#1 of 6 2018 · Drama, Crime
$14.4M worldwide · 25% of the chart's total
The Drug King (2018) is the highest-grossing Korean-language movie released in December 2018, with $14.4M worldwide, ahead of Take Point (2018) at $12.9M and Door Lock (2018) at $11.4M. 6 Korean-language films released in December 2018 report a worldwide gross, $57.9M in all, <1% of it from the US & Canada. That is down 4% on November 2018, whose releases took $60.6M. By genre, Action leads with $27.4M across 2 Korean releases.
#1 of 6 2018 · Drama, Crime
$14.4M worldwide · 25% of the chart's total
The Drug King (2018) leads with $14.4M, 25% of the total. The top 5 together took $57.7M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in December 2018.
Dec 19, 2018 US and Canada: – Rest of the world: – Worldwide: $14.4M
Dec 26, 2018 US and Canada: $112.4K Rest of the world: $12.8M Worldwide: $12.9M
Dec 5, 2018 US and Canada: – Rest of the world: – Worldwide: $11.4M
Dec 21, 2018 US and Canada: $222K Rest of the world: $10.7M Worldwide: $10.9M
Dec 31, 2018 US and Canada: – Rest of the world: – Worldwide: $8.1M
Dec 7, 2018 US and Canada: $52.9K Rest of the world: $133.2K Worldwide: $186.1K Of the top 6, Twiceland (2018) earned the biggest share at home (28% in the US & Canada), while Take Point (2018) made 99% of its gross abroad. Across all 6 films, $387.3K (<1%) came from the US & Canada. 3 films of the top 6 report no US & Canada figure.
Films released in week 51 (Dec 16–22) took $25.4M, led by The Drug King (2018). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, December 2017 earned the most: $225.7M from 4 films, led by Along With the Gods: The Two Worlds (2017). December 2018 took $57.9M.
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| December 2009 1 film | 1 | $36.5M | – | The Chaser (2009) $36.5M |
| December 2010 3 films · +14% | 3 | $41.5M | +14% | Hello Ghost (2010) $19.8M |
| December 2011 3 films · +5% | 3 | $43.6M | +5% | Spellbound (2011) $18.9M |
| December 2012 4 films · −15% | 4 | $37M | −15% | Love 911 (2012) $16.8M |
| December 2013 2 films · −44% | 2 | $20.8M | −44% | Way Back Home (2013) $17.7M |
| December 2014 3 films · −83% | 3 | $3.5M | −83% | A Dynamite Family (2014) $1.4M |
| December 2015 4 films · +1506% | 4 | $55.5M | +1506% | The Himalayas (2015) $50.5M |
| December 2016 4 films · +63% | 4 | $90.6M | +63% | Master (2016) $51.6M |
| December 2017 4 films · +149% | 4 | $225.7M | +149% | Along With the Gods: The Two Worlds (2017) $109.4M |
| December 2018 6 films · −74% | 6 | $57.9M | −74% | The Drug King (2018) $14.4M |
The months of 2018 with their totals: August leads with $155M, led by Along with the Gods: The Last 49 Days (2018).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
The Drug King (2018) leads with $14.4M worldwide. Next come Take Point (2018) at $12.9M and Door Lock (2018) at $11.4M.
6 Korean-language films released in December 2018 report a worldwide gross, $57.9M in all, or $9.7M per film on average. November 2018 releases took $60.6M.
None. The biggest, The Drug King (2018), earned $14.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in December 2018. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.