#1 of 3 #1 Spanish-language movie of Week 14, 2014
An Odd Evening in April (2014)
2014 · Comedy, Romance
$480.3K worldwide · 58% of the chart's total
No US & Canada figure reported
Spanish box office · Week 14 · Mar 30–Apr 5, 2014
Spanish Box Office, Week 14 of 2014: Spanish Releases of Mar 30–Apr 5
An Odd Evening in April (2014) is the highest-grossing Spanish-language movie released in week 14 of 2014 (Mar 30–Apr 5), with $480.3K worldwide, ahead of Ilusión Nacional (2014) at $354.6K and Fulboy (2014) at $353. 3 Spanish-language films released that week report a worldwide gross, $835.3K in all.
- week 14 releases with a gross
- 3
- combined worldwide
- $835.3K
- An Odd Evening in April (2014), the #1
- $480.3K
#1 of 3 Top 3
What Were the Biggest Spanish Hits of Week 14 of 2014?
An Odd Evening in April (2014) leads with $480.3K, 58% of the total. The top 3 together took $835.3K, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Spanish Release of Week 14 of 2014, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 14 of 2014 (Mar 30–Apr 5).
- 1 Apr 3, 2014 US and Canada: – Rest of the world: – Worldwide: $480.3K
- 2 Apr 4, 2014 US and Canada: – Rest of the world: – Worldwide: $354.6K
- 3 Apr 1, 2014 US and Canada: – Rest of the world: – Worldwide: $353
Weeks around it
How Does Week 14 Compare With the Weeks Around It?
Week 14 releases took $835.3K. The biggest of these 9 weeks is week 11 (Mar 9–15) with $78.8M, led by Spanish Affair (2014).
- Week 8 Wk 8 Feb 16–22 No reported grosses – No reported grosses
- Week 9 Wk 9 Feb 23–Mar 1 Fachon Models (2014) $1.5M Fachon Models (2014)
- Week 10 Wk 10 Mar 2–8 No reported grosses – No reported grosses
- Week 11 Wk 11 Mar 9–15 Spanish Affair (2014) $78.8M Spanish Affair (2014)
- Week 12 Wk 12 Mar 16–22 No reported grosses – No reported grosses
- Week 13 Wk 13 Mar 23–29 Kamikaze (2014) $2.2M Kamikaze (2014)
- Week 14 Wk 14 Mar 30–Apr 5 An Odd Evening in April (2014) $835.3K An Odd Evening in April (2014)
- Week 15 Wk 15 Apr 6–12 Betibú (2014) $2M Betibú (2014)
- Week 16 Wk 16 Apr 13–19 El sueño de todos (2014) $226.5K El sueño de todos (2014)
Earlier years
How Does Week 14 of 2014 Compare With Earlier Years?
Of these 10 years, Week 14, 2012 earned the most: $3.3M from 1 film, led by Unit 7 (2012). Week 14, 2014 took $835.3K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 14, 2005 Mar 27–Apr 2 No films | 0 | – | – | – |
| Week 14, 2006 Apr 2–8 No films | 0 | – | – | – |
| Week 14, 2007 Apr 1–7 1 film | 1 | $384.8K | – | Blue Eyelids (2007) $384.8K |
| Week 14, 2008 Mar 30–Apr 5 1 film · +298% | 1 | $1.5M | +298% | Cowards (2008) $1.5M |
| Week 14, 2009 Mar 29–Apr 4 1 film · −99% | 1 | $21.2K | −99% | The Last Summer in La Boyita (2009) $21.2K |
| Week 14, 2010 Mar 28–Apr 3 1 film · +10883% | 1 | $2.3M | +10883% | Brother and Sister (2010) $2.3M |
| Week 14, 2011 Mar 27–Apr 2 2 films · −89% | 2 | $249.7K | −89% | Reus (2011) $172.3K |
| Week 14, 2012 Apr 1–7 1 film · +1224% | 1 | $3.3M | +1224% | Unit 7 (2012) $3.3M |
| Week 14, 2013 Mar 31–Apr 6 1 film · −98% | 1 | $75.8K | −98% | Afterparty (2013) $75.8K |
| Week 14, 2014 Mar 30–Apr 5 3 films · +1002% | 3 | $835.3K | +1002% | An Odd Evening in April (2014) $480.3K |
Archive
Spanish Box Office in 2014, Week by Week
39 weeks of 2014 with reported grosses; the biggest is week 11 (Mar 9–15) with $78.8M, led by Spanish Affair (2014).
- Week 1 No grosses
- Week 2 $4.4K
- Week 3 $3.5M
- Week 4 $58.4K
- Week 5 $22.5K
- Week 6 No grosses
- Week 7 $13.7M
- Week 8 No grosses
- Week 9 $1.5M
- Week 10 No grosses
- Week 11 $78.8M
- Week 12 No grosses
- Week 13 $2.2M
- Week 14 $835.3K
- Week 15 $2M
- Week 16 $226.5K
- Week 17 $3.7M
- Week 18 $2.2M
- Week 19 $3.5M
- Week 20 $614.3K
- Week 21 $1.7M
- Week 22 $76.6K
- Week 23 $5.7M
- Week 24 $9M
- Week 25 No grosses
- Week 26 No grosses
- Week 27 No grosses
- Week 28 $5.2M
- Week 29 $179.1K
- Week 30 $194.9K
- Week 31 No grosses
- Week 32 No grosses
- Week 33 $1.7K
- Week 34 No grosses
- Week 35 $21.7M
- Week 36 $9.6M
- Week 37 $3.6M
- Week 38 $615.1K
- Week 39 $9.3M
- Week 40 $14.4M
- Week 41 $102
- Week 42 $13.2M
- Week 43 $715.5K
- Week 44 $6.7M
- Week 45 $68.3K
- Week 46 $114.4K
- Week 47 $2.9M
- Week 48 $8.2K
- Week 49 $102
- Week 50 No grosses
- Week 51 No grosses
- Week 52 $2M
- Week 53 No grosses
FAQ
Spanish Box Office Week 14 of 2014: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing Spanish-language movie in week 14 of 2014 (Mar 30–Apr 5)?
An Odd Evening in April (2014) leads with $480.3K worldwide. Next come Ilusión Nacional (2014) at $354.6K and Fulboy (2014) at $353.
How much did Spanish-language movies released in week 14 of 2014 (Mar 30–Apr 5) earn?
3 Spanish-language films released in week 14 of 2014 (Mar 30–Apr 5) report a worldwide gross, $835.3K in all, or $278.4K per film on average.
How many Spanish-language movies released in week 14 of 2014 (Mar 30–Apr 5) made $1 billion?
None. The biggest, An Odd Evening in April (2014), earned $480.3K.
How is the week 14, 2014 Spanish box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 14 of 2014 (Mar 30–Apr 5). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 14, 2014 Spanish box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.