
Sathya and Kiruba are childhood friends who take opposite routes: Sathya lives recklessly, drinking and fighting, while Kiruba studies hard to become a Sub‑Inspector. The tables turn when Sathya unexpectedly passes the exams and is appointed Sub‑Inspector, landing him in the very position his friend long sought.
Does Anjathe have end credit scenes?
No!
Anjathe does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Anjathe, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Pandiarajan
Loganathan

Mysskin

Ajmal Ameer
Kirubakaran a.k.a. Kiruba

Narain
Sathyavan a.k.a. Sathya

M. S. Bhaskar
Loganathan

Prasanna
Deena Dayalan

Jasper
Police Officer

Livingston
Masilamani

P. S. Sridhar
Sappai

Snigdha Akolkar
Special Appearance in "Kaththazha Kannaala" Song

Aadukalam Naren

Ponvannan
Keerti Vaasan

Vijayalakshmi Agathiyan
Udhra

Priya
Sathyavan's Mother

Bomb Ramesh
Kuruvi
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Challenge your knowledge of Anjathe with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What are the names of the two friends who live opposite each other in the police quarters?
Sathyavan and Kripakaran
Deena Dayalan and Loganathan
Raghu and Vijay
Kumar and Arjun
Show hint
Read the complete plot summary of Anjathe, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Two interwoven stories drive the narrative, blending street-smart grit with calculated crime, as two sets of men chase power and survival in Chennai. Sathyavan and Kiruba are close friends who live opposite each other in the police quarters. Sathyavan is a carefree, drink-soaked troublemaker who bounces from one petty altercation to another, while Kiruba studies hard to become a Sub-Inspector and continually pushes his friend to aim higher. Their divergent paths set the stage for a rivalry that sits beneath a stubborn loyalty, and the film follows how far friendship can bend under pressure and pride.
Facing an insult from his own father after a brutal brawl, Sathyavan is briefly demoralized until a spark of ambition nudges him toward the Sub-Inspector exam. Desperate to transform his life, he leans on his cousin’s husband, who is the PA to a minister, in a move that leverages political connections to help him clear the physical, the written test, and the interview. The triumph, however, is bittersweet. Kiruba’s steady ascent exposes a widening rift between the friends, as Kiruba’s perseverance contrasts with Sathya’s impulsive streak. Months later, Sathya is posted to a nearby station and returns home to a changed dynamic. The film quietly tracks a different strain of tension when Kiruba’s father suffers a heart attack, and Sathya discovers that his friend’s family is navigating the toll of his own choices in ways Sathya hadn’t imagined.
Meanwhile, the film opens a parallel thread focused on two men who operate in the shadows of the city. Deena Dayalan and Loganathan extort money from businessmen through a calculated pattern of kidnappings and coercion. Before Sathya’s police career takes off, he confronts a brutal incident—beating a man whom Daya attempts to molest Kripa’s sister Uthra—a deed that binds Sathya’s conscience to a greater cause he doesn’t yet fully understand. Sathya’s sudden act of heroism at a hospital, where he stalls knife-wielding assailants to protect an injured man, earns him broader recognition and propels him into a specialized task force meant to crack the gang network supporting Daya and Loganathan.
As the police close in, Daya and Logu step up their kidnapping scheme, raping the victims and demanding ransom with chilling efficiency. Kripa becomes entangled in the underworld web, drawn into Daya’s operations because his father’s health pressures him to seek money and power to fund his family’s needs. He joins the crime out of desperation, not understanding the harm he is enabling, and he ends up sheltering criminals in his own home, unaware of how deeply he is crossing lines. The danger escalates with each failed drop, and a cruel sense of inevitability hangs over the trio as the police tighten their circle around the kidnappers.
The pursuit intensifies when Sathya, with his team, begins connecting the dots about Daya’s past—his alleged abuse in the army and the means by which he has eluded capture so far. Daya, ever the planner, tries to outsmart the authorities by hijacking the Inspector-General’s car, using the IG’s daughters as leverage in a dramatic escape plot. The attackers disguise themselves in a dog-van ruse and aim to vanish into the northern outskirts, but Sathya’s instincts and the police’s counter-moves pull them into a brutal showdown. The sting operation against the gang peaks in the sugarcane fields, where the criminals have laid a confusing trap for the officers and where Kripa’s complicity becomes dangerously clear.
In the tense aftermath, Sathya’s keen ear for voices and Crippling past connections leads him to Kripa’s involvement in the kidnap-for-ransom scheme. The field becomes a stage for a desperate confrontation: Daya’s faction is cornered, and a violent struggle ensures. Kripa’s fate unfolds in a moment of fatal self-defense when Sathya shoots him to protect one of the IG’s daughters, who is also under threat. A symbol of their long-buried bond surfaces—the ring Sathya had given Kripa on his birthday, which Kripa believed Sathya had discarded in a drunken moment. The discovery of the ring in Sathya’s care jolts the future into focus and seals the tragic realization that their paths could not be reconciled.
The final act brings a somber, hopeful note. Sathya’s victory over the immediate danger gives him a chance at a new life away from the shadows of crime, but personal loss remains ever-present. The film closes on a tableau of resilience: Sathya marries Uthra, the woman whom Kripa’s actions touched and who stood by him in the most trying moments, and they begin a family, naming their son Kripa in memory of the friend they both could not save. The story thus threads together ambition, loyalty, and the cost of choices, leaving a tempered sense of justice that lingers long after the fireworks of the chase fade away.
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