A poignant portrayal of Tupac Shakur's (Demetrius Shipp Jr.) remarkable journey from poverty-stricken streets to global superstardom. Against the backdrop of social upheaval, Shakur's unbridled passion, searing lyrics, and unwavering commitment to justice forge a cultural phenomenon whose impact endures, even in death.
Does All Eyez on Me have end credit scenes?
No!
All Eyez on Me does not have end credit scenes. You can leave when the credits roll.
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38
Metascore
4.6
User Score
17%
TOMATOMETER
54%
User Score
5.9 /10
IMDb Rating
67
%
User Score
2.7
From 55 fan ratings
3.29/5
From 14 fan ratings
Challenge your knowledge of All Eyez on Me with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
In what year does the documentary filmmaker begin filming Tupac's life at Clinton Correctional Facility?
Read the complete plot summary of All Eyez on Me, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
The narrative begins in 1995 at the Clinton Correctional Facility, where a documentary filmmaker, Hill Harper, arrives with his crew to meet the iconic Tupac Amaru Shakur (Demetrius Shipp Jr.). He seeks to uncover the true story from the man himself.
Flashing back to 1971 New York City, we find Tupac’s mother, Afeni, portrayed by Danai Gurira, recently released from prison along with her fellow Black Panthers after successfully fighting several charges. Pregnant with Tupac at the time, Afeni voices her deep grievances to a reporter regarding the systemic mistreatment of black individuals by society and those mandated to protect their rights.
As a child, Tupac is instilled with a sense of black pride and witnesses numerous instances of injustice in his East Harlem neighborhood, which include instances of racism and police brutality. His stepfather, Mutulu ([Jamie Hector]), serves as an Afrocentric revolutionary, deeply influencing both Afeni and Tupac. The FBI hunts for Mutulu, who is wanted for a robbery and the murder of police officials, creating a pervasive atmosphere of danger for the family. Their life dramatically shifts when law enforcement aggressively storms their home, brutally restraining young Tupac and his sister.
Transitioning into his teenage years, Tupac rejects his mother’s ideologies and makes the choice to live independently alongside his sister. In a pivotal moment, he catches Afeni buying drugs from a dealer and confronts her, wishing for her to overcome her addiction. This leads him to seek rehabilitation for her, reassuring her of her strength.
During his formative years at the Baltimore School for the Arts, Tupac forges a strong friendship with Jada Pinkett, during which they promise each other lifelong friendship. He even shares a heartfelt poem dedicated to her, symbolizing the depth of their bond.
Tupac’s burgeoning music career commences with the Digital Underground’s hit “Same Song,” guiding him under the mentorship of Leila Steinberg, where he begins creating revolutionary hip-hop albums. However, his provocative tracks such as “Brenda’s Got a Baby” spark controversy due to their sensitive subject matter, highlighting issues of poverty and sexual violence. Defending his work, he passionately argues about the genuine stories behind his lyrics, emphasizing their real-world relevance. Critiqued for an alleged misogynistic stance due to his experiences relating to his mother, Tupac counters by releasing “Keep Ya Head Up,” a heartfelt tribute to black women.
In 1991, Tupac also ventures into acting with films like “Juice,” all while maintaining collaborations with artists such as Biggie Smalls. His performances elicit both admiration and criticism; he is seen altruistically aiding those in need while navigating a turbulent relationship with law enforcement—faced with harassment and violence stemming from systemic racism.
Despite some altercations, Tupac’s fame grows, yet so do the complications in his life. He becomes involved in dangerous liaisons with criminal elements, leading to increasing tensions and violence surrounding him. His tumultuous relationship with Briana ([Erica Pinkett]) leads to legal challenges when allegations of sexual misconduct arise.
A pivotal moment occurs on November 30, 1994, when Tupac is violently attacked in Quad Recording Studios by assailants, leaving him severely injured. His close friends rally to his side, but their efforts are marred by attempts to reach him which are thwarted due to hospital regulations. Post-recovery, he faces a tumultuous trial, ultimately being convicted on lesser charges.
While serving time, Tupac reflects on betrayal and uncovering layers of his life through his music. Following a brief sentence, he hits the ground running, signing with Death Row Records and collaborating with colossal names in hip-hop such as Dr. Dre and Snoop Dogg. The release of “California Love” becomes an anthem, even as it contrasts sharply with the escalating anger expressed in “Hit Em Up,” aimed at Biggie and others. This spurns a rift in personal relationships, particularly with Jada Pinkett.
As 1996 unfolds, Tupac finds love with Kidada Jones, igniting a romance that seeks to transcend his chaotic lifestyle, culminating in a heartfelt engagement. Nevertheless, the shadows of his past loom large, and he contemplates leaving Death Row to form his own production house where his creative vision can flourish.
When tragedy strikes on September 7, 1996, after leaving a boxing match in Las Vegas, Tupac is caught in a barrage of gunfire initiated by unknown gang members, resulting in grave injuries. Despite immediate help from his entourage, including Suge ([Dominic L. Santana]), he succumbs to his wounds just days later, leaving behind a legacy of music and film that reflects both genius and turmoil.
The film poignantly closes with a clip showcasing the real Tupac, expressing his wish for the world to truly understand his essence.
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