#1 of 7 2010 · Thriller, Horror
$16.9M worldwide · 89% of the chart's total
Julia’s Eyes (2010) is the highest-grossing Spanish-language movie released in August 2010, with $16.9M worldwide, ahead of The Milk of Sorrow (2010) at $1.6M and La Soga (The Butcher's Son) (2010) at $210.6K. 7 Spanish-language films released in August 2010 report a worldwide gross, $19M in all, 1% of it from the US & Canada. That is down 12% on July 2010, whose releases took $21.5M. By genre, Thriller leads with $16.9M across 2 Spanish releases.
#1 of 7 2010 · Thriller, Horror
$16.9M worldwide · 89% of the chart's total
Julia’s Eyes (2010) leads with $16.9M, 89% of the total. The top 5 together took $19M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in August 2010.
Aug 16, 2010 US and Canada: – Rest of the world: – Worldwide: $16.9M
Aug 27, 2010 US and Canada: $10.5K Rest of the world: $1.5M Worldwide: $1.6M
Aug 13, 2010 US and Canada: $210.6K Rest of the world: Worldwide: $210.6K
Aug 27, 2010 US and Canada: – Rest of the world: – Worldwide: $150.2K
Aug 12, 2010 US and Canada: – Rest of the world: – Worldwide: $106.6K
Aug 9, 2010 US and Canada: – Rest of the world: – Worldwide: $39.2K
Aug 27, 2010 US and Canada: $2.4K Rest of the world: Worldwide: $2.4K Of the top 7, La Soga (The Butcher's Son) (2010) earned the biggest share at home (100% in the US & Canada), while The Milk of Sorrow (2010) made 99% of its gross abroad. Across all 7 films, $223.5K (1%) came from the US & Canada. 4 films of the top 7 report no US & Canada figure.
Films released in week 34 (Aug 15–21) took $16.9M, led by Julia’s Eyes (2010). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, August 2010 earned the most: $19M from 7 films, led by Julia’s Eyes (2010).
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| August 2001 2 films | 2 | $64.5K | – | Fausto 5.0 (2001) $33.2K |
| August 2002 2 films · +3203% | 2 | $2.1M | +3203% | Box 507 (2002) $2.1M |
| August 2003 4 films · +672% | 4 | $16.5M | +672% | The Other Side of the Bed (2003) $13.5M |
| August 2004 5 films · −56% | 5 | $7.2M | −56% | Nicotina (2004) $5.8M |
| August 2005 4 films · −68% | 4 | $2.3M | −68% | Ninette (2005) $1.8M |
| August 2006 4 films · +323% | 4 | $9.8M | +323% | Princesas (2006) $8.4M |
| August 2007 6 films · +17% | 6 | $11.5M | +17% | The Wind of Fear (2007) $3.7M |
| August 2008 5 films · +32% | 5 | $15.2M | +32% | A Boyfriend for My Wife (2008) $6.4M |
| August 2009 7 films · −58% | 7 | $6.4M | −58% | El estudiante (2009) $3.2M |
| August 2010 7 films · +195% | 7 | $19M | +195% | Julia’s Eyes (2010) $16.9M |
The months of 2010 with their totals: April leads with $49.9M, led by The Secret in Their Eyes (2010).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Julia’s Eyes (2010) leads with $16.9M worldwide. Next come The Milk of Sorrow (2010) at $1.6M and La Soga (The Butcher's Son) (2010) at $210.6K.
7 Spanish-language films released in August 2010 report a worldwide gross, $19M in all, or $2.7M per film on average. July 2010 releases took $21.5M.
None. The biggest, Julia’s Eyes (2010), earned $16.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in August 2010. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.