
The story of an apartment in Paris and the various people that occupy it over the years.
Does A Time for Loving have end credit scenes?
No!
A Time for Loving does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of A Time for Loving, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Jacques Marin
Driver

Mel Ferrer
Doctor Harrison

Didier Haudepin
Son of the Concierge

Philippe Noiret
Marcel

Michel Legrand
Grondin

Mark Burns
Geoff

Britt Ekland
Josette

Lila Kedrova
Madame Olga

Robert Dhéry
Leonard

Susan Hampshire
Patricia

Lyne Chardonnet
Bar Girl

Reinhard Kolldehoff
Ober Leutnant

Eléonore Hirt
Heloise

Gilberte Géniat
The Concierge

Joanna Shimkus
Joan

Jany Holt
The Mother
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Challenge your knowledge of A Time for Loving with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Which neighborhood in Paris serves as a primary backdrop for the film's romantic encounters?
Le Marais
Montmartre
Latin Quarter
Belleville
Show hint
Read the complete plot summary of A Time for Loving, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In wartime Paris, a tangle of romance and secrecy unfolds across Montmartre and the surrounding streets as the looming Second World War casts its shadow over everyday life.
Geoff arranges a rendezvous with his first love, Patricia, hoping to recapture their earlier passion in a Montmartre studio that glows with memory and possibility. At the same time, the concierge’s son the concierge’s son persuades his own first love, Simone, to scale the same studio bedroom window, convinced it will be empty for the night. Geoff soon discovers that Patricia has grown bitter with the years, and the warmth that once defined their relationship has cooled to something more muted and fragile. When they stumble upon the two young lovers in the bedroom, the encounter unfolds into a comic, light-hearted scramble, as they find themselves forced to crawl under the concierge’s door to slip away unseen.
Running late to school, the concierge’s son spies a young American girl studying at the American Hospital of Paris in Neuilly, who is entangled with an older doctor—Doctor Harrison. The pairs must guard their affair not only from the ever-watchful concierge but also from a disapproving public, often meeting in shady “hôtels de passe” to keep their secrets intact. Yet a seaside escape to Normandy drifts into view, and the tensions of romance and war push the characters toward decisive choices as the war edges toward its outbreak.
In occupied Paris, Marcel, the managing director of a major cement business, arrives at the studio he rents for his mistress, Josette, and unexpectedly runs into a German Oberleutnant on the landing. It is Christmas Eve, and old enmities are momentarily set aside, even as Marcel must hurry to deliver his latest gifts to those he cares for: to his wife, Heloise, and to his mother, The Mother, who live on opposite sides of Paris. Each of them offers Marcel the classic French Christmas dish of oysters, which his mistress also provides for her party, accompanied by her music teacher and her student, Grondin.
The city’s wartime tempo is relentless; the only practical transport—velo-taxis, a bicycle rickshaw network—tests Marcel’s ability to be everywhere at once. He must juggle family obligations, lover’s rendezvous, and his role in a tense, hidden world, often feeling the strain as he consumes the oysters in a hurried sequence, perhaps a little green around the gills, while navigating a secret meeting with the French Resistance.
As the days grind on, the threads of these intertwined lives tighten, and the war’s shadow transforms private rooms and public streets alike. When the smoke clears after the conflict, the people who navigated these perilous arrangements—Geoff, Patricia, Marcel, Josette, and their entwined circles—are brought back together in the same old studio, their hopes and disappointments carried forward like a fragile, stubborn thread of memory, tying a city and its people to their past with a quiet, enduring resonance.
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