
Marcos, a seven‑year‑old from a poor farm, is given by his father’s wealthy employer to an isolated valley where a reclusive goatherd lives in a cave. Initially frightened and scarred by abuse, the boy reluctantly becomes the shepherd’s apprentice. Over time the hermit teaches him to herd goats, trap, fish and survive alone, building his self‑reliance.
Does Among Wolves have end credit scenes?
No!
Among Wolves does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Among Wolves, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Àlex Brendemühl
Balilla

Carlos Bardem
Ceferino

Antonio Dechent
Sargento

Manuel Camacho
Marcos Rodríguez Pantoja

Sancho Gracia
Atanasio

Juan José Ballesta
Marcos Rodríguez Pantoja

Eduardo Gómez
Caragorda

Dafne Fernández
Pizquilla

Luisa Martín
Isabel

Agustín Rodríguez López
Juan José

Vicente Romero Sánchez
Hocicotocino

José Chaves
Doroteo

Francisco Conde
Manuel

Félix Sancho
Pichote

José Manuel Soto
Don Honesto

Marcos Rodríguez Pantoja
Él mismo
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Challenge your knowledge of Among Wolves with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What is the name of the boy who lives alone in the mountains in the film?
Juan
Marcos Rodríguez Pantoja
Carlos
Antonio
Show hint
Read the complete plot summary of Among Wolves, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
EntreLobos (Among Wolves) recounts the extraordinary and inspiring life story of Marcos Rodríguez Pantoja, a boy who endured unimaginable hardships during his childhood and adolescence in the rugged mountains of Spain. The film begins with a young Marcos (played by Manuel Camacho) who, at just 7 years old, is handed over to his father’s employer, a wealthy landowner, after a tragic incident involving the loss of some goats. This event sets off a chain of difficult circumstances, as Marcos is then sent to live with a solitary goatherd named Atanasio (portrayed by Sancho Gracia), who resides in an isolated valley with little interest in bonding or companionship.
Initially, Marcos finds himself frightened and wary, shaped by the abuses suffered at the hands of his neglectful parents. Despite this, the old goatherd begins to teach him vital skills, such as herding goats, trapping, fishing, and surviving in the wilderness. As time passes, a bond of mutual affection develops between the boy and his mentor, and Marcos forms close friendships with the animals around him—particularly a ferret, a civet, and an owl—whose companionship brings comfort and a sense of community in the lonely mountain landscape.
Tragedy strikes when Atanasio falls gravely ill and passes away, leaving Marcos completely on his own, with no human contact for the next twelve years. During this time, he befriends the wolves of a nearby den, forging a deep connection with these wild animals that symbolize freedom and survival. His bond with the wolves becomes a crucial part of his life, helping him navigate the challenges of living alone in the remote wilderness.
The story is rooted in the real-life experiences of Marcos Rodríguez Pantoja himself, who spent over a decade living in total isolation in the Sierra Morena mountains from 1953 to 1965, until he was finally captured by members of Spain’s Guardia Civil and brought back to society at the age of 19. The narrative vividly depicts his struggles with violence, abandonment, and loneliness, as well as his resilience and eventual longing to escape the mountains in pursuit of freedom.
As a young adult, Marcos (played by Juan-José Ballesta) harbors dreams of flying away and leaving his rugged life behind, but his journey is fraught with danger. During one episode, he encounters Balilla (played by Àlex Brendemühl), a character wounded by gunfire, whom Marcos helps with first aid, showcasing his innate kindness despite his rough upbringing. However, Ceferino (portrayed by Carlos Bardem), a violent man, captures Balilla and takes Marcos captive, moving him to the nearby town against his will.
Throughout the film, the themes of survival, friendship, and the desire for freedom are explored in depth. Pizquilla (played by Dafne Fernández), a young girl from the community, interacts with Marcos, symbolizing the faint hope of human connection crossing the barrier of wilderness. As Marcos grows older, he becomes increasingly determined to escape his isolated existence, holding onto dreams of flying away from the mountains to find a better life.
The narrative intensifies when Ceferino and Caragorda (portrayed by Eduardo Gómez) return for Balilla, leading to a tense and dramatic confrontation with the wolves and the environment. In a pivotal moment, when Ceferino ventures alone into the mountains hunting for Balilla, he underestimates the power of the wolves and the wilderness, resulting in him being attacked, echoing the natural order Marcos has learned to respect and live by.
In the final scenes, we see Marcos as an adult (played by Marcos Rodríguez Pantoja), riding a bicycle in the Sierra Morena, still surrounded by the wild animals he once befriended. His story closes with a profound message about resilience, the human spirit, and the deep connection between humans and nature. The film underscores the idea that true freedom lies within the ability to coexist peacefully with the natural world, and that those who survive against all odds possess an incredible strength and adaptability.
EntreLobos is not just a story of survival, but a testament to the resilience of the human spirit and the unbreakable bond between a boy and the wilderness that shaped him. It beautifully captures a unique chapter in Spain’s history through the eyes of a boy who wandered alone but found companionship in the wolves, and ultimately, hope in his relentless pursuit of freedom.
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