Back to Bataan 1945

In the 1945 sequence, a daring U.S. Army Rangers raid the Cabanatuan Japanese prisoner-of-war camp to free its captives, a brutal finale to a mission that began long before when the film flashes back to March 1942 on the battered Bataan peninsula. Colonel Madden, depicted by John Wayne, commands a troubled war effort as American forces struggle to hold the line against a relentless Japanese advance. He tasks one of his officers, Captain Andrés Bonifacio, to whip his unit into shape; Bonifacio is played by Anthony Quinn and carries the weight of a personal vow, since his beloved Dalisay Delgado, Fely Franquelli, appears to be aiding the enemy through radio broadcasts that carry propaganda.

As Madden proves himself capable of dangerous improvisation, he is chosen to slip behind enemy lines and organize a Filipino guerrilla resistance. His grim assignment comes with a painful secret: Delgado’s broadcasts are not mere propaganda—she is secretly transmitting vital intelligence to the resistance, a truth he is forbidden to reveal to Bonifacio. Madden soon makes contact with a guerrilla faction, but the mission’s complexity grows when the group encounters Bertha Barnes, a middle-aged American schoolteacher who, along with her students, joins the guerrillas after her friends are executed by the Japanese for the simple act of hoisting the American flag. Bertha Barnes is portrayed by [Beulah Bondi], who embodies quiet resilience in the face of occupation, and Buenaventura Bello, the school principal who refuses to yield, is depicted by [Vladimir Sokoloff]. The stakes climb higher as the guerrillas strike to destroy a Japanese gasoline dump, a first test of their fledgling alliance and resolve.

When Madden and his band press on, they stumble into a decisive moment: they rescue Bonifacio from a brutal Death March, a daring move that breathes new life into the Filipino resistance. Bonifacio — the grandson of a celebrated national hero — takes up leadership as Madden’s field team targets a string of Japanese outposts and supply depots, rewriting the odds through bold, asymmetrical strikes. The assault culminates in a bold raid on a ceremony staged by Major Hasko, a calculated move by the occupying forces to win over the local population; in the ensuing clash, Dalisay’s true allegiance is finally broadcast over the airwaves, urging her people to rise up against their occupiers. The raid is costly, and the fighters pay in blood as many Japanese troops are killed, but a young Filipino boy named Maximo Cuenca, Ducky Louie and one of Barnes’ students, is captured and used to trail Madden’s hideout. After a moment of treacherous manipulation, Maximo—sitting in the front seat of a Japanese transport truck—seizes the steering wheel in a desperate act, and the vehicle plummets off a mountainside, with Maximo dying in the arms of Miss Barnes.

With Madden pulled from the field, Bonifacio assumes command of the Filipino resistance. Months later, the action shifts to Leyte in October 1944, where rumors of a looming American invasion galvanize the guerrilla movement. Madden returns by submarine, joined by Lt. Commander Waite, Lawrence Tierney, and tasks Bonifacio with fortifying a beachhead to block Japanese reinforcements. The plan hinges on deception as Madden and his forces engage the enemy in a grueling siege, and although two Japanese soldiers, including Col. Koroki, Philip Ahn, puncture their lines and scatter alarms, the arrival of American reinforcements and tanks ultimately shifts the balance in their favor. The climactic stand across a contested village showcases how the combined courage of Madden, Bonifacio, and their guerrilla fighters can alter the course of a wider war.

The film closes with a reflective montage, returning to the real-world closure of the Cabanatuan operation and the liberations that followed. A nod to the courage of the released prisoners punctuates the narrative, while the vignettes of the guerrilla campaign—paired with Madden’s strategic resilience and Bonifacio’s leadership—underscore the themes of sacrifice, loyalty, and the long arc of liberation across a besieged nation. The final images honor the memory of those who endured, including the characters who helped turn the tide in both the Philippines and the surrounding theaters of war, reinforcing that resistance, cooperation, and courage can illuminate the darkest hours of history.