#1 of 3 #1 Japanese-language movie of Week 7, 2011
2011 · War, Drama
$17.7M worldwide · 57% of the chart's total
No US & Canada figure reported
Japanese box office · Week 7 · Feb 6–12, 2011
Japanese Box Office, Week 7 of 2011: Japanese Releases of Feb 6–12
Oba: The Last Samurai (2011) is the highest-grossing Japanese-language movie released in week 7 of 2011 (Feb 6–12), with $17.7M worldwide, ahead of Tomorrow’s Joe (2011) at $12.2M and Patisserie Coin De Rue (2011) at $1.2M. 3 Japanese-language films released that week report a worldwide gross, $31.1M in all.
- week 7 releases with a gross
- 3
- combined worldwide
- $31.1M
- Oba: The Last Samurai (2011), the #1
- $17.7M
#1 of 3 Top 3
What Were the Biggest Japanese Hits of Week 7 of 2011?
Oba: The Last Samurai (2011) leads with $17.7M, 57% of the total. The top 3 together took $31.1M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Japanese Release of Week 7 of 2011, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 7 of 2011 (Feb 6–12).
- 1 Feb 11, 2011 US and Canada: – Rest of the world: – Worldwide: $17.7M
- 2 Feb 11, 2011 US and Canada: – Rest of the world: – Worldwide: $12.2M
- 3 Feb 11, 2011 US and Canada: – Rest of the world: – Worldwide: $1.2M
Weeks around it
How Does Week 7 Compare With the Weeks Around It?
Week 7 releases took $31.1M. The biggest of these 9 weeks is week 4 (Jan 16–22) with $80.4M, led by Evangelion: 2.0 You Can (Not) Advance (2011).
- Week 1 Wk 1 Jan 1 No reported grosses – No reported grosses
- Week 2 Wk 2 Jan 2–8 No reported grosses – No reported grosses
- Week 3 Wk 3 Jan 9–15 No reported grosses – No reported grosses
- Week 4 Wk 4 Jan 16–22 Evangelion: 2.0 You Can (Not) Advance (2011) $80.4M Evangelion: 2.0 You Can (Not) Advance (2011)
- Week 5 Wk 5 Jan 23–29 No reported grosses – No reported grosses
- Week 6 Wk 6 Jan 30–Feb 5 AUN: The Beginning and the End of All Things (2011) $14.9K AUN: The Beginning and the End of All Things (2011)
- Week 7 Wk 7 Feb 6–12 Oba: The Last Samurai (2011) $31.1M Oba: The Last Samurai (2011)
- Week 8 Wk 8 Feb 13–19 No reported grosses – No reported grosses
- Week 9 Wk 9 Feb 20–26 Macross Frontier: The Wings of Farewell (2011) $6.8M Macross Frontier: The Wings of Farewell (2011)
Earlier years
How Does Week 7 of 2011 Compare With Earlier Years?
Of these 10 years, Week 7, 2011 earned the most: $31.1M from 3 films, led by Oba: The Last Samurai (2011).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 7, 2002 Feb 10–16 1 film | 1 | $31.2K | – | KT (2002) $31.2K |
| Week 7, 2003 Feb 9–15 No films | 0 | – | – | – |
| Week 7, 2004 Feb 8–14 No films | 0 | – | – | – |
| Week 7, 2005 Feb 6–12 No films | 0 | – | – | – |
| Week 7, 2006 Feb 12–18 No films | 0 | – | – | – |
| Week 7, 2007 Feb 11–17 1 film | 1 | $113.7K | – | Exte: Hair Extensions (2007) $113.7K |
| Week 7, 2008 Feb 10–16 1 film · +255% | 1 | $403.1K | +255% | Resident Evil: Degeneration (2008) $403.1K |
| Week 7, 2009 Feb 8–14 1 film · +2328% | 1 | $9.8M | +2328% | Brass Knuckle Boys (2009) $9.8M |
| Week 7, 2010 Feb 7–13 No films | 0 | – | – | – |
| Week 7, 2011 Feb 6–12 3 films | 3 | $31.1M | – | Oba: The Last Samurai (2011) $17.7M |
Archive
Japanese Box Office in 2011, Week by Week
36 weeks of 2011 with reported grosses; the biggest is week 4 (Jan 16–22) with $80.4M, led by Evangelion: 2.0 You Can (Not) Advance (2011).
- Week 1 No grosses
- Week 2 No grosses
- Week 3 No grosses
- Week 4 $80.4M
- Week 5 No grosses
- Week 6 $14.9K
- Week 7 $31.1M
- Week 8 No grosses
- Week 9 $6.8M
- Week 10 $32.1M
- Week 11 $40.3M
- Week 12 $8.6M
- Week 13 No grosses
- Week 14 No grosses
- Week 15 No grosses
- Week 16 $42.8M
- Week 17 $34.9M
- Week 18 $18.7M
- Week 19 $19.2M
- Week 20 No grosses
- Week 21 No grosses
- Week 22 $25.7M
- Week 23 $27.7M
- Week 24 $21.5M
- Week 25 $11.8K
- Week 26 $23.5M
- Week 27 No grosses
- Week 28 No grosses
- Week 29 $1.9M
- Week 30 $10.8M
- Week 31 $9.1M
- Week 32 $31.9M
- Week 33 No grosses
- Week 34 $6.6M
- Week 35 $23.4M
- Week 36 No grosses
- Week 37 No grosses
- Week 38 $1.5M
- Week 39 $31M
- Week 40 $15.3M
- Week 41 $11.5M
- Week 42 $162.3K
- Week 43 $240.6K
- Week 44 $60.1M
- Week 45 $20M
- Week 46 No grosses
- Week 47 $6.4M
- Week 48 $77.7M
- Week 49 $20.8M
- Week 50 $17.3M
- Week 51 $22.5M
- Week 52 $61.9M
- Week 53 No grosses
FAQ
Japanese Box Office Week 7 of 2011: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing Japanese-language movie in week 7 of 2011 (Feb 6–12)?
Oba: The Last Samurai (2011) leads with $17.7M worldwide. Next come Tomorrow’s Joe (2011) at $12.2M and Patisserie Coin De Rue (2011) at $1.2M.
How much did Japanese-language movies released in week 7 of 2011 (Feb 6–12) earn?
3 Japanese-language films released in week 7 of 2011 (Feb 6–12) report a worldwide gross, $31.1M in all, or $10.4M per film on average.
How many Japanese-language movies released in week 7 of 2011 (Feb 6–12) made $1 billion?
None. The biggest, Oba: The Last Samurai (2011), earned $17.7M.
How is the week 7, 2011 Japanese box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 7 of 2011 (Feb 6–12). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 7, 2011 Japanese box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.