
It’s time for a change, it’s time for a new attitude on a new kind of love! A down-and-out reporter and a fashion designer fall in love in Paris.
Does A New Kind of Love have end credit scenes?
No!
A New Kind of Love does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of A New Kind of Love, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Paul Newman
Steve Sherman

Joanne Woodward
Samantha Blake

Thelma Ritter
Lena O'Connor

Torben Meyer
Hotel Clerk (uncredited)

Ralf Harolde
French Waiter (uncredited)

Maurice Chevalier
Self

Eva Gabor
Felicienne Courbeau

Celeste Yarnall
Woman (uncredited)

Eugene Borden
Man (uncredited)

George Tobias
Joe Bergner

Joan Staley
Danish Stewardess

Virginia Carroll
Shopper (uncredited)

Marvin Kaplan
Harry

Francine York
Woman (uncredited)

Lomax Study
Cab Driver (uncredited)

Robert F. Simon
Bertram Chalmers

Robert Clary
Frenchman at Restaurant

Peter Canon
Man (uncredited)

Albert Carrier
Gendarme (uncredited)

Paul Micale
Shopper (uncredited)

June Smaney
Amazon (uncredited)

Sue Casey
Woman (uncredited)

Vernon Scott
Reporter (uncredited)

Army Archerd
Onlooker (uncredited)

Laurie Mitchell
Parisienne Poule (uncredited)

Irene Chapman
Amazon (uncredited)

Alphonse Martell
Cafe Headwaiter (uncredited)

Ted Mapes
Floorwalker (uncredited)

George Nardelli
Waiter (uncredited)

Audrey Swanson
Shopper (uncredited)

Audrey Betz
Amazon (uncredited)

Mabel Smaney
Woman (uncredited)

George Bruggeman
Man (uncredited)

Jimmy Starr
Reporter (uncredited)

Valerie Varda
Mrs. Hannah Chalmers (uncredited)

Emily LaRue
Shopper (uncredited)

Jean Argyle
Shopper (uncredited)

Danielle Aubry
Danielle (uncredited)

Gladys Varden
Shopper (uncredited)

Patricia Olson
French Girl (uncredited)

Allison Daniell
Lingerie Model (uncredited)

Keith Dahle
Shopper (uncredited)

Winnie Chandler
Shopper (uncredited)

Francis Ravel
Man (uncredited)

Trude Wyler
Midinette (uncredited)

Gabrielle
Model (uncredited)

Jan Moriarty
Suzanne

Sandra Downs
Stewardess (uncredited)

Jacqueline May
French Waitress (uncredited)

Marylu Miner
Model (uncredited)

Allyn Parsons
Model (uncredited)

Sondra Teke
Model (uncredited)

Annabelle Thiele
Model (uncredited)
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Challenge your knowledge of A New Kind of Love with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who is the American newspaper columnist exiled to Paris?
Steve Sherman
Joe Bergner
Felicienne Courbeau
Lena O'Connor
Show hint
Read the complete plot summary of A New Kind of Love, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Steve Sherman, a wily American newspaper columnist with a reputation for chasing headlines and flirting with trouble, is exiled to Paris after an offhand lapse with his publisher’s wife lands him in hot water. On a flight that becomes awkward in a humorous, teasing way, he crosses paths with Samantha Blake, a sharp-tongued, career-driven woman whose tomboy appearance makes him misjudge her at first sight. Their mutual disdain is immediate, setting up a clash of personalities that feels almost inevitable in a city famous for glamour and temptation.
Sam, a real force of ambition, works as the head buyer for a large New York department store. Her job involves studying the latest trends by copying designs from couture houses and reproducing them for a wider audience at a fraction of the cost. She travels to Paris with her boss Joe Bergner and her colleague Lena O’Connor, intent on scouting fashion houses and upcoming shows to fuel her store’s competitive edge. The trio moves through the city’s ateliers and runways, absorbing the energy of Parisian fashion as inspiration for the chain’s next big line.
During St. Catherine’s Day, a festive occasion where young, unmarried women pray for husbands, Sam experiences a vivid vision that feels almost prophetic. In this moment, she receives a shopping-list of possibilities on how to attract suitable suitors, a moment that skews her judgment but also sparks a newfound confidence. After a beauty makeover, she emerges with a blonde wig, bold red lips, and a radiant new look that drastically changes how others perceive her.
Meanwhile, Lena, secretly in love with Joe, watches as he grows closer to Felicienne Courbeau, the store’s chic French agent. Felicienne’s past begins to surface in the narrative as well, adding a layer of intrigue and danger to the Parisian arrangement. Steve nonetheless runs into Sam at a café, and fails to recognize her, misreading her as a high-class figure of the night; Sam decides to lean into the deception as a form of revenge for how he treated her during the plane ride, adopting the alias Mimi.
The pair engage in a series of conversations where Sam fabricates stories about intimate liaisons with Europe’s powerful men, and Steve turns those stories into sensational gossip in his new column. The column becomes an instant smash, drawing admiration and attention alike, and as they continue spending time together, a genuine feeling begins to blossom between them. Yet the tension remains high as Sam’s ruse and Steve’s growing vulnerability collide.
When Felicienne’s sordid past resurfaces in Steve’s column—an outcome of Sam’s earlier embellishment—Joe ends their engagement, and this rupture strangely pushes Lena and Joe closer together. A moment of awkward reunion finds Steve bringing Sam to meet a distraught Joe, introducing him to Mimi to try lifting his spirits, all the while not realizing that Joe is the very person she’s deceiving. The revelation threatens Sam’s carefully constructed front, yet she does not give up her truth easily.
Humiliation and vulnerability give way to confession: Sam tells Lena and Joe that she loves Steve. At Lena’s suggestion, she convinces Steve that she wants to reform her life and leave behind the world she once inhabited. Steve takes Sam to see a priest, a symbolic gesture toward redemption, but she flees in fear at the last moment, overwhelmed by the gravity of her choices.
Steve eventually pieces together the truth about Mimi and Sam, realizing that the woman he loves is the same person he thought he knew only as a wildcard in his tales. Despite feeling betrayed, he admits to Lena that his feelings for Sam are real. In a bold move, he invites her to his apartment under the pretense of offering money to spend the night, only to reveal that the deception about Mimi has already been seen through. Sam, confronted with the truth, apologizes for the ruse, and Steve forgives her; the two confess their love for one another.
The moment is underscored with a playful, fantastical coda: in a dreamlike sequence, Steve, wearing a football uniform, chases Sam in a wedding dress toward a nuptial bed, a cinematic flourish that encapsulates the wild mix of romance and ridiculousness that has defined their journey. The film closes on the promise of a genuine partnership—no longer built on deception, but on a shared future where love and honesty may finally take the lead.
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