#1 of 7 1985 · Drama
$42.2M worldwide · 57% of the chart's total
White Nights (1985) is the highest-grossing movie released in week 47 of 1985 (Nov 17–23), with $42.2M worldwide, ahead of King Solomon's Mines (1985) at $15.1M and One Magic Christmas (1985) at $13.7M. 7 films released that week report a worldwide gross, $74.6M in all, 100% of it from the US & Canada. That is up 157% on Week 46, 1985, whose releases took $29M. By genre, Drama leads with $42.8M across 3 releases.
#1 of 7 1985 · Drama
$42.2M worldwide · 57% of the chart's total
White Nights (1985) leads with $42.2M, 57% of the total. The top 5 together took $74.2M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 47 of 1985 (Nov 17–23).
Nov 22, 1985 US and Canada: $42.2M Rest of the world: Worldwide: $42.2M
Nov 22, 1985 US and Canada: $15.1M Rest of the world: Worldwide: $15.1M
Nov 22, 1985 US and Canada: $13.7M Rest of the world: Worldwide: $13.7M
Nov 22, 1985 US and Canada: $2.7M Rest of the world: Worldwide: $2.7M
Nov 22, 1985 US and Canada: $618.8K Rest of the world: Worldwide: $618.8K
Nov 20, 1985 US and Canada: $345.3K Rest of the world: Worldwide: $345.3K
Nov 17, 1985 US and Canada: $16.8K Rest of the world: Worldwide: $16.8K Of the top 7, White Nights (1985) earned the biggest share at home (100% in the US & Canada), while Smooth Talk (1985) made 0% of its gross abroad. Across all 7 films, $74.6M (100%) came from the US & Canada.
Week 47 releases took $74.6M. The biggest of these 9 weeks is week 48 (Nov 24–30) with $301.2M, led by Rocky IV (1985).
Of these 10 years, Week 47, 1977 earned the most: $403.6M from 5 films, led by Close Encounters of the Third Kind (1977). Week 47, 1985 took $74.6M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 47, 1976 Nov 14–20 5 films | 5 | $59.4M | – | Carrie (1976) $33.9M |
| Week 47, 1977 Nov 13–19 5 films · +579% | 5 | $403.6M | +579% | Close Encounters of the Third Kind (1977) $306.9M |
| Week 47, 1978 Nov 19–25 No films | 0 | – | – | – |
| Week 47, 1979 Nov 18–24 No films | 0 | – | – | – |
| Week 47, 1980 Nov 16–22 2 films | 2 | $3.5M | – | Heaven's Gate (1980) $3.5M |
| Week 47, 1981 Nov 15–21 2 films · +328% | 2 | $14.9M | +328% | Ragtime (1981) $14.9M |
| Week 47, 1982 Nov 14–20 5 films · +18% | 5 | $17.6M | +18% | The Last Unicorn (1982) $6.5M |
| Week 47, 1983 Nov 13–19 5 films · +85% | 5 | $32.7M | +85% | A Christmas Story (1983) $20.8M |
| Week 47, 1984 Nov 18–24 2 films · −22% | 2 | $25.4M | −22% | Supergirl (1984) $14.3M |
| Week 47, 1985 Nov 17–23 7 films · +193% | 7 | $74.6M | +193% | White Nights (1985) $42.2M |
51 weeks of 1985 with reported grosses; the biggest is week 21 (May 19–25) with $403.1M, led by Rambo: First Blood Part II (1985).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
White Nights (1985) leads with $42.2M worldwide, $42.2M of it in the US & Canada. Next come King Solomon's Mines (1985) at $15.1M and One Magic Christmas (1985) at $13.7M.
7 films released in week 47 of 1985 (Nov 17–23) report a worldwide gross, $74.6M in all, or $10.7M per film on average. Week 46, 1985 releases took $29M.
None. The biggest, White Nights (1985), earned $42.2M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 47 of 1985 (Nov 17–23). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.