the potent imagery and solid aesthetic execution, and users cite the inspired cinematography and deliberate color palette. The understated sound design complements the stark visuals, reinforcing the atmosphere of lingering trauma. This cohesive sensory approach heightens immersion despite the film’s somber subject matter.
Rewatch Factor
For rewatch factor, the film offers lasting appeal to viewers willing to engage with its uncomfortable themes and artistic ambition. Some audiences appreciate its depth and may return for its nuanced performances and visual richness, while others find the pervasive bleakness a barrier to repeat viewings. The overall consensus positions Beanpole as a work with moderate replay value, rewarding for those seeking a challenging, thought‑provoking experience.
Read the complete plot summary of Beanpole, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
At the end of the Second World War, Iya Sergeyevna, Viktoriya Miroshnichenko as a tall nurse nicknamed Beanpole (Дылда), works in a Leningrad hospital under Dr. Nikolai Ivanovich Andrey Bykov. Iya sometimes suffers fits where she is temporarily immobile, just slightly trembling. She lives in a communal apartment with the three-year-old boy Pashka Timofey Glazkov.
One day, Iya accidentally smothers the child to death while suffering an episode. Days later, Masha arrives at Iya’s room, returning in uniform from the front, and asks where her son Pashka is.
Bitter about his death, yet seemingly unfazed, Masha invites Iya out dancing. They accept the invitation to go with Sasha Igor Shirokov and his friend in their car. Masha orders Iya out of the car to go on a “walk” with Sasha’s friend so Masha can have sex with the very bashful Sasha. Iya attacks Sasha’s friend when he attempts to seduce her, and beats Sasha over the head when she finds him having sex with Masha. The next day while at a communal bath, Iya notices Masha’s abdominal scar, and Masha tells her that she wants to have a child to heal herself.
Masha begins work at the hospital, telling Dr. Ivanovich that she and Iya served together in an anti-aircraft gun crew, but Iya was discharged after suffering a traumatic head injury, while Masha continued serving in the army. Shortly afterwards, the wife of Stepan Konstantin Balakirev, a paralyzed soldier, arrives at the hospital to find her husband alive, despite having already told her children that he was killed at war. Stepan cannot bear the idea of returning to his children as a quadriplegic. Alongside his wife, they beg Nikolai Ivanovich to euthanize him. Nikolai is at first extremely opposed to the idea, but eventually relents, asking Iya to do the task and indicating it will be the “last time”. Iya hesitantly agrees and during one night injects Stepan.
Masha, on night watch and lying down due to fatigue due to the war, watches Iya and Stepan. Afterward Dr. Ivanovich examines Masha and confirms her infertility.
Masha asks Iya to bear a child that would be Masha’s. When Iya vehemently refuses, Masha reminds her that she “owes” her a child after she let Pashka die in her care. At a party, Masha asks Dr. Ivanovich to impregnate Iya; he refuses, but she blackmails him, threatening to make public the euthanasia. Masha says she doesn’t care if Iya is also exposed. Later in their room, Iya insists Masha lie against her in bed, while the doctor penetrates Iya, who cries and is distraught.
Masha continues to see Sasha afterwards, frustrating Iya, who is confused and jealous. Iya finds out she is not pregnant. While trying on a dress for their seamstress neighbor, Masha twirls frantically and frenetically over and over and over. Iya calms Masha by kissing her. Masha initially fights her off but Iya suffers episode, during which Masha kisses her strongly in return.
Later, after an argument in which Iya orders Sasha to stop coming to their apartment with food, Sasha invites Masha to meet his parents. Iya walks to Dr. Ivanovich’s house and tearfully asks him to impregnate her. He declines, but invites her to come with him and leave the city tomorrow.
Masha visits Sasha’s parents at their large, posh estate, where Sasha introduces her as his girlfriend, soon to be wife, but Masha receives a very cold response. The mother judges Masha for having served as an “army base wife” (Походно-полевая жена). Masha “reveals” that her abdominal scar was not caused by a combat shrapnel injury as she had earlier described to the doctor, but by many abortions. Her comment is a stereotype of what civilians think about fighting women during the war — not respecting those women’s sacrifice and heroism. She says what those people could believe in, instead of the truth. She asserts that Sasha loves her, and they will have a child, given to them from her friend. The mother warns Masha that Sasha would become bored with her and discard her. Sasha, enraged, storms out of the room, and Masha rides the tram home alone.
On the way home, Masha’s tram hits a tall woman. Masha is unable to recognize the woman dead underneath the tram, and runs home to find Iya having an episode. Iya reveals she is not actually pregnant. Masha begins hitting her, but stops. Masha promises Iya that Sasha won’t be coming around any more, and that they will be together from now on, will have a good life and raise a healthy child together, who will resemble both mothers, and will cure them from all pain they have carried until now. The two weep together in an embrace.

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