#1 of 4 #1 Spanish-language movie of Week 20, 2016
2016 · Romance, Comedy
$14.5M worldwide · 100% of the chart's total
No US & Canada figure reported
Spanish box office · Week 20 · May 8–14, 2016
Spanish Box Office, Week 20 of 2016: Spanish Releases of May 8–14
Don’t Blame the Kid (2016) is the highest-grossing Spanish-language movie released in week 20 of 2016 (May 8–14), with $14.5M worldwide, ahead of Caída del cielo (2016) at $36K and A Monster with a Thousand Heads (2016) at $26.9K. 4 Spanish-language films released that week report a worldwide gross, $14.6M in all, <1% of it from the US & Canada.
- week 20 releases with a gross
- 4
- combined worldwide
- $14.6M
- Don’t Blame the Kid (2016), the #1
- $14.5M
- earned in the US & Canada
- <1%
#1 of 4 Top 4
What Were the Biggest Spanish Hits of Week 20 of 2016?
Don’t Blame the Kid (2016) leads with $14.5M, 100% of the total. The top 4 together took $14.6M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4
US & Canada (domestic) Rest of the world
The chart
Every Spanish Release of Week 20 of 2016, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 20 of 2016 (May 8–14).
- 1 May 9, 2016 US and Canada: – Rest of the world: – Worldwide: $14.5M
- 2 May 12, 2016 US and Canada: – Rest of the world: – Worldwide: $36K
- 3 May 11, 2016 US and Canada: $24.9K Rest of the world: $2K Worldwide: $26.9K
- 4 May 12, 2016 US and Canada: – Rest of the world: – Worldwide: $369
Weeks around it
How Does Week 20 Compare With the Weeks Around It?
Week 20 releases took $14.6M. The biggest of these 9 weeks is week 18 (Apr 24–30) with $18M, led by Tini: The New Life of Violetta (2016).
- Week 14 Wk 14 Mar 27–Apr 2 Malcriados (2016) $2.3K Malcriados (2016)
- Week 15 Wk 15 Apr 3–9 Guaraní (2016) $54.9K Guaraní (2016)
- Week 16 Wk 16 Apr 10–16 My Big Night (2016) $5M My Big Night (2016)
- Week 17 Wk 17 Apr 17–23 At the End of the Tunnel (2016) $4.2M At the End of the Tunnel (2016)
- Week 18 Wk 18 Apr 24–30 Tini: The New Life of Violetta (2016) $18M Tini: The New Life of Violetta (2016)
- Week 19 Wk 19 May 1–7 Born to Win (2016) $425K Born to Win (2016)
- Week 20 Wk 20 May 8–14 Don’t Blame the Kid (2016) $14.6M Don’t Blame the Kid (2016)
- Week 21 Wk 21 May 15–21 The Red Thread (2016) $3.2M The Red Thread (2016)
- Week 22 Wk 22 May 22–28 No reported grosses – No reported grosses
Earlier years
How Does Week 20 of 2016 Compare With Earlier Years?
Of these 10 years, Week 20, 2016 earned the most: $14.6M from 4 films, led by Don’t Blame the Kid (2016).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 20, 2007 May 13–19 1 film | 1 | $969.8K | – | Papelucho y el marciano (2007) $969.8K |
| Week 20, 2008 May 11–17 1 film · −96% | 1 | $38.5K | −96% | Yo soy sola (2008) $38.5K |
| Week 20, 2009 May 10–16 No films | 0 | – | – | – |
| Week 20, 2010 May 9–15 1 film | 1 | $531.4K | – | Campamento Flipy (2010) $531.4K |
| Week 20, 2011 May 8–14 No films | 0 | – | – | – |
| Week 20, 2012 May 13–19 2 films | 2 | $421K | – | Orange Honey (2012) $414.8K |
| Week 20, 2013 May 12–18 No films | 0 | – | – | – |
| Week 20, 2014 May 11–17 3 films | 3 | $614.3K | – | For a Handful of Kisses (2014) $384.1K |
| Week 20, 2015 May 10–16 2 films · +575% | 2 | $4.1M | +575% | No Kids (2015) $4.1M |
| Week 20, 2016 May 8–14 4 films · +251% | 4 | $14.6M | +251% | Don’t Blame the Kid (2016) $14.5M |
Archive
Spanish Box Office in 2016, Week by Week
45 weeks of 2016 with reported grosses; the biggest is week 12 (Mar 13–19) with $30.4M, led by The Clan (2016).
- Week 1 No grosses
- Week 2 $4.4M
- Week 3 $3.1K
- Week 4 $2.3M
- Week 5 $1.3M
- Week 6 $631.2K
- Week 7 No grosses
- Week 8 $3.2M
- Week 9 $2.4M
- Week 10 $187.2K
- Week 11 $2.6M
- Week 12 $30.4M
- Week 13 No grosses
- Week 14 $2.3K
- Week 15 $54.9K
- Week 16 $5M
- Week 17 $4.2M
- Week 18 $18M
- Week 19 $425K
- Week 20 $14.6M
- Week 21 $3.2M
- Week 22 No grosses
- Week 23 $117.7K
- Week 24 $598.8K
- Week 25 $188.8K
- Week 26 $868K
- Week 27 No grosses
- Week 28 $39K
- Week 29 No grosses
- Week 30 $60.2K
- Week 31 $2.9M
- Week 32 $9.3M
- Week 33 $23.8K
- Week 34 $682.8K
- Week 35 $7.3M
- Week 36 $23.7M
- Week 37 $6.9M
- Week 38 $3.3M
- Week 39 $3.4M
- Week 40 $13K
- Week 41 $3.1M
- Week 42 $5.2M
- Week 43 $5.3M
- Week 44 $40.3K
- Week 45 $3.8M
- Week 46 $11.7K
- Week 47 $259.9K
- Week 48 $2M
- Week 49 No grosses
- Week 50 $3.2K
- Week 51 $4.6M
- Week 52 $22.6M
- Week 53 No grosses
FAQ
Spanish Box Office Week 20 of 2016: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
What is the highest-grossing Spanish-language movie in week 20 of 2016 (May 8–14)?
Don’t Blame the Kid (2016) leads with $14.5M worldwide. Next come Caída del cielo (2016) at $36K and A Monster with a Thousand Heads (2016) at $26.9K.
How much did Spanish-language movies released in week 20 of 2016 (May 8–14) earn?
4 Spanish-language films released in week 20 of 2016 (May 8–14) report a worldwide gross, $14.6M in all, or $3.6M per film on average.
How many Spanish-language movies released in week 20 of 2016 (May 8–14) made $1 billion?
None. The biggest, Don’t Blame the Kid (2016), earned $14.5M.
How is the week 20, 2016 Spanish box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 20 of 2016 (May 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 20, 2016 Spanish box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.