#1 of 26 2006 · Action, Sci-Fi
$460.4M worldwide · 78% of the chart's total
X-Men: The Last Stand (2006) is the highest-grossing movie released in week 21 of 2006 (May 21–27), with $460.4M worldwide, ahead of An Inconvenient Truth (2006) at $49.8M and Fanaa (2006) at $22.2M. 26 films released that week report a worldwide gross, $587.7M in all, 44% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is down 48% on Week 20, 2006, whose releases took $1.1B. By genre, Thriller leads with $494.2M across 6 releases.
#1 of 26 2006 · Action, Sci-Fi
$460.4M worldwide · 78% of the chart's total
X-Men: The Last Stand (2006) leads with $460.4M, 78% of the total. The top 5 together took $555.8M, 95% of what all 26 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 21 of 2006 (May 21–27).
May 26, 2006 US and Canada: $234.4M Rest of the world: $226.1M Worldwide: $460.4M
May 24, 2006 US and Canada: $24.1M Rest of the world: $25.6M Worldwide: $49.8M
May 26, 2006 US and Canada: $2.1M Rest of the world: $20.1M Worldwide: $22.2M
May 21, 2006 US and Canada: – Rest of the world: – Worldwide: $11.9M
May 22, 2006 US and Canada: – Rest of the world: – Worldwide: $11.4M
May 27, 2006 US and Canada: – Rest of the world: – Worldwide: $9.6M
May 25, 2006 US and Canada: – Rest of the world: – Worldwide: $6.2M
May 23, 2006 US and Canada: – Rest of the world: – Worldwide: $3.4M
May 24, 2006 US and Canada: $244.8K Rest of the world: $2.8M Worldwide: $3M
May 25, 2006 US and Canada: – Rest of the world: – Worldwide: $2.6M
May 26, 2006 US and Canada: – Rest of the world: – Worldwide: $2.3M
May 25, 2006 US and Canada: – Rest of the world: – Worldwide: $1.3M
May 21, 2006 US and Canada: – Rest of the world: – Worldwide: $740.3K
May 23, 2006 US and Canada: – Rest of the world: – Worldwide: $689.1K
May 26, 2006 US and Canada: – Rest of the world: – Worldwide: $608K
May 26, 2006 US and Canada: – Rest of the world: – Worldwide: $512.7K
May 26, 2006 US and Canada: – Rest of the world: – Worldwide: $446.1K
May 23, 2006 US and Canada: – Rest of the world: – Worldwide: $241.8K
May 23, 2006 US and Canada: $97.2K Rest of the world: Worldwide: $97.2K
May 26, 2006 US and Canada: $70.1K Rest of the world: Worldwide: $70.1K
May 25, 2006 US and Canada: – Rest of the world: – Worldwide: $47.6K
May 25, 2006 US and Canada: – Rest of the world: – Worldwide: $42.2K
May 26, 2006 US and Canada: – Rest of the world: – Worldwide: $12.8K
May 21, 2006 US and Canada: – Rest of the world: – Worldwide: $9.5K
May 26, 2006 US and Canada: – Rest of the world: – Worldwide: $4.7K
May 23, 2006 US and Canada: – Rest of the world: – Worldwide: $246 Of the top 10, X-Men: The Last Stand (2006) earned the biggest share at home (51% in the US & Canada), while La Moustache (2006) made 92% of its gross abroad. Across all 26 films, $261M (44%) came from the US & Canada. 6 films of the top 10 report no US & Canada figure.
1 of 26 films crossed $100M and took $460.4M between them, 78% of the total. 21 films, 81% of the list, earned under $10M.
Week 21 releases took $587.7M. The biggest of these 9 weeks is week 20 (May 14–20) with $1.1B, led by The Da Vinci Code (2006).
Of these 10 years, Week 21, 1999 earned the most: $1B from 4 films, led by Star Wars: Episode I - The Phantom Menace (1999). Week 21, 2006 took $587.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 21, 1997 May 18–24 3 films | 3 | $655.9M | – | The Lost World: Jurassic Park (1997) $618.6M |
| Week 21, 1998 May 17–23 7 films · −35% | 7 | $427M | −35% | Godzilla (1998) $379M |
| Week 21, 1999 May 16–22 4 films · +145% | 4 | $1B | +145% | Star Wars: Episode I - The Phantom Menace (1999) $1B |
| Week 21, 2000 May 14–20 5 films · −50% | 5 | $527.1M | −50% | Dinosaur (2000) $349.8M |
| Week 21, 2001 May 20–26 4 films · −14% | 4 | $450.8M | −14% | Pearl Harbor (2001) $449.2M |
| Week 21, 2002 May 19–25 23 films · −29% | 23 | $321.6M | −29% | Spirit: Stallion of the Cimarron (2002) $122.6M |
| Week 21, 2003 May 18–24 13 films · +63% | 13 | $523.6M | +63% | Bruce Almighty (2003) $484.6M |
| Week 21, 2004 May 16–22 16 films · +81% | 16 | $949M | +81% | Shrek 2 (2004) $932.5M |
| Week 21, 2005 May 15–21 21 films · ±0% | 21 | $952.2M | ±0% | Star Wars: Episode III - Revenge of the Sith (2005) $905.6M |
| Week 21, 2006 May 21–27 26 films · −38% | 26 | $587.7M | −38% | X-Men: The Last Stand (2006) $460.4M |
Thriller took $494.2M across 6 films, 84% of the total, ahead of Action ($466.6M) and Sci-Fi ($460.4M). A film counts once for each of its genres. English-language films took $510.8M across 6 films, 87% of the total, ahead of Hindi-language films ($22.2M) and Japanese-language films ($21.5M).
52 weeks of 2006 with reported grosses; the biggest is week 20 (May 14–20) with $1.1B, led by The Da Vinci Code (2006).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 26 films as the chart.
X-Men: The Last Stand (2006) leads with $460.4M worldwide, $234.4M of it in the US & Canada. Next come An Inconvenient Truth (2006) at $49.8M and Fanaa (2006) at $22.2M.
26 films released in week 21 of 2006 (May 21–27) report a worldwide gross, $587.7M in all, or $22.6M per film on average. Week 20, 2006 releases took $1.1B.
None. 1 film crossed $100 million, led by X-Men: The Last Stand (2006) with $460.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 21 of 2006 (May 21–27). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.