
A meticulous Princeton University admissions officer, Portia Nathan, finds her beliefs challenged when a surprising encounter forces her to confront her past. While visiting an unconventional high school, she reconnects with someone from her history and begins to question her established routines and values. Through this unexpected journey, Portia gains a fresh perspective on her work, relationships, and ultimately, finds a renewed sense of purpose and a chance at love.
Does Admission have end credit scenes?
No!
Admission does not have end credit scenes. You can leave when the credits roll.
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48
Metascore
5.9
User Score
37%
TOMATOMETER
32%
User Score
5.7 /10
IMDb Rating
56
%
User Score
2.7
From 4 fan ratings
3.73/5
From 11 fan ratings
Challenge your knowledge of Admission with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What is the profession of Portia Nathan?
Professor of Literature
Admissions Officer at Princeton University
High School Teacher
College Counselor at Harvard
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Read the complete plot summary of Admission, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Portia Nathan is a straight-laced Princeton University Admissions Officer whose career centers on guiding, consoling, and sometimes challenging applicants through the demanding admissions maze. Her world evolves when she visits the Quest School, an alternative high school run by her former college classmate, the free-wheeling John Pressman. Pressman teaches and cares for his pre-teen adopted son, Nelson, but his unorthodox approach to life and learning quickly exposes Portia to a far more candid portrait of student ambition than she’s used to. During the visit, Quest students voice blunt, refreshing, and sometimes disarming perspectives about college life, and Pressman shuttles Portia to meet Jeremiah, a child prodigy whose brilliance shines despite a troubled academic record.
Back on campus, Portia’s carefully ordered life takes a hit when her longtime boyfriend Mark ends their relationship after he impregnates a “Virginia Woolf scholar” named Helen. Amid the personal upheaval, Portia endures an awkward spark of attraction toward Pressman, yet she remains outwardly focused on her professional mission. She sees Jeremiah as a potential showcase for Princeton’s admissions prowess and arranges for the prodigy to visit the university, all while she and a colleague, Corinne, compete to secure a coveted, near-retirement Dean of Admissions position. The rivalry—professional, personal, and ethical—forms a dense undertow beneath the surface of their work.
A long-buried secret surfaces when Portia is confronted with the truth about Jeremiah’s origins: a birth certificate confirms that the boy is her own child, born from a past pregnancy she chose to place for adoption. Despite Jeremiah’s dazzling intellect, his transcript suggests he would be deemed unfit for Princeton. In a desperate, high-stakes move, Portia sneaks into the admissions office at night and alters Jeremiah’s rejection to an offer of admission. She does so knowing that, if discovered, the Dean of Admissions can revoke the already submitted acceptance and end her career, but she hopes to shield Princeton from a scandal that would cast doubt on the integrity of its admissions system. The risk proves costly, and when her actions come to light, the Dean of Admissions demands her resignation.
As the story unfolds, Portia confronts the emotional weight of her decision. She finally reveals to Jeremiah that she is his biological mother, only to learn that a subtle but crucial clue—the faded digit on his photocopied birth certificate—indicates he has already located his real birth mother. This revelation drives Portia to the adoption agency, where she speaks with a sense of humility and longing about her life from a new perspective. When asked how she would feel meeting her actual child, she candidly answers that she would feel “nervous, but lucky,” a line that resonates through her transformed sense of family and fate.
In the aftermath, Portia is now dating Pressman, and she receives a letter from Jeremiah—he is not ready to meet her yet. The story closes with a quiet reminder from Pressman that life is often not linear: Portia remains on the waitlist, and the path to reconciliation or contact is uncertain, echoing a broader truth about admissions, family, and the unpredictable turns of love and responsibility.
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