#1 of 3 #1 Spanish-language movie of Week 12, 2006
2006 · Drama, Romance
$2.2M worldwide · 57% of the chart's total
$6.6K US & Canada · <1% $2.2M elsewhere · 100%
Spanish box office · Week 12 · Mar 19–25, 2006
Spanish Box Office, Week 12 of 2006: Spanish Releases of Mar 19–25
Dark Blue Almost Black (2006) is the highest-grossing Spanish-language movie released in week 12 of 2006 (Mar 19–25), with $2.2M worldwide, ahead of Crossing Borders (2006) at $1.7M and Ellos robaron la picha de Hitler (2006) at $2.1K. 3 Spanish-language films released that week report a worldwide gross, $3.8M in all, <1% of it from the US & Canada.
- week 12 releases with a gross
- 3
- combined worldwide
- $3.8M
- Dark Blue Almost Black (2006), the #1
- $2.2M
- earned in the US & Canada
- <1%
#1 of 3 Top 3
What Were the Biggest Spanish Hits of Week 12 of 2006?
Dark Blue Almost Black (2006) leads with $2.2M, 57% of the total. The top 3 together took $3.8M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Spanish Release of Week 12 of 2006, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 12 of 2006 (Mar 19–25).
- 1 Mar 24, 2006 US and Canada: $6.6K Rest of the world: $2.2M Worldwide: $2.2M
- 2 Mar 19, 2006 US and Canada: – Rest of the world: – Worldwide: $1.7M
- 3 Mar 24, 2006 US and Canada: – Rest of the world: – Worldwide: $2.1K
Weeks around it
How Does Week 12 Compare With the Weeks Around It?
Week 12 releases took $3.8M. The biggest of these 9 weeks is week 12 (Mar 19–25) with $3.8M, led by Dark Blue Almost Black (2006).
- Week 6 Wk 6 Feb 5–11 The Feast of the Goat (2006) $266.3K The Feast of the Goat (2006)
- Week 7 Wk 7 Feb 12–18 Battle in Heaven (2006) $258.2K Battle in Heaven (2006)
- Week 8 Wk 8 Feb 19–25 No reported grosses – No reported grosses
- Week 9 Wk 9 Feb 26–Mar 4 No reported grosses – No reported grosses
- Week 10 Wk 10 Mar 5–11 The Night of the Sunflowers (2006) $1.6M The Night of the Sunflowers (2006)
- Week 11 Wk 11 Mar 12–18 The Devil's Miner (2006) $14.3K The Devil's Miner (2006)
- Week 12 Wk 12 Mar 19–25 Dark Blue Almost Black (2006) $3.8M Dark Blue Almost Black (2006)
- Week 13 Wk 13 Mar 26–Apr 1 No reported grosses – No reported grosses
- Week 14 Wk 14 Apr 2–8 No reported grosses – No reported grosses
Earlier years
How Does Week 12 of 2006 Compare With Earlier Years?
Of these 10 years, Week 12, 2002 earned the most: $10.4M from 5 films, led by Son of the Bride (2002). Week 12, 2006 took $3.8M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 12, 1997 Mar 16–22 No films | 0 | – | – | – |
| Week 12, 1998 Mar 15–21 No films | 0 | – | – | – |
| Week 12, 1999 Mar 14–20 No films | 0 | – | – | – |
| Week 12, 2000 Mar 12–18 No films | 0 | – | – | – |
| Week 12, 2001 Mar 18–24 No films | 0 | – | – | – |
| Week 12, 2002 Mar 17–23 5 films | 5 | $10.4M | – | Son of the Bride (2002) $8.8M |
| Week 12, 2003 Mar 16–22 3 films · −76% | 3 | $2.5M | −76% | Soldiers of Salamina (2003) $1.5M |
| Week 12, 2004 Mar 14–20 1 film · −98% | 1 | $50.7K | −98% | Social Genocide (2004) $50.7K |
| Week 12, 2005 Mar 13–19 1 film · +7285% | 1 | $3.7M | +7285% | Habana Blues (2005) $3.7M |
| Week 12, 2006 Mar 19–25 3 films · +2% | 3 | $3.8M | +2% | Dark Blue Almost Black (2006) $2.2M |
Archive
Spanish Box Office in 2006, Week by Week
37 weeks of 2006 with reported grosses; the biggest is week 44 (Oct 29–Nov 4) with $89M, led by Volver (2006).
- Week 1 No grosses
- Week 2 $1.2M
- Week 3 No grosses
- Week 4 $243.1K
- Week 5 $5.4K
- Week 6 $266.3K
- Week 7 $258.2K
- Week 8 No grosses
- Week 9 No grosses
- Week 10 $1.6M
- Week 11 $14.3K
- Week 12 $3.8M
- Week 13 No grosses
- Week 14 No grosses
- Week 15 $339.6K
- Week 16 $106.4K
- Week 17 $770.7K
- Week 18 $4.8K
- Week 19 No grosses
- Week 20 No grosses
- Week 21 No grosses
- Week 22 $11.3K
- Week 23 No grosses
- Week 24 $51.2K
- Week 25 $2.1M
- Week 26 $35.9K
- Week 27 No grosses
- Week 28 $352.6K
- Week 29 $339.1K
- Week 30 No grosses
- Week 31 No grosses
- Week 32 $593.6K
- Week 33 $779.8K
- Week 34 $8.4M
- Week 35 $23.5M
- Week 36 $522.9K
- Week 37 $19.5K
- Week 38 $1.2M
- Week 39 $619.8K
- Week 40 $10.7M
- Week 41 $135K
- Week 42 $15.8M
- Week 43 No grosses
- Week 44 $89M
- Week 45 $2M
- Week 46 $2M
- Week 47 $2.9M
- Week 48 No grosses
- Week 49 $1.1M
- Week 50 $119K
- Week 51 $8.8M
- Week 52 $83.9M
- Week 53 No grosses
FAQ
Spanish Box Office Week 12 of 2006: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing Spanish-language movie in week 12 of 2006 (Mar 19–25)?
Dark Blue Almost Black (2006) leads with $2.2M worldwide, $6.6K of it in the US & Canada. Next come Crossing Borders (2006) at $1.7M and Ellos robaron la picha de Hitler (2006) at $2.1K.
How much did Spanish-language movies released in week 12 of 2006 (Mar 19–25) earn?
3 Spanish-language films released in week 12 of 2006 (Mar 19–25) report a worldwide gross, $3.8M in all, or $1.3M per film on average.
How many Spanish-language movies released in week 12 of 2006 (Mar 19–25) made $1 billion?
None. The biggest, Dark Blue Almost Black (2006), earned $2.2M.
How is the week 12, 2006 Spanish box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 12 of 2006 (Mar 19–25). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 12, 2006 Spanish box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.